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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

SVVN © 2017
Debut, Music, Music Videos, PremieresOctober 31, 2017<February 22, 2019

Premiere: SVVN’s “Sand and Snow” Captures Birth’s Ambient Beauty

Tag Cloud © 2017
Debut, Music, PremieresOctober 31, 2017<October 31, 2017

Premiere: Tag Cloud’s “Will Work” Debuts in Dreamy Reverie

Luke Underhill © 2017
Music, Music Videos, PremieresOctober 31, 2017<October 31, 2017

Premiere: The Timelessness of Luke Underhill’s Acoustic “I Wanna Make You Dance”

Cale Gravity Well © Shervin Lainez
Music, PremieresOctober 30, 2017<October 31, 2017

Premiere: The Delightfully Loose Screws of Cale and the Gravity Well’s “Contessa”

The Morning Yells © Chase Bescey
Music, Music Videos, PremieresOctober 30, 2017<October 30, 2017

Premiere: Dreamy Folk on The Morning Yells’ “She Knows Exactly What She’s Doing”

Kramies © Jerome Sevrette
Music, Music Videos, PremieresOctober 27, 2017<October 27, 2017

Premiere: Kramies’ “I Wish I Missed You” Is a Poignant Farewell

Strange Phases © 2017
Debut, Features, Music, PremieresOctober 27, 2017<October 27, 2017

Album Premiere: Strange Phases Debut ‘Art of Restart’ with Dynamic Fire

Kayls © Jon Ecker & Larissa Zbryski
Debut, Music, PremieresOctober 27, 2017<October 27, 2017

Premiere: Kayls Basks in Dark Lust on Debut “Summer”

Rotoscope © Shaleigh Fairbanks
Features, Music, PremieresOctober 27, 2017<October 27, 2017

EP Premiere: Rotoscope’s ‘Clean Lines’ Captures Our Digital Disconnect

Woosah - Josephina
Debut, Music, Music Videos, PremieresOctober 26, 2017<October 26, 2017

Premiere: The Love & Liquored-Up Seduction of Josephina’s Debut “Woosah”

I, Alexander © Elena Montemurro
Debut, Music, PremieresOctober 26, 2017<October 26, 2017

Premiere: Intimacy & Intensity Color I, Alexander’s Debut “Divide”

Benta © 2017
Music, PremieresOctober 26, 2017<October 26, 2017

Premiere: BENTA Embraces Life’s Beauty on Pulsing “Everybody’s Somebody”

hunter & wolfe © aymann ismail
Music, PremieresOctober 26, 2017<October 26, 2017

Premiere: hunter & wolfe’s Poignant and Heartbreaking “Dear Annie”

Jericho - ONR © Omar Al-Zidjali
Debut, Features, Music, Music Videos, PremieresOctober 26, 2017<November 6, 2017

Video Premiere: The Restless Fury of Onr.’s Epic Debut “Jericho”

So Lonely - Mosquitos still
Music, Music Videos, PremieresOctober 25, 2017<November 1, 2017

Premiere: Connecting to Disconnect in Mosquitos’ Tender “So Lonely”

Posts pagination
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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
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