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The Vegabonds, Courtesy of Hangout Music Festival © Alive Coverage
Interviews, MusicJuly 18, 2023<July 18, 2023

A Conversation With The Vegabonds: Built on a Southern Rock Foundation, But Not Afraid to Evolve

by Nick Polak
Sir Woman © Barbara FG
Columns, Music, Today's SongJuly 18, 2023<July 17, 2023

Today’s Song: Sir Woman Has Got It Going on in “I Know Better”

by Marissa DeLeon
Chinwe © 2023
Columns, Music, Today's SongJuly 17, 2023<July 17, 2023

Today’s Song: The Relaxed Intensity of Chinwe’s Soul-Stirring “Come We Fly”

by Mitch Mosk
Barbie Movie still
Music, PlaylistsJuly 17, 2023<July 17, 2023

Our Gorge-tastic Barbie Playlist for ‘Speed Driving’ to the Movie Theater

by Julia Dzurillay
Daphne Gale © Deryne Photography
Music, ReviewsJuly 17, 2023<October 26, 2023

Review: In ‘And Things,’ Daphne Gale Gently Excavates the Twenty-Something Heart with Acoustic Storytelling

by Kate Millar
Electric Forest 2023 © Alive Coverage
Festival, Music, ReviewsJuly 17, 2023<July 18, 2023

The Mecca of Midwest Raves: A Review of Electric Forest 2023!

by Nick Polak
Lauren Hicks © 2023
Columns, Meet Our WritersJuly 16, 2023<July 18, 2023

Meet Our Writers: Phoenix’s Lauren Hicks!

by Lauren Hicks
vampire - Olivia Rodrigo © Larissa Hofmann
Columns, Music, Today's SongJuly 16, 2023<September 20, 2023

Today’s Song: Olivia Rodrigo Hones the Craft of Heartbreak in “vampire”

by Brendan Le
Billie Eilish "What Was I Made For?" © Jack Bridgland
Columns, Music, Today's SongJuly 15, 2023<July 15, 2023

Today’s Song: Billie Eilish’s Somber Barbie Contribution, “What Was I Made For?”

by Mariel Fechik
Tunes and Tumblers x MisterWives 2023
Music, Podcast, Tunes & TumblersJuly 14, 2023<July 14, 2023

Podcast: Tunes & Tumblers Features MisterWives and a Sucker Punch

by Atwood Magazine Staff
Atwood Magazine's Weekly Roundup | July 14, 2023
Columns, Features, Music, Weekly RoundupJuly 14, 2023<July 14, 2023

Atwood Magazine’s Weekly Roundup: July 14, 2023

by Atwood Magazine Staff
Misterwives 'Nosebleeds' © Matty Vogel
Music, Reviews, Track-by-TrackJuly 14, 2023<July 14, 2023

Review: MisterWives’ Fiery Fourth Studio Album, ‘Nosebleeds’

by Kelly McCafferty Dorogy
Jung Kook © BIGHIT MUSIC
Columns, Debut, Music, Today's SongJuly 14, 2023<July 14, 2023

Today’s Song: Jung Kook of BTS Flaunts a Raunchy Side of Himself With His Solo Debut “Seven” ft. Latto

by Freya Rinaldi
Joy Mumford "Spilt Milk" © 2023
Columns, Music, Today's SongJuly 13, 2023<July 13, 2023

Today’s Song: Joy Mumford’s “Spilt Milk” Offers a Lesson in Vulnerability & Letting Go

by Mitch Mosk
Atwood Magazine's Editor's Picks 103
Columns, Editor's Picks, Features, MusicJuly 13, 2023<December 11, 2023

Editor’s Picks 103: EmmersonHALL, Boyish, Maple Glider, Blondes, Girl Scout, & Mumble Tide!

by Mitch Mosk
Posts pagination
1 … 179 180 181 182 183 … 727

Brand New

  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’

:: discover something new ::

Recent Posts

  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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