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Noizu © 2023
Interviews, MusicJuly 7, 2023<October 11, 2023

A Conversation with Noizu, A Spicy Hot EDM Producer from England

by Josh Weiner
Leo © Claire Giuffre
Columns, Music, Today's SongJuly 7, 2023<July 9, 2023

Today’s Song: The Raw Inner Reckoning of Leo’s Soul-Stirring “Rough Hands”

by Mitch Mosk
Sunday Lendis © Maria Alzamora 2023
Debut, Features, Interviews, Music, Track-by-TrackJuly 7, 2023<July 8, 2023

Vulnerable, Intricate, & Beautiful: Leeds’ Sunday Lendis Shines on Debut EP ‘Long Exposure’

by Mitch Mosk
Noel Gallagher © Matt Crockett
Music, ReviewsJuly 7, 2023<July 7, 2023

Review: ‘Council Skies’ Is a Soaring Exploration of Talent From Noel Gallagher’s High Flying Birds

by Brianna Corrine
Portugal. The Man © Michael Greco
MusicJuly 6, 2023<July 6, 2023

Festival Review: Tennessee Heat Boils Over at Bonnaroo 2023

by Michael Greco
KTJ & CARLY © Joseph Lee
Features, Interviews, MusicJuly 6, 2023<July 6, 2023

Interview: KTJ & CARLY’s New EP ‘NUKETOWN’ Explores Life’s Musical Explosions

by Julius Robinson
Indigo De Souza © Angella Chloe 9.6
Music, Our Take, ReviewsJuly 6, 2023<July 6, 2023

Our Take: Indigo De Souza Reaches Enlightenment in ‘All of This Will End’

by Nic Nichols
Eliza Elliott © Katie Kutchmire
Columns, Music, Today's SongJuly 6, 2023<July 6, 2023

Today’s Song: The Warm Glow of Eliza Elliott’s Vulnerable, Visceral, & Vivid “Live in My Brain”

by Mitch Mosk
Sea Lemon © Eleanor Petry
Columns, Today's SongJuly 5, 2023<July 5, 2023

Today’s Song: Sea Lemon’s “Cellar” and the Fear of Being Human

by Dimitra Gurduiala
Tunes and Tumblers x Fourth of July Roundtable!
Music, Podcast, Tunes & TumblersJuly 4, 2023<July 12, 2023

Podcast: Tunes & Tumblers’ Fourth of July Roundtable!

by Atwood Magazine Staff
Rachel Min Leong
Columns, Meet Our WritersJuly 1, 2023<July 18, 2023

Meet Our Writers: Singapore’s Rachel Min Leong!

by Rachel Leong
Sierra Ferrell © Jay Strausser
Features, Interviews, MusicJune 30, 2023<June 16, 2023

A Star On The Rise: Sierra Ferrell, From Busking in West Virginia to the Spotlight

by Christopher Snyder
Xana © Lindsey Blane
Features, Interviews, Music, Today's SongJune 29, 2023<June 16, 2023

Interview: Xana Reflects on Fading Friendships & the Closing of Chapters in “Babyblue”

by Joe Beer
Flesh Eater © Mariana Souza
Columns, Essays, Music, Pride MonthJune 29, 2023<June 16, 2023

“In Fostering Community, We Find Our Voice”: A Pride Month Essay by Flesh Eater’s Zwil AR

by Guest Writer
Mike Maimone
Columns, Essays, Music, Pride MonthJune 28, 2023<June 16, 2023

“Pride and Privilege”: A Pride Month Essay by Mike Maimone

by Guest Writer
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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