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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Columns, Debut, Music, Today's SongJuly 28, 2020<July 28, 2020

Today’s Song: Untold Poet Makes a Strong First Impression on Debut Single “Start to Speak”

Columns, Music, Today's SongJuly 23, 2020<July 22, 2020

Today’s Song: Kid Cudi and Eminem Shine on First-Ever Duet, “The Adventures of Moon Man & Slim Shady”

Interviews, MusicJuly 21, 2020<July 22, 2020

Interview with Healing Potpourri: The Antidote to 2020’s Madness Has Arrived

lemin. © 2020
Columns, Music, Today's SongJuly 17, 2020<July 9, 2020

Today’s Song: lemin. Turns a Letdown Evening into a Moving Piano Piece with “tv”

EMIKA © Adam Krena
Features, Interviews, MusicJuly 16, 2020<July 16, 2020

A Conversation With Emika: A Neo-Classical Creative Force to be Reckoned With

Sebastian Paul © Alden Bone Cutter
Features, Interviews, MusicJuly 15, 2020<July 15, 2020

Interview with Sebastian Paul: Always on the Road, Always Experimenting Stylistically

Features, Interviews, MusicJuly 13, 2020<April 4, 2024

Interview with Baseball Game: Bouncing Back from the Hardships of Little League

Interviews, MusicJuly 10, 2020<July 10, 2020

Interview: Many Beaches May Be Closed, But Iration’s New Album “Coastin'” Can Teleport You There

Music, ReviewsJuly 8, 2020<July 8, 2020

Review: ‘Nightwhisper’ Is a Solo Comeback to Admire for Veteran Electronica Star Jody Wisternoff

Interviews, MusicJuly 3, 2020<July 3, 2020

Meet Zanski: A Talented Young EDM Producer Unafraid of Tackling Tough Topics

Midnight Kids © Dan Franco
Interviews, MusicJune 29, 2020<June 29, 2020

Interview with Midnight Kids: Two Talented Youngsters Bring the Night Sky to Life on Vibrant Debut, ‘The Lost Youth’

How I'm Feeling Now - Charli XCX 7.9
Music, Our Take, ReviewsJune 23, 2020<December 15, 2020

Our Take: Charli XCX Remains the Queen of Electropop Love Tunes on ‘How I’m Feeling Now’

6.9
Music, Our Take, ReviewsJune 17, 2020<December 15, 2020

Our Take: Lil Wayne Compiles a Puffy Grab Bag on ‘Funeral (Deluxe)’

sobhhï © 2020
Features, Interviews, MusicJune 5, 2020<June 5, 2020

Interview with Sobhhi: A Dreamy Modern Approach to “Le Rouge et le Noir.”

Interviews, MusicJune 3, 2020<June 3, 2020

Interview with Ukiyo: Emerging from Isolation with a Slew of Hot New Tracks

Posts pagination
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Recent Posts

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  • Atwood Magazine’s Weekly Roundup: January 9, 2026 January 9, 2026
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  • Brigitte Calls Me Baby Turned Fear of Death into Romantic Rock Songs Full of Hope, Drama, and Existential Dread January 8, 2026
  • “Rudimentary Questions About the Afterlife”: TOLEDO Embrace Wonder and the Unknown with Dreamy Grace on “Nothing Yet” January 8, 2026
  • “Dream About Beaches”: Kings of Leon Bask in the Glow of a Fresh Sonic Space on ‘EP #2’ January 7, 2026
  • Interview: Fiji Blue’s Trevor Dering Gets Candid on ‘Hug’ and the Moments That Shaped His Music January 7, 2026
  • “Throw Your Arms Around”: Melbourne Duo Wishlist Embrace Experimental Pop & Partnership on Dreamy Debut “Even When I’m Leaving” January 7, 2026
  • The Best Music of 2025, According to Our Favorite Artists! January 7, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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