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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

DJ ST. THOMAS
Interviews, MusicSeptember 20, 2019<September 20, 2019

A Conversation with DJ ST. THOMAS: A Fresh Psychedelic Slice of Electronic with Some Persian Flavoring

The Big Day - Chance the Rapper album art 7.1
Debut, Music, Our Take, ReviewsAugust 19, 2019<December 15, 2020

Our Take: Five Months After ‘The Big Day’, Chance the Rapper Is Still a Joyful, Skillful Young Man

The Lost Tapes II - Nas 7.1
Music, Our Take, ReviewsAugust 6, 2019<December 15, 2020

Our Take: Nas Salvages Solid Compilation from Formerly-Discarded Tracks in ‘The Lost Tapes 2’

Let's Rock - The Black Keys 8.2
Music, Our Take, ReviewsJuly 9, 2019<December 15, 2020

Our Take: “Let’s Rock” Is a Comeback to Admire for Long-Dormant The Black Keys

Delena © 2019
Music, PremieresJune 27, 2019<June 27, 2019

Premiere: No Rearview Mirror Needed as Delena Drives Off on “One Night”

Phourist and the Photons © Phourist and the Photons 2019
Music, PremieresMay 3, 2019<May 3, 2019

Premiere: Phourist & the Photons Deliver in Full Gear on “Tired of My Medication”

Abd Al Malik
Music, Our Take, ReviewsApril 18, 2019<April 18, 2019

Our Take: Abd Al Malik Still Reigns Supreme in France’s Spoken-Word Scene

head above water avril lavigne album cover
Music, Our Take, ReviewsMarch 13, 2019<March 13, 2019

Our Take: Avril Lavigne Brushes Demons Aside on ‘Head Above Water,’ Her Post-Health Scare Return to Form

Drew Davies © Georgios Elianos
Debut, Music, Music Videos, PremieresMarch 7, 2019<March 6, 2019

Premiere: Drew Davies Brings Personal Style to Classic Pop Narrative on Debut “Man on the Run”

YSIV - Logic 7.9
Music, Our Take, ReviewsNovember 8, 2018<October 16, 2024

Our Take: Logic Continues to Dazzle on Consistently Impressive ‘YSIV’

Eminem - 'Kamikaze' © 2018
Music, Our Take, ReviewsOctober 5, 2018<October 5, 2018

Our Take: With ‘Kamikaze’, Maybe Slim Shady Does Care What You Think, For Once?

Queen - Nicki Minaj 7.9
Features, Music, Our Take, ReviewsAugust 17, 2018<August 17, 2023

Our Take: The ‘Queen’ Reigns Supreme on Nicki Minaj’s Regal Fourth Offering

GORILLAZ © J.C. Hewlett
Music, Our Take, ReviewsJuly 27, 2018<July 27, 2018

Our Take: Ever Enjoyable & Inventive, Gorillaz Returns with “The Now Now”

Nasir - Nas 7.1
Music, Our Take, ReviewsJune 26, 2018<January 19, 2022

Our Take: Nas’ NASIR Proves a Palatable Rough Draft

The Analog Affair Avalanche © Evan Baker
Music, PremieresJune 21, 2018<June 21, 2018

Premiere: Smoky Seduction in The Analog Affair’s Hazy “Monsters”

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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