July 30, 2020<September 29, 2020 “Better, Not Bigger”: Chicago’s Ric Wilson on Rap, Funk, Activism, & Staying True to Himself by Mitch Mosk
July 30, 2020<August 23, 2020 This Just In: Bastille Shock Us Out of Our Phone Screen Daze with “WHAT YOU GONNA DO???” by Anthony Kozlowski
July 30, 2020<July 29, 2020 Interview: Opus Orange Discuss Isolation, Intimacy, “The Lucky Ones” & Creating in Quarantine by Guest Writer
July 30, 2020<July 30, 2020 Breaking the Record with Roan Yellowthorn, Part 25: Rediscovered by Guest Writer
July 30, 2020<July 30, 2020 Premiere: New Scars Glow in Jon Reynolds & The Aches’ Catchy Song “Love Blind” by Mitch Mosk
July 30, 2020<July 30, 2020 Today’s Song: The Front Bottoms Deliver a Timely Anthem with “montgomery forever” by Lowndes Commander
July 29, 2020<July 29, 2020 Review: The Dissolution of Blind Faith, Then an Awakening in Sufjan Stevens’ “America” & “My Rajneesh” by Nicole Almeida
July 29, 2020<July 29, 2020 Feature: Toronto’s Peach Luffe Weaves Dreamy Wonders in ‘Shimmer’ EP by Mitch Mosk
July 29, 2020<July 29, 2020 Just to Be Around: Louis the Child’s Debut Album ‘Here For Now’ Stuns by Audrey Steeves
July 29, 2020<July 29, 2020 Artist to Watch: Max Helgemo’s Dazzling “Uncovered” Is an Indie Folk Daydream by Mitch Mosk
July 29, 2020<July 29, 2020 Unrequited Love and Lockdown: An Interview with Emily Burns by Luke Pettican
July 29, 2020<July 29, 2020 Today’s Song: A Cohesive Explosion of Sound Makes Cxpital’s “San Francisco” by Kelly McCafferty Dorogy
July 28, 2020<July 28, 2020 Editor’s Picks 37: Ric Wilson, Loviet, Zaia, Aquilo, Erez Zobary & theMIND by Mitch Mosk
July 28, 2020<June 29, 2024 Roundtable Discussion: A Review of Taylor Swift’s ‘folklore’ by Atwood Magazine Staff
For the Love of Music
For the Love of Music
