August 9, 2019<August 9, 2019 Review: Punk Goes Personal on Julia Shapiro’s Debut ‘Perfect Version’ by Christine Costello
August 8, 2019<August 8, 2019 Review: Goth Babe’s ‘Mt. Hood’ EP Delivers on the Very Best of the Indie Scene by Adrian Vargas
August 8, 2019<August 8, 2019 Chart Hit Analysis: The Enduring Fascination with Lil Nas X’s “Old Town Road” by Frankie Rose
August 7, 2019<August 7, 2019 Review: Summer Salt’s ‘Honeyweed’ EP Is a Sweet Summer Kiss by Mitch Mosk
August 7, 2019<August 8, 2019 Constellations, Hope, and Dance Music Catharsis: An Interview with Ariana and the Rose by Mitch Mosk
7.1 August 6, 2019<December 15, 2020 Our Take: Nas Salvages Solid Compilation from Formerly-Discarded Tracks in ‘The Lost Tapes 2’ by Josh Weiner
August 2, 2019<August 2, 2019 This Just In: Devendra Banhart Delivers on the Universal Language of Loss with the Achingly Beautiful “Memorial” by Adrian Vargas
August 2, 2019<August 2, 2019 Album Review: Ritt Momney’s Triumphant Debut ‘Her and All of My Friends’ by Harper Beattie
August 1, 2019<August 1, 2019 MisterWives’ Unapologetic “whywhywhy” Is a Dynamic Post-Breakup Reckoning by Mitch Mosk
July 31, 2019<December 15, 2020 Review: Ian Ferguson’s ‘State of Gold’ Is Your New Summer Road Tunes Record by Oliver Crook
July 31, 2019<July 31, 2019 Album Premiere: Female Energy Fuels So Sensitive’s Alluring Debut ‘Bedroom Drama’ by Mitch Mosk
July 30, 2019<July 30, 2019 Live Review: Mdou Moctar Takes Crowd on Magical Journey at Halifax Jazz Fest by Oliver Crook
July 29, 2019<July 29, 2019 Requiem for a Poor Mathô: A Review of MARINA’s ‘Love + Fear’ by Ben Niesen
July 29, 2019<July 29, 2019 The Ultimate Matriarchal Experience: British Summertime Festival 2019 by Hermione Kellow
For the Love of Music
For the Love of Music
