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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Pierre Kwenders © Kim Yang
Interviews, MusicOctober 11, 2023<October 11, 2023

Interview: Pierre Kwenders Is a Congolese-Canadian Artist Shining as Brightly as the Full Moon

Doja Cat © Jacob Webster 7.7
Music, Our Take, ReviewsOctober 4, 2023<October 3, 2023

Our Take: A New-Look Doja Cat Smothers All Her Demons on ‘Scarlet’

Josh Weiner
Columns, Meet Our WritersSeptember 23, 2023<September 23, 2023

Meet Our Writers: Boston’s Josh Weiner!

ZZ © 2023
Interviews, MusicAugust 9, 2023<August 9, 2023

Interview: Meet ZZ, A New Delhi Native Now Rockin’ the Mics in the States

By Now - Jessica Woodlee
Columns, Music, Today's SongAugust 2, 2023<August 2, 2023

Today’s Song: Jessica Woodlee Explores How to React When Things Don’t Go As Planned on “By Now”

Noizu © 2023
Interviews, MusicJuly 7, 2023<October 11, 2023

A Conversation with Noizu, A Spicy Hot EDM Producer from England

Curtis Waters © Callum Walker Hutchinson
Features, Interviews, MusicMay 23, 2023<May 24, 2023

Interview: Curtis Waters, a Nepali Native Escalating the American Alternative Scene

Metallica © Tim Saccenti 8.5
Music, Our Take, ReviewsMay 15, 2023<May 15, 2023

Our Take: Metallica Return From Hiatus in Dark & Energetic Fashion on ’72 Seasons’

Morat © Amanda Imm
Features, Music, ReviewsApril 24, 2023<April 30, 2023

Meet Morat, a Colombian Band Looking to “Salir Con Vida” into the Spotlight

Ayleen Valentine © Caity Krone
Columns, Interviews, Music, Today's SongApril 12, 2023<April 30, 2023

Ayleen Valentine Scores a Double Victory with “epitaph” & “i can’t stop dreaming of you”

Cracker Island - Gorillaz 8.6
Music, Our Take, ReviewsMarch 17, 2023<April 30, 2023

Our Take: On ‘Cracker Island,’ Gorillaz’ Chest-Thumping Causes Major Waves 

Dr. Ushūu © 2023
Interviews, MusicMarch 6, 2023<April 30, 2023

Interview: Dr. Ushūu’s EDM Universe Knows No Bounds

Oddisee © Jasmine Van Buytene 8.3
Music, Our Take, ReviewsFebruary 20, 2023<February 20, 2023

Our Take: Oddisee Does the DC Rap Scene Proud on ‘To What End’

JETPACK - Barny Fletcher
Interviews, MusicJanuary 23, 2023<January 23, 2023

Interview: British Rapper Barny Fletcher Wraps Up Inaugural Mixtape Trilogy with ‘JETPACK’

Callie Reiff © Bellamy Brewster
Interviews, MusicJanuary 13, 2023<January 13, 2023

“Watch Out, It’s a Chain Reaction”: A Conversation with Soaring EDM Talent Callie Reiff

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Recent Posts

  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra March 31, 2026
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry March 31, 2026
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song March 30, 2026
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight March 30, 2026
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’ March 30, 2026
  • Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva” March 30, 2026
  • Today’s Song: Metalcore Band Holder Push Past the Pain on “Inconsolable” March 28, 2026
  • Atwood Magazine’s Weekly Roundup: March 27, 2026 March 27, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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