Interviews, Music, Premieres, ReviewsJuly 13, 2023<July 13, 2023 Singing to the Plants: Christopher Henry Discusses His Shamanic Gospel Album, ‘HeartSpaces’ by Guest Writer
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Features, Interviews, Music, Track-by-TrackJuly 12, 2023<July 12, 2023 Unfiltered & Unapologetic: Mise en Scene Deliver Raw Truths and Fresh Grooves on ‘Reality Bites’ EP by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackJuly 12, 2023<July 12, 2023 ‘Your Perfect Self’: Today’s Outfit Debut With Social Media Critiques and a Searing New Wave Sound by Mitch Mosk
Features, Interviews, MusicJuly 12, 2023<July 12, 2023 Humble & Hungry Rockstars: A Conversation With Indie Rock Band flipturn by Nick Polak
Features, InterviewsJuly 11, 2023<July 11, 2023 “There is strength in being vulnerable”: Alice Merton Embraces Life’s Many S.I.D.E.S. With an Honest Heart & Open Soul by Mitch Mosk
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Columns, Music, Today's SongJuly 11, 2023<July 11, 2023 Today’s Song: The Warning Pack an Electric Punch on “MORE” by Kendall Graham
Columns, Music, Today's SongJuly 10, 2023<July 10, 2023 Today’s Song: Frankie Morrow’s “Crave!” Burns with a Seductive & Sweltering Heat by Mitch Mosk
Music, ReviewsJuly 10, 2023<July 10, 2023 Track-by-Track: Hanne Mjøen Sings of Love’s Trials & Tribulations in ‘Fall in Love / Apart’ EP by Joe Beer
Interviews, MusicJuly 10, 2023<July 10, 2023 Interview: Two Questions with Kevin Gates, the Man Behind the Hit Song, “Two Phones” by Nick Polak
Essays, Music, ReviewsJuly 10, 2023<July 10, 2023 Liz Phair’s ‘Exile in Guyville,’ 30 Years Later by Claire Meyer
Columns, Essays, Music, Pride MonthJuly 10, 2023<July 10, 2023 “Why Role Models are Crucial in the Queer Community”: A Pride Month Essay by Hanne Kah by Guest Writer
Columns, Features, Music, Weekly RoundupJuly 7, 2023<July 7, 2023 Atwood Magazine’s Weekly Roundup: July 7, 2023 by Atwood Magazine Staff
Interviews, MusicJuly 7, 2023<October 11, 2023 A Conversation with Noizu, A Spicy Hot EDM Producer from England by Josh Weiner
For the Love of Music
For the Love of Music
