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The Murlocs © Izzie Austin
Features, Interviews, MusicJuly 19, 2023<July 19, 2023

Living Under a Rock: A Long-Overdue Conversation With The Murlocs

by Ben Niesen
Hanging Valleys © 2023
Features, Interviews, Music, Track-by-TrackJuly 19, 2023<July 19, 2023

Growth, Distance, & Love: The Ambient Embrace of Hanging Valleys’ Soul-Stirring EP, ‘Tomorrow I’ll Be Gone’

by Mitch Mosk
Old Man Canyon © Cody Briggs
Music, PremieresJuly 19, 2023<July 19, 2023

Premiere: Old Man Canyon’s “Never Apart” Is a Groovy, Golden Dream of Human Connection & Healing

by Mitch Mosk
Fractures © Joey Clough
Columns, Music, Today's SongJuly 19, 2023<July 20, 2023

Today’s Song: Fractures Turns a New Leaf with Electric & Bold “Secret”

by Lauren Hicks
Rumours - Fleetwood Mac
Music, ReviewsJuly 18, 2023<July 20, 2023

Fleetwood Mac’s ‘Rumours’: The Timeless Album Dominating the Sound of Summer

by Guest Writer
Matilda Mann © Caity Krone
Features, Interviews, Music, Track-by-TrackJuly 18, 2023<July 18, 2023

Track-by-Track: Matilda Mann on the Romance, Lights, & Cinema of ‘You Look Like You Can’t Swim’ EP

by Mitch Mosk
The Japanese House © Jay Seba
Features, Interviews, MusicJuly 18, 2023<October 11, 2024

In the End It Always Does: A Conversation with The Japanese House

by Nasim Elyasi
Tunes & Tumblers x Curtis Waters
Columns, Music, Podcast, Tunes & TumblersJuly 18, 2023<July 25, 2023

Podcast: Tunes & Tumblers Features Curtis Waters and a Himalayan Himbo

by Atwood Magazine Staff
The Vegabonds, Courtesy of Hangout Music Festival © Alive Coverage
Interviews, MusicJuly 18, 2023<July 18, 2023

A Conversation With The Vegabonds: Built on a Southern Rock Foundation, But Not Afraid to Evolve

by Nick Polak
Sir Woman © Barbara FG
Columns, Music, Today's SongJuly 18, 2023<July 17, 2023

Today’s Song: Sir Woman Has Got It Going on in “I Know Better”

by Marissa DeLeon
Chinwe © 2023
Columns, Music, Today's SongJuly 17, 2023<July 17, 2023

Today’s Song: The Relaxed Intensity of Chinwe’s Soul-Stirring “Come We Fly”

by Mitch Mosk
Barbie Movie still
Music, PlaylistsJuly 17, 2023<July 17, 2023

Our Gorge-tastic Barbie Playlist for ‘Speed Driving’ to the Movie Theater

by Julia Dzurillay
Daphne Gale © Deryne Photography
Music, ReviewsJuly 17, 2023<October 26, 2023

Review: In ‘And Things,’ Daphne Gale Gently Excavates the Twenty-Something Heart with Acoustic Storytelling

by Kate Millar
Electric Forest 2023 © Alive Coverage
Festival, Music, ReviewsJuly 17, 2023<July 18, 2023

The Mecca of Midwest Raves: A Review of Electric Forest 2023!

by Nick Polak
Lauren Hicks © 2023
Columns, Meet Our WritersJuly 16, 2023<July 18, 2023

Meet Our Writers: Phoenix’s Lauren Hicks!

by Lauren Hicks
Posts pagination
1 … 178 179 180 181 182 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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