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Dani Felt
Essays, Women's History MonthMarch 1, 2024<March 2, 2025

“How to Turn Your Dreams into Reality”: An Essay by Dani Felt for Women’s History Month

by Guest Writer
Wallows © Aidan Zamiri
Columns, Music, Today's SongMarch 1, 2024<March 1, 2024

Today’s Song: At a Time in Which No Artist Is Assured an Easy Hit, Wallows Pivot With “Your Apartment”

by Noah Wade
Everything Everything © Steve Gullick
Features, Interviews, MusicMarch 1, 2024<March 23, 2024

Interview: Everything Everything’s Jonathan Higgins on AI, Education, & New LP ‘Mountainhead’

by Eric Schuster
Quarters of Change © Anna Henderson
Features, Interviews, MusicFebruary 29, 2024<February 27, 2024

Interview: NYC’s Quarters of Change Are Painting Vivid & Gritty ‘Portraits’ in Their Sophomore Album

by Minna Abdel-Gawad
Holy Fool "Ache" © Christian Tierney
Columns, Music, Today's SongFebruary 29, 2024<February 26, 2024

Today’s Song: UK Duo Holy Fool Provides a Warm Thirst and Vulnerability in “Ache”

by Chloe Robinson
Francis of Delirium © Holly Whitaker
Debut, Features, Interviews, MusicFebruary 28, 2024<February 28, 2024

“I hope the song encourages people to let each other in”: Francis of Delirium Is a Lighthouse of Love, Support, & Cathartic Indie Rock

by Mitch Mosk
Abby Sage © Noah Kentis
Features, Interviews, MusicFebruary 28, 2024<February 27, 2024

“No shame I’m just a beginner”: Abby Sage Talks ‘The Rot,’ Music Fasts, Theatre Kid Resurrection, and Repurposing Pain into Beauty

by Kate Millar
Bombay Bicycle Club © Tom Oxley
Features, Interviews, MusicFebruary 28, 2024<February 27, 2024

Finding Freedom in Our Fantasies: An Interview With Bombay Bicycle Club

by Nasim Elyasi
The Mysterines "Stray"
Columns, Music, Today's SongFebruary 28, 2024<February 28, 2024

“Can we just rewind back?”: “Stray” Is The Mysterines’ Achingly Intense, Emotionally Charged Alt-Rock Fever Dream

by Mitch Mosk
Maya J © Ryan West
Features, Interviews, MusicFebruary 27, 2024<February 27, 2024

A Musical Mystic: Maya J Showcases Her Creative Versatility in Latest Single “Chills”

by Lauren Hicks
piggy bank - sly jr
Debut, Interviews, MusicFebruary 26, 2024<February 26, 2024

“Life’s not all bad when I really think”: A Conversation With Sly Jr., Son of Sly

by Mitch Mosk
Linn Koch-Emmery © Rory Cole
Columns, Music, Today's SongFebruary 26, 2024<February 26, 2024

“How in the world can we go on?”: Trauma, Grief, & the Raw Ache of Linn Koch-Emmery’s “Ebay Armour”

by Mitch Mosk
Speedrun © 2024
Debut, Features, Interviews, Music, Track-by-TrackFebruary 26, 2024<February 26, 2024

Love’s Latest News: Brooklyn’s Speedrun Debuts With a Nostalgic, Introspective, & Electric Indie Rock Reverie

by Mitch Mosk
Kota the Friend "Alabama Hills" © 2024
Columns, Music, Today's SongFebruary 24, 2024<February 24, 2024

Today’s Song: Kota the Friend Leaves No Room for Greed on “Alabama Hills”

by Aidan Mega
Atwood Magazine's Weekly Roundup | February 23, 2024
Columns, Features, Music, Weekly RoundupFebruary 23, 2024<March 15, 2024

Atwood Magazine’s Weekly Roundup: February 23, 2024

by Atwood Magazine Staff
Posts pagination
1 … 144 145 146 147 148 … 736

Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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