June 26, 2020<June 26, 2020 Track-by-Track: Ontario’s BURS Debut with Depth & Vulnerability in Stirring EP ‘Through Windows’ by Mitch Mosk
June 26, 2020<June 26, 2020 Familial Fuel for a Timeless Album: An Interview with Billy Lockett by Adrian Vargas
June 26, 2020<June 26, 2020 Artist to Watch: Charleston’s Beach Tiger Shine Bright on Spirited Debut Album ‘Nostalgia Hot’ by Mitch Mosk
June 26, 2020<July 1, 2020 Feature: Ego Ella May Pours Her Soul Out on Debut Album ‘Honey for Wounds’ by Mitch Mosk
June 25, 2020<June 25, 2020 Premiere: Party of the Sun Take Solace in Traditionalism with ‘Goldenwood’ EP by Anthony Kozlowski
June 24, 2020<June 25, 2020 Review: Ireland’s Paddy Dennehy Searches for Something to Believe in on Debut ‘Little Light’ by Ben Niesen
June 24, 2020<June 24, 2020 Track-by-Track: Camille Delean’s Intimate Album ‘Cold House Burning’ Warms an Isolated Soul by Mitch Mosk
8.1 June 24, 2020<December 15, 2020 Feature: JJ Wilde’s Debut Album Is a ‘Ruthless’, Spirited, & Energizing Rock Affair by Mitch Mosk
June 23, 2020<June 29, 2024 Roundtable Discussion: A Review of Hayley Williams’ ‘Petals for Armor’ by Atwood Magazine Staff
7.9 June 23, 2020<December 15, 2020 Our Take: Charli XCX Remains the Queen of Electropop Love Tunes on ‘How I’m Feeling Now’ by Josh Weiner
June 19, 2020<June 19, 2020 Review: Emanuel’s Debut ‘Alt Therapy Session 1: Disillusion’ Is a Breathtaking R&B Experience by Mitch Mosk
9.3 June 19, 2020<December 15, 2020 Kill Your Masters: A Review of Run the Jewels’ ‘RTJ4’ by Danny Vagnoni
June 19, 2020<June 19, 2020 Interview: Full Colour are Leaving Lockdown Armed with a “Butterfly Brain” & Hunger for the Live Show by Bethan Harper
8.4 June 18, 2020<December 15, 2020 Our Take: Lucy Clearwater Inspires Us to ‘Feel Again’ with Her Stellar Debut EP by Anthony Kozlowski
June 18, 2020<June 17, 2020 Review: Pilkington’s Long-Awaited Debut Captures the Beauty & Pain of Growing Up by Oliver Crook
For the Love of Music
For the Love of Music
