• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Kareen Lomax © Daniel Wooden
Columns, Music, Today's SongFebruary 23, 2024<February 23, 2024

“My whole life is the proof, live the life that I choose”: Kareen Lomax’s “Remedy” Is an Alt-R&B Self-Love Anthem

by Mitch Mosk
Hana Eid 'I Exist Because You Say So' © 2024
Debut, Features, Interviews, Music, Track-by-TrackFebruary 23, 2024<February 23, 2024

“The whole point, to me, is to make somebody feel seen”: Hana Eid Exposes Life’s Cracks on ‘I Exist Because You Say So,’ Her Gut-Wrenching Coming-of-Age Debut

by Mitch Mosk
TEE "getaway" © Tamiym Cader
Artist to Watch, Features, Interviews, MusicFebruary 23, 2024<February 23, 2024

“Hold your ground before it swallows you whole”: UK Artist-to-Watch TEE Is Unpacking Emotion, One Song at a Time

by Mitch Mosk
Allie X © Marcus Cooper
Features, Interviews, MusicFebruary 23, 2024<February 23, 2024

Feature: The Return, Rebirth, and Resurrection of Allie X

by Marissa DeLeon
flor's Zach Grace (vocals, guitar), Dylan Bauld (bass), and Kyle Hill (drums) © Paige MacDonald
Columns, Music, Today's SongFebruary 22, 2024<February 22, 2024

“How did you get my world to spin again?”: flor Shine on “Same Color as the Sun,” a Radiant Anthem of Love & Light

by Mitch Mosk
dba James © Alec Ilstrup
Concerts, Essays, MusicFebruary 22, 2024<February 23, 2024

dba James Is Doing Business As Usual

by Noah Berghammer
He's in love: Jelani Aryeh © Silken Weinberg
Features, Interviews, MusicFebruary 22, 2024<February 22, 2024

“It’s always gonna be a natural process”: Jelani Aryeh on Growing With the Music

by Sofia Sar
Clara Pople & Chase Woods
EssaysFebruary 22, 2024<February 22, 2024

Emerging Talent Scholarships on Offer from Charmfactory

by Guest Writer
Runnner © India Coombs
Features, Interviews, MusicFebruary 21, 2024<February 21, 2024

When Words Fail: A Conversation with Runnner

by Nasim Elyasi
Ryan Beatty © Ashlan Grey
Concerts, Music, ReviewsFebruary 21, 2024<February 24, 2024

Live Review: Ryan Beatty’s Breathtaking, Awe-Inspiring ‘Calico’ Tour Comes to Houston, TX

by Kelly McCafferty Dorogy
The Staves "I'll Never Leave You Alone" © Harvey Pearson
Columns, Music, Today's SongFebruary 21, 2024<February 21, 2024

The Staves’ “I’ll Never Leave You Alone” Is a Beautiful Folk Song of Identity, Acceptance, and the Multitudes Within Us

by Mitch Mosk
Sophian "Dance With Me" © Tallulah Armenti
Music, PremieresFebruary 21, 2024<February 21, 2024

Premiere: Sophian’s Mesmerizing “Dance With Me” Encourages the Ideality of Trusting & Believing in Oneself

by Lauren Turner
Varsity © Clare Byrne
Features, Interviews, Music, Track-by-TrackFebruary 21, 2024<February 21, 2024

Track-by-Track: Varsity Measure a Year in the Life With ‘Souvenirs,’ Their Sweeping & Soaring 4th Album

by Mitch Mosk
Luna Shadows © Lissyelle Laricchia
Columns, Music, Today's SongFebruary 20, 2024<February 20, 2024

“I’m missing the waves, I wanted to crash”: Luna Shadows’ “little rituals” Finds Liberation in Unabashed Deep Feeling

by Rachel Leong
Linying © Michelle Mei
Features, Interviews, MusicFebruary 20, 2024<February 22, 2024

“If I wanted to hate my job, I could be an accountant”: Linying Pushes into Her Next Phase With ‘House Mouse’ EP

by Leo Culp
Posts pagination
1 … 145 146 147 148 149 … 736

Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services