November 29, 2021<December 7, 2021 “Introspective, Human, & Hopeful”: Mother Mother Dive ‘INSIDE’ Their Intimate, Raw 8th Album by Mitch Mosk
November 29, 2021<June 29, 2024 Roundtable Discussion: A Review of Taylor Swift’s ‘Red (Taylor’s Version)’ by Atwood Magazine Staff
November 24, 2021<November 29, 2021 Love’s a Drug: Momma’s “Medicine” Is a Grunge-Fueled Song of Intimate Addiction by Mitch Mosk
November 24, 2021<November 24, 2021 Live Review: Sam Fender Conquers London’s Alexandra Palace by Bethan Harper
November 24, 2021<February 26, 2022 “Reflective, Candid, Journey”: Ghanaian Rapper M.anifest Stuns, Stirs, & Soars on ‘Madina to the Universe’ by Mitch Mosk
November 23, 2021<November 24, 2021 “Nostalgic, Cathartic, & Honest”: Toronto’s Loviet Comes to Life in Dazzling Debut Album, ‘777’ by Mitch Mosk
9.1 November 22, 2021<March 11, 2023 Feature: South Florida’s Hush Forte Dives Inside His Intimate Coming-of-Age Project ‘Look Closely’ by Mitch Mosk
November 19, 2021<November 19, 2021 “Vulnerable but Resilient”: Exeter’s Soot Sprite Dive into Their Honest & Urgent ‘Poltergeists’ EP by Mitch Mosk
November 19, 2021<November 19, 2021 Artist to Watch: Lizzy McAlpine Celebrates Death with “doomsday” by Nasim Elyasi
November 18, 2021<February 7, 2022 “Free, Warm, Home”: Aquilo Find ‘A Safe Place to Be’ in Radiant & Wondrous 3rd Album by Mitch Mosk
November 18, 2021<November 18, 2021 Review: Courtney Barnett’s ‘Things Take Time, Take Time’ Is a Stunning Display of Lyricism to a Questionable Soundtrack by Lilly Eason
November 18, 2021<November 18, 2021 “Raw, Authentic, & Tasteful”: Shannon Lauren Callihan Opens Up About Debut ‘One Sided’ EP by Mitch Mosk
November 17, 2021<November 17, 2021 Artist to Watch: Isolation & Fragility Soar in Cloudbelly’s Softly Stirring Debut “Up in Smoke” by Mitch Mosk
November 17, 2021<January 12, 2022 “Real, Funny, & Chaotic”: Inside CARR’s Unapologetic & Exhilarating Sophomore EP ‘I’m Just Bored’ by Mitch Mosk
November 17, 2021<February 7, 2022 Review: Taylor Swift Breaks the Bounds of Brilliance with “All Too Well (10 Minute Version)” by Kelly McCafferty Dorogy
For the Love of Music
For the Love of Music
