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Claire Guerreso
Essays, Music, Women's History MonthMarch 24, 2023<April 30, 2023

“The Elephant in the Room”: An Essay by Claire Guerreso for Women’s History Month

by Guest Writer
Yarin Glam © 2023
Columns, Music, Today's SongMarch 24, 2023<April 30, 2023

Today’s Song: Pop Artist Yarin Glam Battles Mental & Emotional Demons in “Side Effects”

by Julius Robinson
Shayla McDaniel © 2023
Columns, Music, Today's SongMarch 23, 2023<April 30, 2023

Today’s Song: Shayla McDaniel’s Invigorating “Awake” Is a Spirited & Rousing Ode to Sleep

by Mitch Mosk
Atwood Magazine's Editor's Picks 93
Columns, Editor's Picks, Features, MusicMarch 23, 2023<March 29, 2023

Editor’s Picks 93: Cafuné, Kay Young, Eliott, tinyumbrellas, Siena Streiber, & Aáyanna!

by Mitch Mosk
Brina Kabler © 2023
Essays, Music, Women's History MonthMarch 23, 2023<April 30, 2023

“Women in Music”: An Essay by Brina Kabler for Women’s History Month

by Guest Writer
Phil Lesh Celebrates His 83rd birthday at The Capitol Theatre, 3.15.23 © Chad Anderson
Concerts, MusicMarch 23, 2023<May 11, 2023

Phil Lesh Celebrates 83rd Birthday & 100th Show at Capitol Theatre During Four-Night Run

by Max Kalnitz
Transviolet © Taylor Lewis
Music, PremieresMarch 22, 2023<April 30, 2023

Premiere: Transviolet Bask in the Light of Life on Euphoric “How Lucky” Off Third LP, ‘BODY’

by Mitch Mosk
Nicole Moudaber © 2023
Essays, Music, Women's History MonthMarch 22, 2023<April 30, 2023

“I’ve Dedicated My Life to Fighting the Patriarchy”: An Essay by Nicole Moudaber for Women’s History Month

by Guest Writer
Tarune © Bellamy Brewster
Music, PremieresMarch 22, 2023<April 30, 2023

Premiere: “baby, get your ticket” Is Tarune’s Tender, Soul-Stirring Mantra of Love & Longing

by Mitch Mosk
U2 © Kurt Iswarienko
Music, ReviewsMarch 22, 2023<April 30, 2023

Surrender to the Music and the Call of U2

by Brianna Corrine
Woz © Cecilia Luque
Music, PremieresMarch 22, 2023<April 30, 2023

Premiere: Woz’s “How I’m Gonna Go” Is a Hauntingly Intimate, Achingly Raw Reckoning in the Dark

by Mitch Mosk
The Japanese House © Max Barnett
Columns, Music, Today's SongMarch 22, 2023<January 30, 2024

Today’s Song: The Japanese House Rewrites History with New Single “Boyhood”

by Nasim Elyasi
Jack, Mikey, LØREN, June & Leeoh (left to right) on Austin's iconic 6th Street after closing out their first ever American shows © Freya Rinaldi, March 2023
Concerts, Music, ReviewsMarch 21, 2023<April 30, 2023

Live Review: LØREN Makes a Mark with First Stateside Performances at SXSW 2023!

by Freya Rinaldi
Black Honey's Izzy Bee Phillips © Lauren Maccabee
Features, Interviews, MusicMarch 21, 2023<April 30, 2023

Interview: Black Honey’s Izzy Bee Phillips Talks Mental Health, Vulnerability, & New Album ‘A Fistful of Peaches’

by Mitch Mosk
Freshcakes - Banji
Debut, Features, Interviews, Music, Track-by-TrackMarch 21, 2023<April 30, 2023

Fun, Feverish, & Freeing: Banji Take a Bite out of Life on Zesty Debut Album ‘Freshcakes’

by Mitch Mosk
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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