Features, Music, Track-by-TrackFebruary 6, 2023<February 6, 2023 Feature: Sydney’s Coconut Cream Shine on Dreamy & Golden EP, ‘What Kind of Music Do You Like to Listen To?’ by Mitch Mosk
Features, Interviews, Music, Track-by-TrackFebruary 3, 2023<February 4, 2023 “Cozy, Honest, Imperfect”: SYML Dives into the Raw Depths of ‘The Day My Father Died,’ an Album of Grief & Love by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackFebruary 3, 2023<February 3, 2023 Feature: Somebody’s Child Soars Triumphant on Urgent, Brutal, & Honest Self-Titled Debut by Mitch Mosk
Columns, Features, Music, Weekly RoundupFebruary 3, 2023<May 15, 2023 Atwood Magazine’s Weekly Roundup: February 3, 2023 by Atwood Magazine Staff
Columns, Music, Today's SongFebruary 3, 2023<February 2, 2023 Today’s Song: Cal in Red Shift into Gear with “Corvette” Off New EP, ‘On the Dance Floor’ by Beau Hayhoe
Interviews, Music, Track-by-TrackFebruary 2, 2023<February 2, 2023 Track-by-Track: Signe Vange’s Softly Stirring, Achingly Raw, & Beautifully ‘Human’ EP by Mitch Mosk
Music, Reviews, Track-by-TrackFebruary 2, 2023<February 2, 2023 Track-by-Track: Cristóvam Delves into Emotive Catharsis & an Ever-Evolving Narrative with ‘Songs on a Wire’ by Joe Beer
Columns, Music, Today's SongFebruary 2, 2023<February 2, 2023 Today’s Song: Julia Michaels’ “Sorry To Me Too” Is Vulnerable, Heartbreaking, & Filled with Self-Empowerment by Lauren Turner
Columns, Editor's Picks, Features, MusicFebruary 1, 2023<March 16, 2023 Editor’s Picks 86: Stephen Sanchez, Ken Yates, JOSEPH, Young Fathers, LULLANAS, & Hayfitz! by Mitch Mosk
Columns, Music, Today's SongFebruary 1, 2023<February 1, 2023 Today’s Song: “Hold Yourself Together” Is Evelyn Frances’ Haunting Love Letter to New York City by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackJanuary 31, 2023<January 31, 2023 Feature: Fly Yeti Fly’s ‘Make a Ring’ Is a Record of Honest, Hopeful, & Dreamy Folk Wonder by Mitch Mosk
Artist to Watch, Columns, Music, Today's SongJanuary 31, 2023<January 31, 2023 Artist to Watch: English Teacher Prove They’re Top of the Class on “Song About Love” by Oliver Crook
Columns, Music, Reviews, Today's SongJanuary 30, 2023<January 30, 2023 Review: boygenius Are Back with “$20,” “Emily I’m Sorry,” & “True Blue” Off New Album, ‘the record’ by Nasim Elyasi
Artist to Watch, Features, Lists, MusicJanuary 30, 2023<February 4, 2025 Atwood Magazine’s 2023 Artists to Watch by Atwood Magazine Staff
Features, Interviews, Music, Track-by-TrackJanuary 27, 2023<January 29, 2023 Feature: ‘Maryland House’ Is The Crystal Casino Band’s Unconditional Triumph by Mitch Mosk
For the Love of Music
For the Love of Music
