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joan © Jacob Ruth
Debut, Music, ReviewsApril 19, 2023<April 30, 2023

Pop/Rock Duo joan Repair Shattered Emotions with Debut Album ‘superglue’

by Julius Robinson
PJ Frantz © Samuel Fisher
Artist to Watch, Features, Interviews, MusicApril 19, 2023<April 30, 2023

Interview: Artist-to-Watch PJ Frantz Brings Comfort & Candor to a Generation of Kids Trying to Find Happiness

by Nick Polak
Bad Bunny at Coachella 2023 © Courtesy of Coachella
Concerts, Music, ReviewsApril 19, 2023<April 30, 2023

Bad Bunny Returns to His Gulf Gas Station Roots at Coachella ’23

by Julia Dzurillay
NEWSKI © Kelly Bolter
Features, Interviews, Music, Track-by-TrackApril 18, 2023<April 30, 2023

Fun Times with Friends: NEWSKI’s Spirited ‘Friend Rock’ Embraces Music’s Human Element

by Mitch Mosk
Chappaqua Wrestling © Henry Dean
Debut, Features, Interviews, MusicApril 18, 2023<April 30, 2023

“We love ‘90s dreamy rock”: Chappaqua Wrestling Talk Through the Release of Their Debut Album ‘Plus Ultra’

by Guest Writer
BAYEM © Anna Powell Denton
Columns, Music, Today's SongApril 18, 2023<April 30, 2023

Today’s Song: Basking in BAYEM’s Upbeat and Enamored “Starstruck”

by Mitch Mosk
Brian Dunne © Alana Urcia
Features, Interviews, MusicApril 18, 2023<May 17, 2023

“A Celebration of Failure”: Brian Dunne Shines on New Album ‘Loser on the Ropes’

by Mitch Mosk
MUNA "One That Got Away" © Sam Muller
Columns, Music, This Just In, Today's SongApril 17, 2023<April 30, 2023

Today’s Song: MUNA Return with a Vengeance in Irresistible Single “One That Got Away”

by Freya Rinaldi
Abraham Alexander © Molly Dickson
Features, Interviews, MusicApril 17, 2023<April 30, 2023

“It’s more important to be open than it is to be ready”: Abraham Alexander on His Reflective & Powerful Debut Album ‘SEA/SONS’

by Rachel Leong
Atwood Magazine's Weekly Roundup | April 14, 2023
Columns, Features, Music, Weekly RoundupApril 14, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: April 14, 2023

by Atwood Magazine Staff
Bodywash © Kristina Pedersen
Features, Interviews, Music, Track-by-TrackApril 14, 2023<April 30, 2023

Decay, Renewal, & Release: Inside Bodywash’s Dark, Cathartic Fever Dream ‘I Held the Shape While I Could’

by Mitch Mosk
Fruit Bats © Chantal Anderson
Features, Interviews, MusicApril 14, 2023<April 30, 2023

Fruit Bats’ ‘A River Running to Your Heart’: A Journey of Geographical Emotion

by Miles Campbell
Eloise © Charlotte Patmore
Features, Interviews, MusicApril 14, 2023<April 30, 2023

“I feel bang on path”: Eloise Beams at the Heights She’s Reached on Debut Album, ‘Drunk on a Flight’

by Brianna Corrine
High & Low - Caitlyn Smith
Music, ReviewsApril 14, 2023<April 30, 2023

‘High & Low’ and Everything In-Between: Caitlyn Smith Journeys Through Darkness & Light on Self-Produced Third Album

by Emily Frances Algar
Atwood Magazine's Editor's Picks 95
Columns, Editor's Picks, Features, MusicApril 13, 2023<April 13, 2023

Editor’s Picks 95: boygenius, BAILEN, The Beths, spill tab, Nuovo Testamento, & Chessa Rich!

by Mitch Mosk
Posts pagination
1 … 196 197 198 199 200 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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