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Tove Lo "Borderline" © 2023
Columns, Music, Today's SongMarch 7, 2023<April 30, 2023

Today’s Song: Tove Lo Sings About an Extreme Love in New Single “Borderline”

by Dimitra Gurduiala
Dr. Ushūu © 2023
Interviews, MusicMarch 6, 2023<April 30, 2023

Interview: Dr. Ushūu’s EDM Universe Knows No Bounds

by Josh Weiner
Lauren Lakis "Take My Hand" © 2023
Columns, Music, Today's SongMarch 6, 2023<April 30, 2023

Today’s Song: Lauren Lakis Reaches Out Through the Darkness with Lush Single, “Take My Hand”

by Beau Hayhoe
Lotus Glow - Adi Oasis
Debut, Features, Interviews, Music, Track-by-TrackMarch 3, 2023<August 16, 2024

“Being fearless pays off”: Adi Oasis Blooms on Empowering, Soul-Soaked & Seductive Debut Album ‘Lotus Glow’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | March 3, 2023
Columns, Features, Music, Weekly RoundupMarch 3, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: March 3, 2023

by Atwood Magazine Staff
Ruel '4th Wall' © Michelle Grace Hunder
Debut, Features, Interviews, Music, Track-by-TrackMarch 3, 2023<April 30, 2023

Interview: Ruel Breaks the ‘4TH WALL’ with His Cinematic Debut Album

by Mitch Mosk
Ging © Aska Matsumiya
Columns, Music, Today's SongMarch 2, 2023<April 30, 2023

Ging Aches, Cries, & Dwells in the Depths of “Grief,” a Painful Song of Love, Loss, and Letting Go

by Mitch Mosk
Derealised - Jadu Heart
Features, Interviews, Music, Track-by-TrackMarch 2, 2023<April 30, 2023

Chaos, Fuzz, & Magic: Jadu Heart’s Third LP ‘Derealised’ Is a Cathartic Dream Pop Journey From “Hopelessness to Hopefulness”

by Mitch Mosk
The Cure © Jan-Erik Eriksen 2022
Columns, Features, MusicMarch 2, 2023<April 30, 2023

Living The Cure, Pt. 4

by David Buyze
This Is Why - Paramore album art
Features, Music, Reviews, RoundtableMarch 2, 2023<June 29, 2024

Roundtable Discussion: A Review of Paramore’s ‘This Is Why’

by Atwood Magazine Staff
Abington Grove - Billy Lockett
Debut, Features, Interviews, MusicMarch 2, 2023<April 30, 2023

Interview: Billy Lockett’s Debut Album ‘Abington Grove’ Is a Liberating Release Letting Go of Past Mistakes & Worry

by Chloe Robinson
Atwood Magazine's Editor's Picks 90
Columns, Editor's Picks, Features, MusicMarch 1, 2023<March 11, 2023

Editor’s Picks 90: Pacific Avenue, Timothy Edward Carpenter, Maggie Miles, BROODS, Hallie, & Ezra Williams!

by Mitch Mosk
KIANJA © 2023
Artist to Watch, Music, PremieresMarch 1, 2023<April 30, 2023

Artist to Watch: London’s KIANJA Spills Her Heart & Soul in “Ever Since You Went Away,” an Instant Classic

by Mitch Mosk
Brotherkenzie © Brit O’Brien
Columns, Music, Today's SongMarch 1, 2023<April 30, 2023

Today’s Song: Brotherkenzie’s Hopeful “SPRING PEELS” Is an Ode to the Relief That Comes from Breaking Off Toxic Relationships

by Claire Meyer
Bec Stevens © Ian Laidlaw
Interviews, MusicFebruary 28, 2023<April 30, 2023

“Finding the glimmer of hope”: Bec Stevens Opens Up About “James’ Song,” Her Anthemic Ode to a Lost Loved One

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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