March 26, 2021<April 8, 2021 “How Did This F*cking Happen?”: An Interview with Clever Girls by Ben Niesen
March 26, 2021<March 26, 2021 “Twelve Nice Songs”: John Smith Embraces Connection, Hope, & Community in His 6th Album ‘The Fray’ by Mitch Mosk
March 26, 2021<March 26, 2021 Atwood Magazine’s Weekly Roundup: March 26, 2021 by Atwood Magazine Staff
March 26, 2021<March 26, 2021 Today’s Song: St. Vincent Offers a Quick Dose of Pop Minimalism on “Pay Your Way In Pain” by Adam Davidson
March 25, 2021<March 25, 2021 Interview: Locked Down in Vaults, AKA Block Talks About “Waiting for the Rain” by Guest Writer
March 25, 2021<March 25, 2021 Atwood Magazine Celebrates Women’s History Month 2021, Pt. VI by Atwood Magazine Staff
March 25, 2021<March 25, 2021 Premiere: Inland Isle’s “Time Has Changed Us” Is a Bright Folk Rock Rush by Mitch Mosk
March 25, 2021<March 25, 2021 Breaking the Record with Roan Yellowthorn, Part 55: “Acid Trip” by Guest Writer
March 25, 2021<March 25, 2021 Interview: Middle Part Talks Mental Illnesses And Relationships In Single “& Cry!” by Dimitra Gurduiala
March 25, 2021<March 25, 2021 Today’s Song: England’s bigfatbig Roar with Explosive & Feverish Single “Don’t Wanna Be Sad” by Mitch Mosk
March 25, 2021<April 8, 2021 Interview: Inara George Talks Road Angel Project, Dave Grohl, Sweet Relief Musicians Fund & More by Mitch Mosk
March 25, 2021<March 27, 2021 “We’re Just Oxygen Swimming”: A Conversation with Hannah Hooper of Grouplove by Coco Rich
March 24, 2021<April 8, 2021 Editor’s Picks 48: TENI THE ENTERTAINER, Bleach Lab, LP, Foxes, Laura Mvula, & YaSi by Mitch Mosk
March 24, 2021<March 24, 2021 Premiere: Tommy Ashby Sings from the Sidelines on Soft & Subtle “Poolside” ft. Lydia Clowes by Mitch Mosk
For the Love of Music
For the Love of Music
