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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Columns, Music, Today's SongOctober 7, 2021<October 11, 2021

Today’s Song: iamnotshane’s Returns Happier Than Ever With “Don’t Say That.”

self-care - bad tuner
Debut, Interviews, MusicSeptember 27, 2021<September 29, 2021

Interview with bad tuner: A Brooklyn EDM Buff Practicing Proper ‘self-care’ on Debut EP

SHAED © Jared Zagha
Debut, Interviews, MusicSeptember 13, 2021<September 13, 2021

Interview: A Conversation with SHAED, a Pop Trio Full of Capital Pride

Kanye West at Donda listening party © 2021 7.5
Music, Our Take, ReviewsSeptember 8, 2021<September 8, 2021

Our Take: With ‘Donda,’ Kanye West Delivers a High Point in His Elder-Hip-Hop-Statesman Career Phase

Doja Cat © David LaChapelle 8.3
Music, Our Take, ReviewsJuly 20, 2021<July 14, 2021

Our Take: Doja Cat’s ‘Planet Her’ Is an Interstellar Mission Wholly Worth the While

JORDI - Maroon 5 7
Music, Our Take, ReviewsJune 24, 2021<June 23, 2021

Our Take: Maroon 5 Return with a Mostly Stellar Seventh Record on ‘JORDI’

Play With the Changes - Rochelle Jordan
Features, Interviews, MusicJune 22, 2021<June 21, 2021

Interview with Rochelle Jordan: A Toronto R&B Queen Re-Emerges in Stellar Style on ‘Play with the Changes’

Night Beats © Hamilton Boyce
Interviews, MusicJune 17, 2021<June 17, 2021

Interview: One-Man Band Night Beats Tests the Waters of ‘Outlaw R&B’ on Fifth LP

Interviews, MusicJune 15, 2021<June 15, 2021

Interview: Mat Zo Reflects on a Near-Decade of Transatlantic Electronica Production

John Splithoff © Lauren Jones
Debut, Interviews, MusicJune 11, 2021<June 11, 2021

Interview: John Splithoff Is ‘All In’ for His Next Career Phase As an LP-Maker

EXODUS 1:7 - DMX 7.5
Music, Our Take, ReviewsJune 10, 2021<June 10, 2021

Our Take: DMX Sounds His Final Bark on ‘EXODUS 1:7’

The Bitter Truth - Evanescence 8.3
Music, Our Take, ReviewsJune 8, 2021<June 8, 2021

Our Take: Evanescence Dazzle Like the Seasoned Rock Veterans They Are on ‘The Bitter Truth’

Love Truls © Linus Bertholdsson
Columns, Music, Today's SongJune 4, 2021<June 4, 2021

Today’s Song: Sweden’s Love Truls Displays Tender Feelings of Affection on “Tell Her”

Lycoriscoris © 2021
Interviews, MusicMay 13, 2021<May 13, 2021

Interview with Lycoriscoris: A Master EDM-Maker from Japan Delivers a Spellbinding Record with ‘Chiyu’

Jauz & HALIENE
MusicApril 22, 2021<August 3, 2021

With “Oceans & Galaxies,” Jauz & HALIENE Are Celebrating Earth Day in High EDM Style

Posts pagination
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Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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