November 5, 2019<November 5, 2019 Unveiling The Hackles’ Elegant Indie Folk Album ‘A Dobritch Did As A Dobritch Should’ by Mitch Mosk
October 31, 2019<October 31, 2019 The Cordial Sins Dive into Their High-Charged ‘In Memory’ EP by Mitch Mosk
October 28, 2019<October 28, 2019 Live Review: Shura Transports Philly’s Johnny Brenda’s into the World of Forevher by Nicole Almeida
October 28, 2019<October 28, 2019 Review: beabadoobee Breaks Bedroom Pop Bubble on Grunge-Inspired EP ‘Space Cadet’ by Harper Beattie
October 25, 2019<October 25, 2019 Review: Blaenavon’s Chaotically Human and Gorgeous ‘Everything That Makes You Happy’ by Nicole Almeida
October 25, 2019<October 24, 2019 Review: Dermot Kennedy Forges His Own Path on Debut Album ‘Without Fear’ by Erica Danielle Garcia
October 25, 2019<October 25, 2019 The 1975 Address Social Anxiety on New Single “Frail State of Mind” by Madison Vettorino
October 21, 2019<October 21, 2019 Live Review: Marika Hackman Wields Undeniable Power and Confidence at Philly’s Boot & Saddle by Nicole Almeida
October 17, 2019<October 17, 2019 Live Review: Philadelphia’s TLA Fully Endorses Lewis Capaldi as America’s Next Sweetheart by Nicole Almeida
October 16, 2019<October 16, 2019 Review: Minor Pieces Weave Intimate Avant-Folk Beauty into Stirring Debut Album ‘The Heavy Steps of Dreaming’ by Mitch Mosk
October 15, 2019<October 15, 2019 Review: Terrell Hines’ Debut EP ‘St. Mark Rd.’ Is an Ingeniously Inventive Delight by Luke Pettican
October 14, 2019<July 1, 2020 Leah Capelle Dives into the Aching Pop Polish of “know me better” by Mitch Mosk
October 14, 2019<October 11, 2019 BATS’ ‘Alter Nature’ Is the Mind-Opening Record the World Needs Right Now by Oliver Crook
October 9, 2019<October 9, 2019 Live Review: Philadelphia’s The Foundry Watches in Awe as MUNA Save the World by Nicole Almeida
October 4, 2019<October 4, 2019 Review: Blood Harmony is FINNEAS’ Immaculate First Step into His Cinematic, Beautiful World by Nicole Almeida
For the Love of Music
For the Love of Music
