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Beabadoobee "the way things go" © Antonius Cramer
Columns, Music, Today's SongJuly 29, 2023<July 29, 2023

Today’s Song: Beabadoobee Becomes a Ballerina With “the way things go”

by Julia Dzurillay
Darlingside © Shervin Lainez
Features, Interviews, Music, Track-by-TrackJuly 28, 2023<July 30, 2023

‘Everything Is Alive’: Inside Darlingside’s Vulnerable, Energizing & Soul-Stirring Fifth LP

by Mitch Mosk
I Wanna Spend It With You - The Satellite Station © 2023
Columns, Music, Today's SongJuly 28, 2023<July 28, 2023

Today’s Song: The Satellite Station’s Soulful Celebration of Love, “I Wanna Spend It With You”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | July 28, 2023
Columns, Features, Music, Weekly RoundupJuly 28, 2023<August 19, 2025

Atwood Magazine’s Weekly Roundup: July 28, 2023

by Atwood Magazine Staff
Milky Day © 2023
Features, Interviews, MusicJuly 28, 2023<July 28, 2023

Interview: Milky Day Discusses Inner Demons, Overcoming Burnout, & Breaking Genre Barriers in Light of New Single, “Losing My Grip”

by Freya Rinaldi
Atwood Magazine's Editor's Picks 105
Columns, Editor's Picks, Features, MusicJuly 27, 2023<August 24, 2023

Editor’s Picks 105: Soda Blonde, Bombay Bicycle Club, JayWood, The Slow Show, Sarah Crean, & S. Carey x John Raymond!

by Mitch Mosk
Bad Tiger © 2023
Music, PremieresJuly 27, 2023<July 28, 2023

Premiere: Bad Tiger’s “New Growth” Is a Charming and Churning Indie Pop Reverie

by Mitch Mosk
Paul Simon at the 2022 Newport Folk Festival © Rett Rogers
Festival, Music, PreviewsJuly 27, 2023<July 27, 2023

Preview: 2023’s Newport Folk Festival Promises a Legendary Celebration of Folk Music

by Nick Polak
Mad Cool 2023 © Michael Greco
Festival, Music, ReviewsJuly 27, 2023<July 27, 2023

Review: Madrid’s 2023 Mad Cool Festival Flourishes in a New Venue

by Michael Greco
Yoke Lore © Tanner Deutsch
Features, Interviews, MusicJuly 27, 2023<July 27, 2023

Interview: Yoke Lore’s Debut Album Is a Spiritual Guidebook on Evolving & Keeping Up With All Kinds of Change

by Nick Polak
Ty Dolla $ign "Motion" © Alex Bittan
Columns, Music, Today's SongJuly 27, 2023<July 26, 2023

Today’s Song: Ty Dolla $ign’s Irresistible “Motion” Captures the Kinetic Summer Heat

by Mitch Mosk
Hank © Carina Allen
Debut, Features, Interviews, Music, Track-by-TrackJuly 26, 2023<July 26, 2023

Feature: Hank’s ‘Call Me Hank’ (Deluxe) Is an Unfiltered & Uncompromising Coming-of-Age Debut

by Mitch Mosk
Liza Lo © 2023
Features, Interviews, Music, Track-by-TrackJuly 26, 2023<July 26, 2023

Feature: Liza Lo Soars High on Her Atmospheric, Intimate, & Poetic ‘Flourish’ EP

by Mitch Mosk
Head In The Clouds Los Angeles 2023
Festival, Music, PreviewsJuly 26, 2023<July 26, 2023

2023 Head in the Clouds Festival Preview: The Ultimate Cultivation of Music by Asian Diaspora Makes Its Return to Los Angeles!

by Freya Rinaldi
MOZË © Kate Marshall
Music, Music Videos, PremieresJuly 26, 2023<July 26, 2023

Premiere: MOZË’s Breathtaking “Would You Be Mine” Aches with Love, Loss, & Longing

by Mitch Mosk
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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