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Cornelia Murr © Skyler Kim
Concerts, Music, ReviewsNovember 11, 2025<November 11, 2025

Live Review: Cornelia Murr Finds Chemistry, Confidence & Communion at Toad’s Place

by Marc Maleri
Total Wife © Sean Booz
Columns, Music, Today's SongNovember 11, 2025<November 11, 2025

Today’s Song: Total Wife Punch the Gas on “make it last”

by Will Yarbrough
Leilani Patao © Shannon McMahon
Editorials, MusicNovember 10, 2025<November 10, 2025

“The Making of ‘daisy’ – and Why It’s Not on Streaming”: An Essay by Leilani Patao

by Guest Writer
Billy Joel Jr. © Evan Montgomery
Interviews, Music, PremieresNovember 10, 2025<November 10, 2025

Premiere: Chicago’s Billy Joel Jr. Shine Bright on “Ur a Star,” a Raw Indie Rock Anthem of Self-Worth & Sincerity

by Mitch Mosk
fantom EP - Wes Parker
Music, ReviewsNovember 10, 2025<November 10, 2025

The Rise and Fall of an Angel: Wes Parker’s EP ‘fantom’ & Defiant Artistry

by Rachel Leong
Vincent Mason © Patrick Tracy
Debut, Features, Interviews, MusicNovember 10, 2025<November 10, 2025

Interview: Vincent Mason Turns Bedroom Demos into a Breakthrough Debut With ‘There I Go’

by Aileen Goos
Genesis Owusu "Death Cult Zombie" © Isaac Brown
Columns, Music, Today's SongNovember 10, 2025<November 10, 2025

Genesis Owusu Takes a Spiky, Punky Swipe at the Alt-Right on “DEATH CULT ZOMBIE”

by Adam Davidson
James Smith © 2025
Artist to Watch, Interviews, Music, Today's SongNovember 8, 2025<November 8, 2025

Artist to Watch: East London’s James Smith Dazzles with the Timeless, Soulful & Smoldering “Dancing with You (Baby)” – A Modern Classic in the Making

by Mitch Mosk
BENEE - Ur An Angel I’m Just Particles
Features, Interviews, MusicNovember 7, 2025<November 7, 2025

“Obsession, Breakdown, Chaos, and Ascent”: BENEE Breaks Down Her Sophomore Album, ‘Ur An Angel I’m Just Particles’

by Nasim Elyasi
JISOO x ZAYN "EYES CLOSED" © courtesy of the artist
Columns, Music, Today's SongNovember 7, 2025<November 7, 2025

Today’s Song: JISOO and ZAYN Deliver a Tender Pop Moment with “EYES CLOSED”

by Danielle Holian
Box Blonde © Aiden Weber
Interviews, Music, PremieresNovember 7, 2025<November 7, 2025

“It’s a loving goodbye”: Box Blonde Turns Heartbreak into High Art on “I Watch You Watch Her”

by Atwood Magazine Staff
Winyah © Harrison Hargrave
Artist to Watch, Interviews, MusicNovember 6, 2025<November 7, 2025

Artist to Watch: Winyah Unleash Swagger, Grit, & Drive on “Lala,” a Feverish Anthem from One of Indie Rock’s Hottest Bands

by Mitch Mosk
Atwood Magazine's 136th Editor's Picks!
Columns, Editor's Picks, Features, MusicNovember 6, 2025<November 6, 2025

Editor’s Picks 136: Ber, Mini Trees, Joviale, Now, Now, Just Penelope, & The Brook & The Bluff!

by Mitch Mosk
Steady Hands - FRANK
Music, PremieresNovember 6, 2025<November 6, 2025

Premiere: FRANK Channels Fire & Fury into “Steady Hands,” a Blistering Alt-Rock Anthem of Survival and Defiance

by Mitch Mosk
Florence and the Machine 'Everybody Scream'
Features, Music, Reviews, RoundtableNovember 6, 2025<November 6, 2025

Roundtable Discussion: A Review of Florence + The Machine’s ‘Everybody Scream’

by Atwood Magazine Staff
Posts pagination
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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