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The Runarounds © Isaiah Pate
Columns, Music, Today's SongFebruary 20, 2026<February 19, 2026

The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential

by Andrew Lamson
Atwood Magazine's 148th Editor's Picks!
Columns, Editor's Picks, Features, MusicFebruary 19, 2026<February 19, 2026

Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing!

by Mitch Mosk
Drexler © Toby Shain
Music, PremieresFebruary 19, 2026<February 19, 2026

Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning

by Rachel Leong
Donovan Woods "I Talk About You" © Tiana Lam
Interviews, Music, Today's SongFebruary 19, 2026<February 19, 2026

“I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy

by Mitch Mosk
Adam Sturgeon of Status/Non-Status © Natasha Roberts
Features, Interviews, MusicFebruary 18, 2026<March 16, 2026

‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada

by Damien Joyce
Ásgeir 'Julia' © Einar Egils
Features, Interviews, MusicFebruary 18, 2026<February 18, 2026

“I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet

by Aileen Goos
The 4411 "Sweet July" © 2026
Interviews, Music, Today's SongFebruary 18, 2026<February 18, 2026

“Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time

by Mitch Mosk
Konradsen and Beharie "Efficiency" © Marthe Thu
Interviews, Music, Today's SongFebruary 17, 2026<February 17, 2026

“Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie

by Mitch Mosk
Grace VanderWaal "Prettier"
Columns, Music, Today's SongFebruary 14, 2026<February 14, 2026

“You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired

by Danielle Holian
Atwood Magazine's 147th Editor's Picks!
Columns, Editor's Picks, Features, MusicFebruary 13, 2026<February 13, 2026

Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments!

by Mitch Mosk
Lucy Kruger & The Lost Boys © Francis Broek
Music, ReviewsFebruary 13, 2026<February 13, 2026

Lucy Kruger & The Lost Boys Traverse Sticky-Sweet Sonics on ‘Pale Bloom’

by Marissa DeLeon
Angel Du$t © Nat Wood
Music, ReviewsFebruary 13, 2026<February 13, 2026

Angel Du$t Harken Back to Their Hardcore Roots on Ripping New Album ‘COLD 2 THE TOUCH’

by James Crowley
Holly Humberstone "To Love Somebody" © Silken Weinberg
Columns, Music, Today's SongFebruary 13, 2026<February 12, 2026

“You’re Only Human, Honey”: Holly Humberstone Embraces Love’s Highest Highs & Hardest Truths on “To Love Somebody,” a Glistening, Gut-Punch Anthem

by Mitch Mosk
TRAITRS © Daniel Cherney
Music, PremieresFebruary 12, 2026<February 12, 2026

“I Can’t Heal Myself”: Toronto Darkwave Duo TRAITRS Descend into Looping Nightmares and Identity Erosion on “Dream Drowning”

by Mitch Mosk
Edgehill © Hannah Hall
Columns, Music, Today's SongFebruary 12, 2026<February 12, 2026

Don’t Take Their “Love to Go”: Edgehill Declare Their Hearts Aren’t Disposable on Fan Favorite Anthem

by Miranda Urbanczyk
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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