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Julien Chang © Tommy Waldo
Essays, MusicMarch 13, 2024<March 13, 2024

“Prepositions”: An Essay by Julien Chang

by Guest Writer
Maggie Lindemann 'HEADSPLIT' © Samantha Simmons
Features, Interviews, MusicMarch 13, 2024<March 13, 2024

“A Different Side of Me”: Maggie Lindemann Knows No Bounds on Exploratory ‘HEADSPLIT’ EP

by Aidan Mega
Konradsen © Marthe Thu
Features, Interviews, Music, Track-by-TrackMarch 12, 2024<March 12, 2024

Track-by-Track: Konradsen’s Sophomore LP ‘Michael’s Book on Bears’ Is a Cathartic, Shiver-Inducing Nordic Dreamscape

by Mitch Mosk
Abby Holliday © Samuel Greenhill
Columns, Music, Today's SongMarch 12, 2024<March 12, 2024

“Don’t turn out the light when I’m in the room”: The Infinite Ache of “Immortal,” Abby Holliday’s Gut-Wrenching Love Song

by Mitch Mosk
JEMS © Jayden Becker
Essays, Women's History MonthMarch 12, 2024<March 12, 2024

“Bridging Music’s Gender Gap”: An Essay by JEMS for Women’s History Month

by Guest Writer
Sara Fjeldvær © Sigrid Erdal
Features, Interviews, MusicMarch 12, 2024<March 12, 2024

Interview: Bright and Full of Inner Reflection, Sara Fjeldvær Lights a New Path on Sophomore Album ‘Stars’

by Jaclyn Kelly
Feliz Final © Paula Tudela
Debut, Features, Interviews, MusicMarch 11, 2024<March 11, 2024

Track-by-Track: Exploring the Haziness and Intensity of ‘Nostalgia’ With Feliz Final’s Debut EP

by Frankie Rose
Asha Imuno 'PINS & NEEDLES' © Nani Garcia
Debut, Features, Interviews, MusicMarch 11, 2024<March 11, 2024

Interview: Asha Imuno Embraces the ‘PINS & NEEDLES’ of Life in His Debut Album

by Minna Abdel-Gawad
The Marías "Run Your Mouth" © Bethany Vargas
Columns, Music, Today's SongMarch 11, 2024<March 11, 2024

Today’s Song: The Marías Introduce Fans to the Immersive World of New Album ‘Submarine’ on Danceable Lead Single “Run Your Mouth”

by Olivia Martinez
Ducks Ltd. © Dylan Taylor
Features, Interviews, MusicMarch 7, 2024<February 27, 2024

Taking a More Outward Approach, Ducks Ltd. Showcase Their Sonic Proficiency on Second LP ‘Harm’s Way’

by Kevin Cost
MIKE © Ari Marcopoulos
Columns, Music, Today's SongMarch 6, 2024<March 6, 2024

Today’s Song: MIKE & Tony Seltzer’s Collaboration on “R&B” Is a Breath of Fresh Air for Underground Hip-Hop

by Jake Fewx
shrooms - Coral Moons © Justin Bartlett
Music, Music Videos, PremieresMarch 5, 2024<February 26, 2024

Premiere: On “shrooms,” Coral Moons Trip Through a Sunny, Hazy Weekend With Friends

by Kendall Graham
Loving © Zoe Alma
Features, Interviews, MusicMarch 4, 2024<February 27, 2024

“Cuddle Rock”: Loving’s ‘Any Light’ Is Existentially Uncertain, Yet Mysteriously Optimistic

by Miles Campbell
Cab Ellis © 2022
Columns, Music, Music You Should KnowMarch 4, 2024<March 11, 2024

Music You Should Know: Cab Ellis’ “The East Coast Hold On” Puts a Pep in Your Step, Intoxicating With a Sense of New York Wonder

by Noah Berghammer
bog berries © Cooper Evello
Columns, Music, Today's SongMarch 4, 2024<June 20, 2024

“I didn’t expect to be alone this much”: The Gut-Wrenching Vulnerability of bog berries’ Wistful “Nobody Told Me”

by Mitch Mosk
Posts pagination
1 … 143 144 145 146 147 … 736

Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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