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Ryan Beatty © Lucas Creighton
Columns, Music, Today's SongMay 2, 2023<May 2, 2023

Today’s Song: Ryan Beatty’s “Ribbons” Marks a Delicate, Intimate Comeback

by Brendan Le
Breaking and Mending - Lisa/Liza
Features, Interviews, Music, Track-by-TrackMay 1, 2023<May 2, 2023

Feature: Lisa/Liza’s ‘Breaking and Mending’ Is an Album About Processing Trauma & Life Itself

by Mitch Mosk
Peso Pluma © 2023
Columns, Music, Music You Should KnowMay 1, 2023<May 1, 2023

Music You Should Know: Peso Pluma Fans Enter Their Corrido Era

by Julia Dzurillay
Wine Pride © Jeremy Spencer
Debut, Music, PremieresMay 1, 2023<May 1, 2023

Premiere: Wine Pride’s Shoegaze Anthem “Lone Flyer” Is an Ode to Alone Time

by Mitch Mosk
grentperez © Theo Batterham
Columns, Music, Today's SongMay 1, 2023<May 1, 2023

“I’m coming home to you”: grentperez’s Dance-Ready “When The Day Is Done” Is a Sun-Soaked Celebration of Love

by Mitch Mosk
First Two Pages of Frankenstein - The National 9.1
Music, Our Take, ReviewsMay 1, 2023<May 1, 2023

Our Take: The National Fight Through the Darkness to Deliver Stunning ‘First Two Pages of Frankenstein’

by Beau Hayhoe
Tunes & Tumblers x LØLØ
Music, Podcast, Tunes & TumblersApril 30, 2023<April 30, 2023

Podcast: Tunes & Tumblers Features LØLØ and a Life Cycle

by Atwood Magazine Staff
Hippo Campus © Shervin Lainez
Music, ReviewsApril 29, 2023<April 30, 2023

EP Review: Indie Rock Outlaws Hippo Campus Return with ‘Wasteland’

by Nasim Elyasi
Sophie Severs
Columns, Meet Our WritersApril 29, 2023<May 6, 2023

Meet Our Writers: Boston’s Sophie Severs!

by Sophie Severs
Atwood Magazine's Weekly Roundup | April 28, 2023
Columns, Features, Music, Weekly RoundupApril 28, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: April 28, 2023

by Atwood Magazine Staff
Atwood Magazine's Editor's Picks 97
Columns, Editor's Picks, Features, MusicApril 28, 2023<May 4, 2023

Editor’s Picks 97: Scott Orr, deem spencer, Cosial, Lizzie Esau, The Maddocks, & Alma Mater!

by Mitch Mosk
The Japanese House © Jay Seba
Columns, Music, Today's SongApril 28, 2023<April 30, 2023

Today’s Song: The Japanese House Returns With Her Wistful Single “Sad to Breathe”

by Julia Dzurillay
Bec Stevens © Ian Laidlaw
Debut, Features, Interviews, Music, Track-by-TrackApril 27, 2023<April 30, 2023

Basking in ‘BIG WORRY’: Bec Stevens Opens Up About Her Emotionally Charged Debut Album

by Mitch Mosk
Kindelan © Mon Levčenkovaitė
Columns, Music, Today's SongApril 27, 2023<April 30, 2023

Today’s Song: “Feast” on Kindelan’s Smoldering, Spicy & Sultry Seduction

by Mitch Mosk
Ben Strawn © Willis Norman
Music, PremieresApril 27, 2023<April 30, 2023

Premiere: “Things I’ve Never Said” Is Ben Strawn’s Love-Soaked, Bittersweet Indie Folk Dream

by Mitch Mosk
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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