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Ariana Grande 'Eternal Sunshine' © Katia Temkin 8.5
Music, Our Take, ReviewsMarch 18, 2024<March 18, 2024

Our Take: Ariana Grande Stays Bright and Brilliant on ‘Eternal Sunshine,’ Her Intimate & Vulnerable 7th Album

by Josh Weiner
Red Rum Club © Sam Crowston
Columns, Music, Today's SongMarch 17, 2024<March 15, 2024

Today’s Song: Red Rum Club Let Loose on an Exciting & Memorable “Afternoon”

by Jake Fewx
Rebounder "Where Are You Later On, Forever?"
Columns, Music, Today's SongMarch 16, 2024<March 15, 2024

Today’s Song: Rebounder Embrace the Groove on “Where Are You Later On, Forever?”

by Beau Hayhoe
Atwood Magazine's Weekly Roundup | March 15, 2024
Columns, Features, Music, Weekly RoundupMarch 15, 2024<March 18, 2024

Atwood Magazine’s Weekly Roundup: March 15, 2024

by Atwood Magazine Staff
Chinwe © Erique Brown
Artist to Watch, Columns, Music, Today's SongMarch 15, 2024<March 15, 2024

“Will you be around when I come down?”: The Intoxicating Allure of East London’s Chinwe

by Mitch Mosk
Solange © Max Hirschberger
Essays, MusicMarch 15, 2024<March 15, 2024

Why the World Needs to Hear New Music from Solange: A Letter from a Tuba Player

by Jake Fewx
Katherine DePaul
Columns, Essays, Women's History MonthMarch 15, 2024<March 19, 2024

“The School of Bread and Roses, Judy Collins”: An Essay by Katherine DePaul for Women’s History Month

by Guest Writer
Been Stellar © Gabe Long
Columns, Music, Today's SongMarch 14, 2024<March 14, 2024

Today’s Song: NYC’s Been Stellar Are Unleashed on “Passing Judgment,” an Unfiltered & Aching Indie Rock Eruption

by Mitch Mosk
Talk Show © Ash Rommelrath
Debut, Features, Interviews, Music, Track-by-TrackMarch 14, 2024<March 14, 2024

Track-by-Track: London’s Talk Show Unpack Their Debut LP ‘Effigy,’ a Darkly Alluring Post-Punk Fever Dream

by Mitch Mosk
Kat Cunning © McCall Olsen
Interviews, MusicMarch 14, 2024<March 19, 2024

Interview: Kat Cunning Looks for the Best in Others with Their Passionate “Heart of Gold”

by Chloe Robinson
R.E.M. © Jem Cohen
Columns, Music, Nostalgia Tracks, ReviewsMarch 14, 2024<March 14, 2024

Remembering “Electrolite,” R.E.M.’s Phosphorescent Farewell to Hollywood’s Golden Age

by Guest Writer
Giant Rooks © Timothy Schaumburg
Features, Interviews, MusicMarch 14, 2024<March 14, 2024

“No need to be more than we are”: Giant Rooks Delve into ‘How Have You Been?’ and How the Challenges Proved Worthwhile

by Isabella Le
Pillow Queens © Martyna Bannister
Columns, Music, Today's SongMarch 13, 2024<March 13, 2024

“I don’t want to ruin my life, but I want to go home with you”: The Fire & Fury of “Like a Lesson,” Pillow Queens’ Intoxicating Indie Rock Fever Dream

by Mitch Mosk
ANT ENOCH & MORETON © Xinger Xanger
Debut, Music, Music Videos, PremieresMarch 13, 2024<March 15, 2024

“Everything that makes you feel, makes me feel”: Intimacy’s Intensity Comes to Life on “Tunnel Road,” Ant Enoch & Moreton’s Smoldering Love Song

by Mitch Mosk
Chaz Cardigan © courtesy of the artist
Features, Interviews, Music, News, Pop Matters, TravelMarch 13, 2024<March 13, 2024

Interview: Chaz Cardigan’s Conceptual ‘A Year in Glassland’ Is a Selfless Telling of His Story… By Him, for Me & You

by Noah Wade
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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