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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Quiet - Grace May cover art
Debut, Music, PremieresMarch 28, 2019<April 2, 2019

Premiere: Grace May Debuts with Raw, Stirring Silent Anthem “Quiet”

Noah Kahan © Josh Goleman
Debut, Features, Interviews, MusicMarch 28, 2019<August 12, 2019

Interview: Inside Noah Kahan’s Beautiful Mess

Gabrielle Aplin © Louie Banks
Interviews, Music, This Just InMarch 27, 2019<March 27, 2019

Interview: Gabrielle Aplin’s Spirited Summer Pop Anthem “Nothing Really Matters”

editor's picks 3-25-2019
Columns, Editor's Picks, Music, PlaylistsMarch 25, 2019<April 1, 2019

Editor’s Picks: March 25, 2019

The Pressure Kids © 2019
Features, Music, ReviewsMarch 22, 2019<March 23, 2019

Feature: The Pressure Kids Let Loose in Raw, Radiant Debut EP

Bre Kennedy © Jason Lee Denton
Music, Music Videos, PremieresMarch 22, 2019<March 21, 2019

Premiere: Bre Kennedy Unleashes “Slippin” with High Energy & Resolve

Ivory Layne © Cedrick Jones
Music, PremieresMarch 22, 2019<March 22, 2019

Premiere: Ivory Layne’s Stunning “Heaven” Is an Intimate Prayer for Strength

Hozier © Matthew Thompson 2019
Features, Music, Our Take, ReviewsMarch 21, 2019<April 30, 2019

Hozier’s Fierce, Elegant & Irresistible Sophomore Album ‘Wasteland, Baby!’

JS Williams
Music, PremieresMarch 20, 2019<March 20, 2019

Premiere: JS Williams Debuts with Hauntingly Ambient “Only Oceans”

Yip Deceiver © Chelsea Korsne
Music, Music Videos, PremieresMarch 20, 2019<March 20, 2019

Premiere: Come Show a Little Love for Yip Deceiver’s Dance Party “Devotee”

Kelsy Karter music 2019
Features, Music, Reviews, This Just InMarch 19, 2019<March 20, 2019

Kelsy Karter Ignites with Ecstasy in Catchy, Assertive “What U”

Madelline © Olivia Kopec
Music, PremieresMarch 19, 2019<March 19, 2019

Premiere: The Anxious Enchantment of Madelline’s Hypnotic “Ghost”

Justin Roeland - Seth Binnix
Music, PremieresMarch 19, 2019<March 19, 2019

Premiere: Justin Roeland’s Sweet, Raw & Restless “Desolation”

Adir LC © Adam Kolodny
Music, Music Videos, PremieresMarch 18, 2019<March 18, 2019

Video Premiere: Revving Up & Calming Down with Adir L.C.’s “Reacting”

James Bay © Emily Hope
Essays, Music, ReviewsMarch 15, 2019<April 1, 2019

Basking in James Bay’s Electric Light

Posts pagination
1 … 202 203 204 205 206 … 296

Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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