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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Father of All Motherfuckers - Green Day album art 7.2
Music, Our Take, ReviewsMarch 3, 2020<December 15, 2020

Our Take: With ‘Father of All Motherfuckers’, the Middle-Aged Men of Green Day Prove They Are Still Young at Heart

Columns, Music, Today's SongMarch 2, 2020<March 2, 2020

Today’s Song: Aussies Willaris. K & Gordi Unite for a Startling Sonic Exploration of the “Indifferent” Mindset

shYbeast's Devin Oliver
Debut, Interviews, MusicFebruary 21, 2020<February 21, 2020

Threading Rock, Electronica & Vulnerability Together: A Conversation with shYbeast

Glassio © Katelyn Kopenhaver
Interviews, MusicFebruary 11, 2020<March 13, 2020

Interview: Meet Glassio, an Artist Fueled by Melancholic & Halcyon Melodies

Surf Rock Is Dead © Shamshawan Scott
Columns, Music, Today's SongFebruary 11, 2020<February 11, 2020

Today’s Song: Messy Roommates Surf Rock is Dead Enter the World of Dreamy Indie Rock with “Diabolik”

Alex Kennedy
Columns, Music, Today's SongJanuary 24, 2020<January 24, 2020

Today’s Song: Alex Kennedy Enters Fatherhood & Music Business with Compassionate “Baby Steps”

Eminem © 2020 7.8
Music, Our Take, ReviewsJanuary 23, 2020<December 15, 2020

Our Take: Eminem’s 11th Album ‘Music to be Murdered By’ Proves a High-Quality Surprise

Denis Coleman © Lucille Khornak
Interviews, MusicJanuary 22, 2020<January 22, 2020

Perfectly Imperfect for You: A Conversation with Denis Coleman

Romance - Camila Cabello 7.4
Music, Our Take, ReviewsJanuary 20, 2020<December 15, 2020

No Sophomore Slump Here: Our Take on Camila Cabello’s ‘Romance’

Bubba - Kaytranada 8.7
Music, Our Take, ReviewsJanuary 14, 2020<December 15, 2020

Our Take: Kaytranada Delivers the Last Great Dance Record of the 2010s

Columns, Music, Today's SongJanuary 8, 2020<January 8, 2020

Today’s Song: Love Is Still So Hard for The Millennial Club on “Coffee in the Morning”

Love you later
Columns, Music, Today's SongDecember 17, 2019<December 17, 2019

Today’s Song: On “Said That You’d Be There,” Love You Later Makes the Most of Past Misfortunes

Cellar Door Moon Crow
Music, ReviewsDecember 4, 2019<December 4, 2019

Northern England’s Rock Scene Proudly Repp’ed by Cellar Door Moon Crow

Sara Diamond 2019
Columns, Music, Today's SongNovember 27, 2019<November 22, 2019

Today’s Song: Sara Diamond Is Loved By the NHL, Less So By the “Baby” She Desires

Asher Knight
Interviews, MusicNovember 21, 2019<November 21, 2019

Interview: UK’s Asher Knight Steps Back to Reflect on a Year of Many Firsts

Posts pagination
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Recent Posts

  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra March 31, 2026
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry March 31, 2026
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song March 30, 2026
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight March 30, 2026
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’ March 30, 2026
  • Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva” March 30, 2026
  • Today’s Song: Metalcore Band Holder Push Past the Pain on “Inconsolable” March 28, 2026
  • Atwood Magazine’s Weekly Roundup: March 27, 2026 March 27, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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