Film, Music, ReviewsAugust 26, 2023<July 8, 2024 Charli XCX Curates Cool High School Vibes With ‘Bottoms’ Movie Soundtrack by Julia Dzurillay
Columns, Music, Today's SongAugust 26, 2023<August 26, 2023 Today’s Song: The National Grapple with the Past on Standout Single “Space Invader” by Beau Hayhoe
Features, Interviews, MusicAugust 25, 2023<September 1, 2023 Interview: Quinn XCII Speaks Candidly on Life, the People, & the Experiences That Have Shaped His Artistry Over The Years by Nick Polak
Columns, Music, Today's SongAugust 25, 2023<August 25, 2023 Today’s Song: The Wide-Eyed Wonder of Emma Gatrill’s “Adonis Blue” by Mitch Mosk
Columns, Features, Music, Weekly RoundupAugust 25, 2023<August 25, 2023 Atwood Magazine’s Weekly Roundup: August 25, 2023 by Atwood Magazine Staff
Features, Interviews, MusicAugust 25, 2023<August 25, 2023 Interview: Lindsay Lou, an Artist Who Pours Her Heart into Her Music by Christopher Snyder
Features, Interviews, MusicAugust 25, 2023<August 25, 2023 Interview: Flyte Announce Third Album & Discuss “Tough Love,” Marking Musical Expansion and New Takes on Songwriting by Rachel Leong
Features, Interviews, MusicAugust 24, 2023<August 24, 2023 Intimate, Candid, & Provocative: Benét Talks Vulnerability & Making of Debut Album ‘Can I go again?’ by Mitch Mosk
Music, PremieresAugust 24, 2023<August 24, 2023 “Turning reality on its head”: Laura Zarougian’s “Back to Me” Premieres With Achingly Raw Folk Charm by Mitch Mosk
Interviews, MusicAugust 24, 2023<August 24, 2023 Interview: Peter Wise Embraces New Beginnings in “Only Gotta Start” by Joe Beer
Features, Interviews, MusicAugust 24, 2023<August 24, 2023 The Diary of an Explosion: Bruno Major Dives into His “Most Vulnerable Album,” ‘Columbo’ by Minna Abdel-Gawad
Columns, Music, Today's SongAugust 24, 2023<August 24, 2023 Today’s Song: Jai Wolf & BANKS’ “Don’t Look Down” Seeks to Give Comfort About the Fears of Overthinking by Jada Moore
Music, Music Videos, PremieresAugust 23, 2023<August 23, 2023 Premiere: Chicago’s Course Deliver a Synth-Soaked Inner Reckoning in “Too Busy for Feelings” by Mitch Mosk
Music, PremieresAugust 23, 2023<August 23, 2023 “I held the world then put it back”: Hayley Reardon Bares Her Soul on the Achingly Vulnerable “Enough Is Everything” by Mitch Mosk
Music, Music Videos, PremieresAugust 23, 2023<February 1, 2024 Premiere: Mega Ran’s “Gimme the Fruit” (ft. Whitney Peyton) Is Sweet, Fun, & Certified Fresh by Mitch Mosk
For the Love of Music
For the Love of Music
