May 24, 2019<May 24, 2019 Trudy and the Romance Provide Jukebox Jams for the 21st Century with Debut Album ‘Sandman’ by Adrian Vargas
May 23, 2019<May 23, 2019 The Tallest Man on Earth’s ‘I Love You. It’s a Fever Dream.’: A Track-by-Track Review by Adrian Vargas
May 22, 2019<August 5, 2021 Solange’s Gorgeous ‘When I Get Home’ Melds Floor-Shaking Beats with Dizzying Songwriting by Atwood Magazine Staff
May 21, 2019<May 21, 2019 Our Take: Institute’s ‘Readjusting the Locks’ Gives a Firm Middle Finger to the Establishment by Kareem Ghezawi
May 20, 2019<May 20, 2019 Album Premiere: Moving On with Meiko’s Breathtakingly Intimate ‘In Your Dreams’ by Mitch Mosk
May 16, 2019<May 17, 2019 Our Take: The Strength and Maturity of Carly Rae Jepsen’s ‘Dedicated’ by Danny Vagnoni
May 16, 2019<May 23, 2019 Review: Tank and The Bangas’ Luminous, Theatrical Album ‘Green Balloon’ by Mariel Fechik
May 14, 2019<May 14, 2019 Review: Reese McHenry Roars into Our Ears & Hearts with Blistering LP ‘No Dados’ by Oliver Crook
May 9, 2019<May 9, 2019 Review: Let GEA’s ‘Snow’ EP Carry You Away into a Higher Plane of Existence by Carolyn Fasone
May 8, 2019<May 8, 2019 Our Take: Rodrigo y Gabriela Forge a Fiery New Path for Nuevo Flamenco on ‘Mettavolution’ by Danny Vagnoni
May 3, 2019<May 3, 2019 Our Take: Sara Bareilles’ ‘Amidst the Chaos’ is an Alluring Journey of Personal Growth & Empowerment by Alicia Bugallo
May 2, 2019<May 2, 2019 Our Take: Marissa Nadler & Stephen Brodsky’s Beautiful, Haunting ‘Droneflower’ by Kareem Ghezawi
April 30, 2019<April 30, 2019 Our Take: Rhys Lewis Enchants with the Reassuringly Reflective ‘In Between Minds’ EP by Luke Pettican
For the Love of Music
For the Love of Music
