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Kelly McCafferty Dorogy

Kelly McCafferty Dorogy

Kelly has been with Atwood since its earliest days in 2014. She is originally from Pittsburgh, PA, now based in New Orleans, LA and has been singing, writing, playing guitar and piano for almost all of her life. Music drives everything she does. She brings her unique perspective with each piece, always open to discovering something or someone new.

Columns, Music, Today's SongFebruary 6, 2020<February 6, 2020

Today’s Song: Singer/Songwriter Liz Longley Liberates with “3 Crow”

Chris Mardini © Royce Gorsuch
Music, PremieresJanuary 22, 2020<January 21, 2020

Premiere: 17-Year-Old Chris Mardini’s Intoxicating 3rd Single, “Sleepless”

Leddra Chapman
Music, PremieresDecember 5, 2019<December 11, 2019

Premiere: Leddra Chapman Explores a Heartbreaking Loss with “Ghosts”

Maggie Rogers © Olivia Bee
Music, Reviews, This Just InNovember 21, 2019<December 5, 2019

This Just In: Maggie Rogers’ Poetically Tangible “Love You for a Long Time”

Loote © 2019
Music, Music Videos, PremieresNovember 18, 2019<November 16, 2019

Video Premiere: Nostalgia & Rocking Out Make Loote’s “All The F*cking Time”

The Ballroom Thieves © Shervin Lainez
Music, PremieresNovember 18, 2019<November 18, 2019

Premiere: The Ballroom Thieves Liberate Us with “Unlovely” (ft. Darlingside)

Will Killen © 2019
Columns, Music, Today's SongNovember 18, 2019<November 16, 2019

Today’s Song: Leeds Singer/Songwriter Will Killen Simplifies with New Single “Overthinking”

Lhasa © Kate Oatway
Columns, Music, Today's SongNovember 11, 2019<November 11, 2019

Today’s Song: Lhasa’s “Birdsong” Is a Folksy Dream

MisterWives 2019 © Shervin Lainez
Music, ReviewsNovember 8, 2019<April 21, 2020

Review: MisterWives’ ‘Mini Bloom’ EP Is Soul-Filled & Poetically Perfect

Christopher Paul Stelling © Chris Phelps
Columns, Music, Today's SongNovember 6, 2019<November 6, 2019

Today’s Song: Christopher Paul Stelling Negates Doubt with “Trouble Don’t Follow Me”

MisterWives 2019 © Shervin Lainez
Features, Interviews, MusicOctober 28, 2019<October 28, 2019

Real Songs, Real Talk, and Real People: A Conversation with MisterWives

Dermot Kennedy
Debut, Features, Interviews, MusicOctober 18, 2019<October 18, 2019

To Make Us Feel: An Interview with Dermot Kennedy

It's Your Bed Babe, It's Your Funeral - Maisie Peters
Features, Interviews, MusicOctober 16, 2019<October 16, 2019

Songs, Stories and Middle Eights: An Interview with Maisie Peters

Luckie © William Henry Thompson
Music, PremieresOctober 9, 2019<October 8, 2019

Premiere: UK’s Luckie Debuts Bluesy Anthem “Sad People, Bad People”

KTG
Music, ReviewsOctober 3, 2019<October 3, 2019

Review: A Common Thread of Folk & Soul Make KTG’s ‘Searching for Magpies’

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Recent Posts

  • “You’ve Been Everything I’ve Been Craving”: Jena Malone Makes Desire Feel Dangerous, Dreamy, & Utterly Irresistible in “You’ve Been on My Mind” April 23, 2026
  • “Rock ‘n’ Roll Is Something We Believe In”: Pleasure Pill Come ‘Alive’ with Infectious Britpop Charm & Churn on Electrifying EP April 23, 2026
  • “Is It That I’m Not Your Type?”: Abby Nissenbaum Burns with Longing on “Naomi,” a Soulful & Smoldering Torch Song April 23, 2026
  • Today’s Song: Curls Ultra’s “Vegas (Mandalay Bay)” Is More Than Love and Yearning April 23, 2026
  • “Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song April 22, 2026
  • “For One Night Only, Bring Them to Italy”: A Conversation with Il Volo April 22, 2026
  • “Eat Your Heart Out”: A Vivisection of SKORTS’ Unrelenting Debut Album ‘Incompletement’ April 22, 2026
  • “Why Can’t You See What I See?”: Ross Newhouse Lays Bare Self-Doubt & Love on “Words I’d Use,” a Lush Indie Folk Duet with Grace Gardner April 22, 2026
  • “It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom April 21, 2026
  • “Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness April 21, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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