December 23, 2019<December 19, 2019 Today’s Song: Nostalgia Meets Hustle Culture in Circa Waves’ “Jacqueline” by Nina Schaarschmidt
December 20, 2019<December 19, 2019 Today’s Song: Getting “Caught on Camera” with Cardiff’s The Rotanas by Hermione Kellow
December 19, 2019<June 29, 2024 Roundtable Discussion: A Review of Harry Styles’ ‘Fine Line’ by Atwood Magazine Staff
December 19, 2019<December 19, 2019 Today’s Song: Incantations of Modern Dread on Destroyer’s Newest Single “It Just Doesn’t Happen” by Adrian Vargas
December 18, 2019<February 6, 2020 Atwood Magazine’s Best Albums of the Decade by Atwood Magazine Staff
December 18, 2019<December 18, 2019 Review: Nina Kraviz’s ‘MASSEDUCTION Rewired’ Is a Splintered, Over-Saturated Translation by Guest Writer
December 18, 2019<December 17, 2019 Today’s Song: Matt Mays Looks for Hope Amongst the Wreckage on “Let There Be Love” by Oliver Crook
December 17, 2019<December 17, 2019 Today’s Song: On “Said That You’d Be There,” Love You Later Makes the Most of Past Misfortunes by Josh Weiner
December 16, 2019<December 16, 2019 Interview: The Slow Show Dive into the Breathtaking Depths of ‘Lust and Learn’ by Mitch Mosk
December 16, 2019<December 13, 2019 Today’s Song: A Mellifluous Telling of Growth on Jennah Barry’s “Pink Grey Blue” by Adrian Vargas
December 13, 2019<December 13, 2019 This Just In: Halsey Displays Duality in New Songs “Finally // beautiful stranger” and “SUGA’s Interlude” by Lexi Lane
For the Love of Music
For the Love of Music
