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The Voidz © Cheryl Georgette
Columns, Music, Today's SongJune 28, 2023<June 16, 2023

Today’s Song: The Voidz Uncover the “Prophecy of the Dragon” With Galactic Groove, Grit, & Glamour

by Isabella Le
CLAY © Jamie-Lee B.
Columns, Essays, Music, Pride MonthJune 27, 2023<June 15, 2023

“All My Friends Are Queer”: A Pride Month Essay by CLAY

by Guest Writer
AlienBlaze © 2023
Columns, Music, Today's SongJune 27, 2023<June 15, 2023

Today’s Song: AlienBlaze Creates a Fusion of Rock, Rap, & Raw Emotions in “Lovesick”

by Joe Beer
Movements © Anthony Purcella
Columns, Music, Today's SongJune 26, 2023<June 16, 2023

Today’s Song: Movements Dissolve the Line Between Nightmare & Reality on Fierce, Fiery “Fail You”

by Isabella Le
Mike Taylor © Catie Laffoon
Columns, Essays, Music, Pride MonthJune 26, 2023<June 15, 2023

“Pride Unconfined – Navigating Identity, Representation, and Liberation as a Queer Artist of Color”: A Essay by Mike Taylor

by Guest Writer
Kevin Krein
Columns, Meet Our WritersJune 24, 2023<June 15, 2023

Meet Our Writers: Minnesota’s Kevin Krein!

by Kevin Krein
RAEGAN © Louis Browne
Columns, Essays, Music, Pride MonthJune 23, 2023<July 3, 2023

“The Artistic Mirror – How Music Reflects My Identity”: A Pride Month Essay by RAEGAN

by Guest Writer
Dizzy's Katie Munshaw © Boy Wonder
Columns, Music, Today's SongJune 23, 2023<June 13, 2023

Today’s Song: Dizzy Yearn to Keep Their Loved Ones “Close”

by Brendan Le
'The Good Witch' album artwork - Maisie Peters
Music, ReviewsJune 23, 2023<June 23, 2023

Review: Maisie Peters’ Sophomore Album ‘The Good Witch’ Is Magical & Flawless

by Kelly McCafferty Dorogy
Blondshell © Nick Walker
Features, Interviews, MusicJune 22, 2023<January 30, 2024

Clawing Her Way Out: A Conversation With Blondshell

by Nasim Elyasi
Mya Byrne © Lauren Tabak
Columns, Essays, Music, Pride MonthJune 22, 2023<June 15, 2023

“Our Promised Land”: A Pride Month Essay by Mya Byrne

by Guest Writer
Miss Machina © 2023
Columns, Music, Today's SongJune 21, 2023<June 13, 2023

Today’s Song: Miss Machina’s “Like That” Has All the Shiny, Seductive Thrills We Crave

by Chloe Robinson
Tei Shi © Leeay
Features, Interviews, MusicJune 21, 2023<July 9, 2023

Interview: Tei Shi’s ‘BAD PREMONITION’ Sets Her Free

by Alex Killian
Donna Missal © Jasmine Rutledge
Columns, Essays, Music, Pride MonthJune 21, 2023<June 15, 2023

“What Queerness Means to Me”: A Pride Month Essay by Donna Missal

by Guest Writer
Jessye DeSilva © Emma Delevante
Columns, Essays, Music, Pride MonthJune 20, 2023<June 15, 2023

“I Am No Shrinking Violet”: A Pride Month Essay by Jessye DeSilva

by Guest Writer
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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