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Queens of the Stone Age © 2023
Columns, Music, Today's SongAugust 17, 2023<August 17, 2023

Today’s Song: “Paper Machete” Offers Acerbic Contempt in Three Minutes from Queens of the Stone Age

by Adam Davidson
Honeycrush © Oliver Covrett
Music, PremieresAugust 17, 2023<August 17, 2023

Premiere: Honeycrush’s “Stars” Is an Intimate Haze of Desperation & Detachment

by Mitch Mosk
Soda Blonde © Patricio Cassinoni
Music, PremieresAugust 17, 2023<August 17, 2023

Premiere: Soda Blonde’s Cinematic “Midnight Show” Is a Passion & Purpose-Driven Anthem for Unapologetic Artists

by Mitch Mosk
LEONE © Jeff Buckholz
Music, Premieres, Track-by-TrackAugust 17, 2023<August 17, 2023

Premiere: Queer Alt-Rock Band LEONE Show Their Full Hand in Sophomore EP ‘GTFOH’

by Nic Nichols
Caroline Cotter © Katherine Emery
MusicAugust 16, 2023<August 16, 2023

Gently As I Go: Caroline Cotter Premieres Her Intimate, Reflective, & Nostalgic Third Album

by Mitch Mosk
Simen Mitlid © 2023
Music, PremieresAugust 16, 2023<August 16, 2023

Premiere: Simen Mitled’s Breathtaking Indie Folk Reverie “Five Hundred Days” Aches With the Beauty & Pain of Memory

by Mitch Mosk
Heartquake - L'Impératrice & Cuco
Columns, Music, Today's SongAugust 16, 2023<August 16, 2023

Today’s Song: L’Impératrice and Cuco’s “Heartquake” Brings the Grooviest Psychedelic Summer Vibes

by Julia Dzurillay
City and Colour © Vanessa Heins
Features, Interviews, MusicAugust 15, 2023<August 15, 2023

“The Love Still Held Me Near”: City and Colour’s Dallas Green Talks Loss, Grief, & Love

by Mitch Mosk
Olive Klug © Erik Bergamini
Debut, Features, Interviews, MusicAugust 15, 2023<August 15, 2023

Interview: Olive Klug Is “Taking Up Space” in Their Debut Album, ‘Don’t You Dare Make Me Jaded’

by Minna Abdel-Gawad
SHOWNU X HYUNGWON © 2023
Features, Interviews, MusicAugust 15, 2023<August 15, 2023

Interview: Shownu & Hyungwon of Monsta X Speak on Their Unit, Their New EP, & Upcoming Performances as a Duo

by Freya Rinaldi
Sharifa © ​Aubrey Simpson
Columns, Music, Today's SongAugust 15, 2023<August 24, 2023

Today’s Song: Sharifa’s “BEDROOM LIGHT” Is a Dark, Late Night Fever Dream

by Mitch Mosk
JayWood © Min Soo Park
Features, Interviews, Music, Track-by-TrackAugust 14, 2023<August 24, 2023

“Looking Back to Go Forward”: Jaywood Shares His Wild, Busy, & Sunny ‘Grow On’ EP

by Mitch Mosk
Savana Santos © Delaney Royer
Features, Interviews, MusicAugust 14, 2023<August 22, 2023

A Beautiful Mess: Savana Santos (ex-Avenue Beat) Debuts with Achingly Intimate & Raw Songwriting for Angsty Hearts Everywhere

by Mitch Mosk
The Bones of J.R. Jones © Chloe Horseman
Music, Music Videos, PremieresAugust 14, 2023<August 14, 2023

Premiere: Keep Chasing “The Good Life” With The Bones of J.R. Jones’ Spirited New Single

by Mitch Mosk
Cayden Wemple / Portra © Caleb Theil
Features, Interviews, MusicAugust 14, 2023<August 14, 2023

“I Just Want to Be Like My Heroes”: A Conversation With Cayden Wemple

by Miles Campbell
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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