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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Ray Moon © The Nikon Icon
Interviews, MusicMarch 22, 2021<March 22, 2021

From Darkness to “Glowin”: A Conversation with Ray Moon

alexdgoldberg
Debut, Interviews, MusicMarch 18, 2021<March 18, 2021

Interview with Alexdgoldberg: Brooklyn’s Finest Bounces Back From Bad Health & Releases Compelling Debut LP ‘Loste’

Huitième Art - Sinik 8
Music, Our Take, ReviewsMarch 17, 2021<March 16, 2021

Our Take: Sinik Maintains His Streak of Dominance in the French Rap Game with ‘Huitième art’

XIXA © Puspa Loh Meyer
Music, ReviewsMarch 12, 2021<March 12, 2021

Review: XIXA Embark on an Unsettling Tour of the Sonoran Desert on Sophomore Record ‘Genesis’

Novi © 2021
MusicMarch 10, 2021<March 11, 2021

Novi Crafts a Refreshing Synth-Pop Antidote to Lockdown Woes with ‘For the Wild Ones’ EP

Jesse Gold © Arman Saturday
Music, ReviewsMarch 3, 2021<March 3, 2021

Jesse Gold Honors His Trademark Sounds & Longtime Creative Allies on “We Good”

Foo Fighters © Danny Clinch 8.3
Music, Our Take, ReviewsFebruary 24, 2021<June 2, 2023

Our Take: With ‘Medicine at Midnight’, Foo Fighters’ Album Total Cracks the Double Digits in Grand Style

Rome & Duddy
Features, Interviews, MusicFebruary 22, 2021<February 21, 2021

Interview with Rome & Duddy: Two Friends & Seasoned Performers Try Their Luck As a Feel-Good Duo

Planet Giza © Igal Perets
Columns, Music, Today's SongFebruary 8, 2021<February 11, 2021

Today’s Song: Planet Giza Get Things Going with “When the Moving Stops”

AFSHeen © 2021
Interviews, MusicFebruary 4, 2021<February 3, 2021

Interview with AFSHeeN: An Electronica Expert Who’s Eager to Offer You Some ‘HAPPY TUNES’

inverness © Meg Meyer
Music, ReviewsFebruary 3, 2021<February 3, 2021

Review: Inverness, Anthony Russo, & Kang Daniel Conjure a Marvelous “State of Wonder” in the Studio

Essential Rap Songs that Celebrate the Fight for Black Liberation
Black History Month, Music, PlaylistsFebruary 1, 2021<August 30, 2021

Essential Rap Songs that Celebrate the Fight for Black Liberation

tunng © 2020
Interviews, MusicJanuary 11, 2021<January 11, 2021

Interview: You Can Find Tunng in Da ‘DEAD CLUB’

Snoop Dogg & Raff Pylon © 2020
Columns, Music, Today's SongJanuary 6, 2021<January 5, 2021

Today’s Song: Raff Pylon & Snoop Dogg Give Us a “Christmas in California” Worth Celebrating

Columns, Music, Today's SongDecember 23, 2020<December 23, 2020

Today’s Song: Nebraska Rapper JVCKJ Spins Heartbreak into Moving Music on “You Lie”

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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