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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Gabríel Ólafs © Vidar Logi
Music, PremieresApril 28, 2022<April 28, 2022

Premiere: Icelandic Composer Gabríel Ólafs Stirs the Soul with Achingly Beautiful “The Drifter”

Atwood Magazine Editor's Picks 61
Columns, Editor's Picks, Features, MusicApril 27, 2022<September 29, 2022

Editor’s Picks 61: Jemima Coulter, Been Stellar, Rosie Carney, Carmody, She Her Her Hers, & dayaway!

Casey Dubie © 2022
Features, Interviews, Music, Track-by-TrackApril 27, 2022<April 27, 2022

Feature: Casey Dubie Shines Bright on Sophomore LP ‘Half-Hearted’, an Honest & Reflective Stream of Consciousness

Sweet Company - Vicky Farewell
Debut, Features, Interviews, Music, Track-by-TrackApril 27, 2022<April 27, 2022

“Sincere, Refreshing, & Effortless”: Vicky Farewell’s Debut Album Is Sun-Soaked ‘Sweet Company’

Sophia Bel © Will Arcand
Debut, Features, Interviews, Music, Track-by-TrackApril 26, 2022<September 29, 2022

Feature: Sophia Bel Opens Up on Her Stunningly Vulnerable, Transparent & Playful Debut ‘Anxious Avoidant’

Deer Scout © Felix Walworth
Debut, Features, Interviews, Music, Track-by-TrackApril 26, 2022<May 15, 2022

“Small, Close, & Sentimental”: Inside Deer Scout’s Comforting Debut Album ‘Woodpecker’

Atwood Magazine Editor's Picks 60
Columns, Editor's Picks, Features, MusicApril 22, 2022<September 29, 2022

Editor’s Picks 60: Lo, Jo Schornikow, Lisa Remar, Moreton, Katy J Pearson, & néomí

Sandman Sleeps © Parisa Farbakhsh
Debut, Features, Interviews, Music, Track-by-TrackApril 21, 2022<April 21, 2022

Track-by-Track: Inside Sandman Sleeps’ Stirring, Honest, & Climatic Debut Album, ‘Crisis Actor’

SongBook - The Lazy Eyes
Debut, Features, Interviews, Music, Track-by-TrackApril 21, 2022<April 21, 2022

“Explosive, Colourful, & Nostalgic”: The Lazy Eyes Deliver a Kaleidoscopic Psych Rock Revue in Debut ‘SongBook’

Deanna Petcoff © Nadia Doss
Debut, Features, Interviews, Music, Track-by-TrackApril 21, 2022<April 20, 2022

“Passionate, Cathartic, & Loving”: Deanna Petcoff Soars on Stunning Debut ‘To Hell With You, I Love You’

TBH - Bri Steves
Debut, Features, Music, Reviews, Track-by-TrackApril 20, 2022<April 20, 2022

“Raw & Unfiltered”: Philadelphia’s Bri Steves Dives into Her Uninhibited, Undeniable Debut Project, ‘TBH’

Incubator - Primer
Features, Music, Reviews, Track-by-TrackApril 19, 2022<April 19, 2022

“Poignant Abject Pop”: Primer Dives into Her Stunning & Cinematic Synthpop LP, ‘Incubator’

Gregory Ackerman © Nell T Sherman
Features, Interviews, Music, ReviewsApril 19, 2022<April 19, 2022

“Pain, Hope, & Memoriam”: Gregory Ackerman Discusses His Beautifully Aching Sophomore Album ‘Still Waiting Still’

GRAE © Gemma Warren
Artist to Watch, Debut, Features, Interviews, Music, Reviews, Track-by-TrackApril 15, 2022<April 18, 2022

“Happy, Sad, & Nostalgic”: GRAE Dives Inside the ‘Whiplash’ of Her Dazzling, Undeniable Debut

Atwood Magazine Editor's Picks 59
Columns, Editor's Picks, Features, MusicApril 15, 2022<April 26, 2024

Editor’s Picks 59: BEL & girlhouse, Mt. Joy, Ken Yates, McCall, Typhoon, & Nora Mae

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Recent Posts

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  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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