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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Edward and Jane © Brooke Hamilton
Music, PremieresApril 15, 2020<May 29, 2020

Premiere: Edward and Jane’s Cinematic New Song “The Knife” Glows with Heartaching Beauty

JOY - Seazoo
Music, Reviews, Track-by-TrackApril 14, 2020<August 7, 2023

Track-by-Track: Seazoo’s Sophomore Album Is a Feverish, Uplifting Bundle of ‘JOY’

Sonia Stein "Passerby" still 5
Music, PremieresApril 14, 2020<April 13, 2020

Premiere: London’s Sonia Stein Blurs Intimate Lines with Majestic “Passerby”

Music, Music Videos, PremieresApril 10, 2020<April 10, 2020

Artist-to-Watch: Forever Honey’s Dreamy “Twenty-Five” Is a Dazzling Quarter-Life Crisis

In A Rocket with Lissie - Beoga
Music, Reviews, This Just InApril 9, 2020<April 9, 2020

Review: Beoga & Lissie Erupt “In a Rocket” with Catchy, Feel-Good Passion

Chloe Moriondo © Kris Herrmann
Features, Interviews, MusicApril 9, 2020<April 9, 2020

Anxiety, Innocence, and Vulnerability: An Interview with Chloe Moriondo

frogi © Tyreke Monterio
Music, PremieresApril 8, 2020<April 8, 2020

Premiere: frogi’s Intimate “til I turn blue” Is a Breathtaking Bedroom Pop Love Song

Atwood Magazine Editor's Picks 32
Columns, Editor's Picks, Features, MusicApril 8, 2020<September 23, 2021

Editor’s Picks: April 8, 2020

Johnny Stimson © Bani Amir
Music, PremieresApril 8, 2020<April 7, 2020

Premiere: Johnny Stimson’s Homesick “Hard to Say Goodbye” Is a Slick, Undeniable R&B Groove

The Hour © 2020
Music, ReviewsApril 7, 2020<April 7, 2020

EP Review: UK Collective The Hour Spin a Dark, Cinematic Tapestry in ‘Father’ EP

Michael Baker 8.9
Interviews, Music, Our Take, Reviews, Track-by-TrackApril 7, 2020<December 15, 2020

Track-by-Track: Inside Michael Baker’s Achingly Beautiful Sophomore Album ‘Salt’

Selling Things - Brian Dunne
Features, Music, PremieresApril 7, 2020<May 15, 2020

Album Premiere: Brian Dunne’s Hopeful & Hopeless ‘Selling Things’ Is a New Timeless Classic

Suzy & The Lifeguard © Casey Curry
Music, PremieresApril 6, 2020<April 6, 2020

Premiere: Suzy & The Lifeguard’s “Loolluby” Is an Entrancing, Emotional Escape

A is for Arrows © Maria Jose Govea
Music, PremieresApril 6, 2020<April 6, 2020

Premiere: Toronto’s A Is for Arrows Glisten & Glow in Self-Assured Song “Go Slow”

FVLCRVM
Music, PremieresApril 3, 2020<April 3, 2020

Premiere: FVLCRVM’s Intoxicating & Cerebral “Meaning” Is an Electronic Force

Posts pagination
1 … 176 177 178 179 180 … 297

Recent Posts

  • “Catch Me on the Comedown”: The Maine Struggle to Slow Down on “Die to Fall,” a Restless Alt-Rock Fever Dream March 19, 2026
  • Editor’s Picks 150: Fantastic Cat, Maya Engen, MUNA, Stephen Sanchez, Keni Titus, & The Undercover Dream Lovers! March 18, 2026
  • Every Single Song Is About You: CARR’s Sophomore Record ‘CARRGIRRL’ Is This Spring’s Most Relatable Soundtrack of Messy Decisions March 18, 2026
  • “Rather Be in Trenches with You”: CON THE ARTIST Finds Beauty in Love’s Messy Devotion on “Only You” March 18, 2026
  • “We Wanted to Make a Really Sexy Song”: Silverdeer Erupt with Pleasure and Power on “Open Mouth,” a Playful, Sweaty Celebration of Sexuality March 18, 2026
  • Roundtable Discussion: A Review of Bruno Mars’ ‘The Romantic’ March 17, 2026
  • “Music Is NOT a Waste of a Good Mind”: An Essay by Linda Marks for Women’s History Month March 17, 2026
  • “Staring Straight Down the Lens”: Soda Blonde Turn Shame into Power on “Suit & Tie,” a Liberating Alt-Pop Reckoning with Identity and Self-Worth March 17, 2026
  • Atwood Magazine’s Weekly Roundup: March 17, 2026 March 17, 2026
  • Delaney Bailey Isn’t Scared of Growth: The Expansive Pressure of ‘Concave’ and Evolving As an Artist March 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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