• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The Happy Fits © 2020
Features, Interviews, Music, Reviews, Track-by-TrackAugust 28, 2020<August 28, 2020

Brash, Fast, & Made to Last: The Happy Fits’ Soaring Sophomore Album ‘What Could Be Better’

Half Stack © The Bait Shop
Columns, Music, Today's SongAugust 28, 2020<August 28, 2020

Today’s Song: Half Stack Evoke the Sea Breeze in Sunny Cruiser “Laguna Seca”

Caroline Jones © Tyler Lord
Music, Music Videos, PremieresAugust 28, 2020<August 28, 2020

Premiere: Caroline Jones Is In Love & Out of Control on Seductive Song “Intimacy”

Old Sea Brigade & Luke Sital-Singh © Hannah Cousins
Music, Premieres, ReviewsAugust 28, 2020<August 28, 2020

Old Sea Brigade & Luke Sital-Singh Light a Peaceful, Easy Fire in ‘All the Ways You Sing in the Dark’ EP

Aydin Sayer © Jeff Andersen Jnr
Music, PremieresAugust 27, 2020<August 27, 2020

Premiere: Melbourne’s Aydin Sayar Dwells in Heartache on “Missed Calls” ft. Montgomery

Kate Bollinger © Jonathan Roensch - @roensch_
Music, Reviews, Track-by-TrackAugust 27, 2020<August 27, 2020

Track-by-Track: Kate Bollinger’s Intimate Depths Come Alive in ‘A word becomes a sound’ EP

Peter Sandberg © Emma Viola Lilja
Music, Music Videos, PremieresAugust 27, 2020<August 27, 2020

Premiere: Peter Sandberg & Henry Green’s “Pinetrees” Is an Intimate, Cinematic Upheaval

Silver Lake EP - Jolé
Music, Reviews, Track-by-TrackAugust 26, 2020<August 26, 2020

Track-by-Track: Jolé Delves into Tender & (Bitter)Sweet Depths on ‘Silver Lake’ EP

The Brothers Landau © 2020
Music, Premieres, ReviewsAugust 26, 2020<August 25, 2020

EP Premiere: The Brothers Landau Inject Serenity & Light into ‘Haven’t Got a Name’

Michael Baker © 2020
Music, PremieresAugust 26, 2020<August 26, 2020

Premiere: Michael Baker’s Haunting & Hopeful “Caught in the Crossfire”

Marsicans © Sodium Films 9
Debut, Features, Interviews, Music, Our Take, ReviewsAugust 25, 2020<December 15, 2020

Feature: Marsicans on the Explosive Energy & Pure Passion of Debut Album ‘Ursa Major’

Azadeh © 2020
Debut, Music, Music Videos, PremieresAugust 25, 2020<August 24, 2020

Premiere: London’s Azadeh Debuts with Intimate Song of Healing, “The Cure”

How Still The River - Jamie Scott
Features, Music, Reviews, Track-by-TrackAugust 25, 2020<August 24, 2020

Track-by-Track: Jamie Scott Dives into Loss, Longing, & Connection in Stunning Sophomore Album ‘How Still the River’

Mating Ritual © Kevin Doan
Features, Music, Reviews, Track-by-TrackAugust 24, 2020<August 24, 2020

Track-by-Track: Mating Ritual’s ‘The Bungalow’ Is a Seductive, Groovy Embrace of the Party

Kaio Mars © Alex Shahmiri
Debut, Interviews, Music, PremieresAugust 24, 2020<August 24, 2020

Interview: Irvine’s Kaio Mars Soars with Vulnerable, Kaleidoscopic Debut “All I Need”

Posts pagination
1 … 156 157 158 159 160 … 291

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services