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Olive Klug © Erik Bergamini
Debut, Features, Interviews, MusicAugust 15, 2023<August 15, 2023

Interview: Olive Klug Is “Taking Up Space” in Their Debut Album, ‘Don’t You Dare Make Me Jaded’

by Minna Abdel-Gawad
SHOWNU X HYUNGWON © 2023
Features, Interviews, MusicAugust 15, 2023<August 15, 2023

Interview: Shownu & Hyungwon of Monsta X Speak on Their Unit, Their New EP, & Upcoming Performances as a Duo

by Freya Rinaldi
Sharifa © ​Aubrey Simpson
Columns, Music, Today's SongAugust 15, 2023<August 24, 2023

Today’s Song: Sharifa’s “BEDROOM LIGHT” Is a Dark, Late Night Fever Dream

by Mitch Mosk
JayWood © Min Soo Park
Features, Interviews, Music, Track-by-TrackAugust 14, 2023<August 24, 2023

“Looking Back to Go Forward”: Jaywood Shares His Wild, Busy, & Sunny ‘Grow On’ EP

by Mitch Mosk
Savana Santos © Delaney Royer
Features, Interviews, MusicAugust 14, 2023<August 22, 2023

A Beautiful Mess: Savana Santos (ex-Avenue Beat) Debuts with Achingly Intimate & Raw Songwriting for Angsty Hearts Everywhere

by Mitch Mosk
The Bones of J.R. Jones © Chloe Horseman
Music, Music Videos, PremieresAugust 14, 2023<August 14, 2023

Premiere: Keep Chasing “The Good Life” With The Bones of J.R. Jones’ Spirited New Single

by Mitch Mosk
Cayden Wemple / Portra © Caleb Theil
Features, Interviews, MusicAugust 14, 2023<August 14, 2023

“I Just Want to Be Like My Heroes”: A Conversation With Cayden Wemple

by Miles Campbell
My Morning Jacket at The Peach Music Festival 2023 © AJ Kinney
Festival, Music, ReviewsAugust 14, 2023<August 14, 2023

Review: The Peach Music Festival ’23 Brings Joy to Thousands at Montage Mountain!

by Christopher Snyder
Earl Sweatshirt at Pitchfork Music Festival 2023 © Pooneh Ghana
Festival, Music, ReviewsAugust 14, 2023<August 14, 2023

Chicago Loves Indie Music: A Review of Pitchfork Music Festival 2023!

by Nick Polak
Danna Paola © 2023
Columns, Music, Today's SongAugust 13, 2023<August 12, 2023

Today’s Song: The Deep Reveal of Danna Paola’s “Tenemos que hablar”

by David Buyze
Mitski © Ebru Yildiz
Columns, Music, Today's SongAugust 12, 2023<August 11, 2023

Today’s Song: Mitski Opens the Door to an Inhospitable Land on “Bug Like an Angel”

by Kylie Gurewitz
Bathe Alone © Paula Harding
Features, Interviews, Music, Track-by-TrackAugust 11, 2023<August 14, 2023

“A collection of memories”: ‘Fall With the Lights Down’ Is Bathe Alone’s Nostalgic & Dreamy Reverie

by Mitch Mosk
Atwood Magazine's Weekly Roundup | August 11, 2023
Columns, Features, Music, Weekly RoundupAugust 11, 2023<August 11, 2023

Atwood Magazine’s Weekly Roundup: August 11, 2023

by Atwood Magazine Staff
BIZZY © Maxwell Goldberg
Features, Interviews, MusicAugust 11, 2023<November 21, 2023

Interview: Flip a Coin for Love with BIZZY’s Two-Pack Single “Out Loud” & “I’d Never Tell You”

by Lauren Hicks
San Cisco © Olivia Senior
Columns, Music, Today's SongAugust 11, 2023<August 11, 2023

Today’s Song: San Cisco Get Lost in the Moment & “Under the Light”

by Mitch Mosk
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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