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Gracie and Rachel "Middle Ground" © Louise de Nexon
Music, Music Videos, PremieresApril 25, 2023<April 30, 2023

“Lose your heart in the process”: Gracie and Rachel Find the “Middle Ground” in Stirring New Song & Video

by Mitch Mosk
The National © Josh Goleman
Columns, Music, Today's SongApril 25, 2023<April 30, 2023

The National & Phoebe Bridgers Deliver Somber Reminder on “Your Mind Is Not Your Friend”

by Beau Hayhoe
Jasmine Jethwa © Daniel A Harris
Artist to Watch, Columns, Features, Interviews, Music, Track-by-TrackApril 24, 2023<April 30, 2023

“Immediate, Defiant, & Vulnerable”: Jasmine Jethwa Shines on Intimate, Soul-Stirring EP ‘Same Streets But I Don’t See You Around’

by Mitch Mosk
J.E. Sunde © Nicholas Despis
Music, PremieresApril 24, 2023<April 30, 2023

“I got one life to live, but I’m not doing it right…”: J.E. Sunde Premieres “Stop Caring,” an Existential Crisis Solved in Song

by Mitch Mosk
Morat © Amanda Imm
Features, Music, ReviewsApril 24, 2023<April 30, 2023

Meet Morat, a Colombian Band Looking to “Salir Con Vida” into the Spotlight

by Josh Weiner
Drake © Universal Music Group
Covers, Music, ReviewsApril 24, 2023<April 30, 2023

Passionate About “Passionfruit”: Drake’s Unflappable, Shape-Shifting Spring Song

by Julia Dzurillay
King Krule © Frank Lebon
Columns, Today's SongApril 24, 2023<April 30, 2023

King Krule’s “Seaforth” Is an Emotionally Intimate Exploration of the ‘Space Between’

by Miles Campbell
Lilly Eason © Maria Mattingly
Columns, Meet Our WritersApril 22, 2023<April 30, 2023

Meet Our Writers: Nashville’s Lilly Eason!

by Lilly Eason
Atwood Magazine's Editor's Picks 96
Columns, Editor's Picks, Features, MusicApril 21, 2023<April 22, 2023

Editor’s Picks 96: Babygirl, sunbleached, Hollyy, Isaac Stuart, dani mack, & Augustine!

by Mitch Mosk
Rodrigo y Gabriela © Ebru Yildiz
Interviews, Music, ReviewsApril 21, 2023<April 30, 2023

“But At Least We Had Music”: A Conversation with Rodrigo y Gabriela

by Adrian Vargas
Atwood Magazine's Weekly Roundup | April 21, 2023
Columns, Features, Music, Weekly RoundupApril 21, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: April 21, 2023

by Atwood Magazine Staff
Similar Kind © Sam Lockyer
Columns, Music, Today's SongApril 21, 2023<April 30, 2023

Today’s Song: “Face to Face” Is Similar Kind’s Emotionally-Charged Indie Rock Fever Dream

by Mitch Mosk
A Plan To Get Home - SOMOH
Debut, Features, Interviews, Music, Track-by-TrackApril 20, 2023<April 30, 2023

Delicate, Emotional, Punchy: London’s SOMOH Dives into ‘A Plan to Get Home,’ Her Unapologetically Vulnerable Debut EP

by Mitch Mosk
Voice Notes - Yazmin Lacey
Debut, Features, Interviews, Music, Track-by-TrackApril 20, 2023<April 30, 2023

Feature: Yazmin Lacey Delves Deep in ‘Voice Notes,’ Her Beautifully Raw & Diaristic Debut

by Mitch Mosk
Beach Weather © Olivia Smith
Features, Interviews, MusicApril 20, 2023<April 30, 2023

Pineapple Sunrise: Beach Weather’s Catchy, Breezy & Alternative Debut Album Explores Personal Growth

by Lauren Turner
Posts pagination
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Brand New

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year

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Recent Posts

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection December 22, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
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