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Stuck - Erez Zobary
Columns, Music, Today's SongApril 3, 2023<April 30, 2023

Adulting Made Easy(ish): Erez Zobary’s “Stuck!” Is a Soul-Pop Soundtrack to Our Quarter-Life Crisis

by Mitch Mosk
Roo Panes 'Suburban Pines' © Beetle Rhind
Features, Interviews, Music, Track-by-TrackMarch 31, 2023<April 30, 2023

Feature: Singer/Songwriter Roo Panes’ ‘The Summer Isles’ Is a Celebration of Connection, Stillness, & Life Itself

by Mitch Mosk
Racquel Jones "Elated" © Natalia Fernandez
Columns, Music, Today's SongMarch 31, 2023<April 30, 2023

Racquel Jones’ Triumphant “Elated” Is a Joyful Song of Healing & Celebration

by Mitch Mosk
Atwood Magazine's Weekly Roundup | March 31, 2023
Columns, Features, Music, Weekly RoundupMarch 31, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: March 31, 2023

by Atwood Magazine Staff
boygenius © Shervin Lainez
Debut, Features, Music, Reviews, RoundtableMarch 31, 2023<June 29, 2024

Roundtable Discussion: A Review of boygenius’ ‘the record’

by Atwood Magazine Staff
Irene Diaz © 2023
Columns, Essays, Music, Women's History MonthMarch 31, 2023<April 30, 2023

“Lost and Found: A Los Angeles Story”: An Essay by Irene Diaz for Women’s History Month

by Guest Writer
Anna of the North © Robin Bøe
Music, PremieresMarch 31, 2023<April 30, 2023

Premiere: Anna of the North’s Funky, Feel-Good “Try My Best”

by Kelly McCafferty Dorogy
Cliffs + Caves © Kirby Trapolino
Music, PremieresMarch 30, 2023<April 30, 2023

Conspiracy & Catharsis: Cliffs + Caves Search for Truth in Achingly Raw “Mint Gum” ft. David Ramirez

by Mitch Mosk
Meris Gantt © Enowen Photography
Columns, Essays, Music, Women's History MonthMarch 30, 2023<April 30, 2023

“Overcoming the Patriarchy Effect”: An Essay by Meris Gantt for Women’s History Month

by Guest Writer
How To Lose A Girl in 7 Songs - Knox
Debut, Features, Interviews, Music, Track-by-TrackMarch 30, 2023<April 30, 2023

Feature: Knox’s Debut EP ‘How to Lose a Girl in 7 Songs’ Is a Passion-Fueled Pop/Rock Frenzy

by Mitch Mosk
Foley © Jack Pompe
Music, PremieresMarch 30, 2023<April 30, 2023

Premiere: Brooklyn’s Foley Lay Down a Smoldering, Dreamy Groove on “Hold Within”

by Mitch Mosk
Sondre Lerche © Hilde Solli
Music, PremieresMarch 30, 2023<April 30, 2023

Premiere: Sondre Lerche Channels Pain & Grief into Musical Beauty on “The Most Savage Joke”

by Mitch Mosk
MisterWives © Matty Vogel
Columns, Music, Today's SongMarch 30, 2023<April 30, 2023

Today’s Song: MisterWives Enter a New Era with Punk Rock Rager, “Out of Your Mind”

by Kelly McCafferty Dorogy
B-Drop
Features, Music, PremieresMarch 29, 2023<April 30, 2023

Premiere: B-Drop Worldwide Showcases Coline Creuzot & Lucius Arthur

by Mitch Mosk
Atwood Magazine's Editor's Picks 94
Columns, Editor's Picks, Features, MusicMarch 29, 2023<March 29, 2023

Editor’s Picks 94: Hana Eid, Raia Was, Kate Davis, Robyn Froese, Jealous of the Birds, & Why Bonnie!

by Mitch Mosk
Posts pagination
1 … 213 214 215 216 217 … 741

Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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