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Tunes & Tumblers x mazie 2023
Music, Podcast, Tunes & TumblersMarch 29, 2023<April 30, 2023

Podcast: Tunes & Tumblers Features Mazie and a Kaleidoscopic Journey

by Atwood Magazine Staff
Gracie Abrams live © Joey Brodnax
Concerts, Music, ReviewsMarch 29, 2023<April 30, 2023

Lightning in a Bottle: Gracie Abrams, Live from Austin

by Kelly McCafferty Dorogy
Noah Kahan © Patrick McCormack
Features, Interviews, MusicMarch 29, 2023<March 2, 2025

Interview: Noah Kahan on Third LP ‘Stick Season’, Embracing His Roots, & Finding Happiness in Being Himself

by Mitch Mosk
Wednesday © Zachary Chick
Columns, Music, Today's SongMarch 29, 2023<April 30, 2023

Wednesday’s “TV in the Gas Pump” Paints an Honest, Irreverent Picture of Life on the Road

by Kylie Gurewitz
ISHAN © Marcello Anthony
Columns, Music, Today's SongMarch 28, 2023<April 30, 2023

Today’s Song: Melbourne Singer/Songwriter ISHAN Sings His “Apologies” with an Intimate, Buoyant Bounce

by Mitch Mosk
DAMOYEE "phobia" © courtesy of the artist
Music, Music Videos, PremieresMarch 28, 2023<April 30, 2023

Premiere: DAMOYEE Faces Fear & Love in “Phobia,” Her Beautifully Vulnerable, Achingly Raw Ethereal Folk Song

by Mitch Mosk
Becca Bowen © Artisan Imagery
Essays, Music, Women's History MonthMarch 28, 2023<April 30, 2023

“The Importance of Empowering Young Women & Girls”: An Essay by Becca Bowen for Women’s History Month

by Guest Writer
Au Gres © Bryan Hugo Iglesias
Music, PremieresMarch 28, 2023<April 30, 2023

Premiere: Au Gres Explores the Struggle Between Personal & Material Identity in “Leaving”

by Isabella Le
Mary Anne's Polar Rig © Ebba Ågren
Features, Interviews, Music, Track-by-TrackMarch 27, 2023<April 30, 2023

“A Beautiful Mess”: Mary Anne’s Polar Rig Dive into the Unapologetic Fever Dream of ‘Makes You Wonder’

by Mitch Mosk
Darren Jessee © Dustin Condren
Features, Interviews, Music, Track-by-TrackMarch 27, 2023<April 30, 2023

“Connection with Everything”: Darren Jessee Shines on ‘Central Bridge’, His Lyrical, Tuneful, & Captivating Third LP

by Mitch Mosk
Tow’rs © 2023
Features, Interviews, Music, Track-by-TrackMarch 27, 2023<April 30, 2023

“There isn’t a world you aren’t creating”: Tow’rs Explore Life Through an Intimate Lens on ‘Joy Alchemy’

by Mitch Mosk
LØLØ © 2023
Columns, Music, Today's SongMarch 27, 2023<April 30, 2023

Today’s Song: LØLØ’s “5,6,7,8” (ft. girlfriends) Fills the Gaps of Nostalgia and Desire

by Rachel Leong
The Natural Lines © Jesse Dufault
Debut, Features, Interviews, Music, Track-by-TrackMarch 24, 2023<April 30, 2023

“Harmonically Charged Tragicomedy”: Matt Pond Finds His Voice (Again) on The Natural Lines’ Soaring & Spirited Debut

by Mitch Mosk
Atwood Magazine's Weekly Roundup | March 24, 2023
Columns, Features, Music, Weekly RoundupMarch 24, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: March 24, 2023

by Atwood Magazine Staff
Phoneboy © Walter Orellana
Features, Interviews, MusicMarch 24, 2023<April 30, 2023

Interview: NJ’s Phoneboy Are Moving Up & ‘Moving Out’ with Their Sophomore Album

by Minna Abdel-Gawad
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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