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Callie Reiff © Bellamy Brewster
Interviews, MusicJanuary 13, 2023<January 13, 2023

“Watch Out, It’s a Chain Reaction”: A Conversation with Soaring EDM Talent Callie Reiff

by Josh Weiner
The Sarandons © Steph Montani
Columns, Music, Today's SongJanuary 13, 2023<January 13, 2023

Today’s Song: Canadian Heartland Rockers The Sarandons Get Introspective with “Sightlines”

by Beau Hayhoe
Circa Waves © Lewis Vorne
Features, Interviews, MusicJanuary 13, 2023<March 11, 2023

“An Act of Resilience”: Circa Waves Cling to Optimism in Fifth Album ‘Never Going Under’

by Anthony Kozlowski
Good Karma - J French
Features, Interviews, Music, Track-by-TrackJanuary 12, 2023<March 2, 2025

“These are not just songs; these are mantras.”: J French Finds His Light in Uplifting, Hopeful, & Soulful ‘Good Karma’ LP

by Mitch Mosk
High Tea © Robin Siddall
Debut, Interviews, Music, Reviews, Track-by-TrackJanuary 12, 2023<January 12, 2023

Track-by-Track: The Simple Untamed Wanderlust of High Tea’s ‘Old Cowboy’

by Mitch Mosk
Matilda Mann & Spill Tab © 2023
Columns, Music, Today's SongJanuary 12, 2023<January 12, 2023

Today’s Song: “Borderline Insane” Is Matilda Mann & spill tab’s Irresistible Grunge Pop Anthem

by Minna Abdel-Gawad
MILK - Natalie Shay
Music, Reviews, Track-by-TrackJanuary 11, 2023<January 11, 2023

Track-by-Track: In an Explorative Realm of Growth & Self-Discovery with Natalie Shay’s ‘MILK’ EP

by Joe Beer
Flipturn © Amanda Laferriere
Debut, Features, Interviews, Music, Track-by-TrackJanuary 11, 2023<January 12, 2023

“Shimmery, Gritty, & Reflective”: The Weight & Warmth of flipturn’s Soul-Stirring Debut Album ‘Shadowglow’

by Mitch Mosk
Sun Room © Kelly Hammond
Columns, Music, Today's SongJanuary 11, 2023<January 11, 2023

Today’s Song: Sun Room’s Fast & Loud “Cadillac” Is a Euphonious Time Machine

by Lilly Eason
Jo-Jo & The Teeth © 2022 7.1
Debut, Music, Our Take, ReviewsJanuary 10, 2023<January 10, 2023

Our Take: Brace Yourself for Jo-Jo & The Teeth’s High Octane Debut Album, ‘No More Good News’

by Dominic Kureen
Christmas is Canceled - Mikey Mike
Columns, Music, Today's SongJanuary 10, 2023<January 10, 2023

Mikey Mike Speaks on the Absurdity of Today’s World on “Christmas Is Canceled”

by Nick Polak
Atwood Magazine's Editor's Picks 83
Columns, Editor's Picks, Features, MusicJanuary 9, 2023<March 11, 2023

Editor’s Picks 83: Kids That Fly, Gordi, Brian Dunne, OTNES, Tommy Ashby, & Maya Delilah!

by Mitch Mosk
Ester's Anna Holmquist © Ash Dye
Columns, Music, Today's SongJanuary 9, 2023<August 28, 2023

The Lonely, Heavy Weight of Ester’s Lockdown Song, “Red Rover”

by Mitch Mosk
LIFE © Luke Hallett
Features, Interviews, Music, Track-by-TrackJanuary 7, 2023<March 11, 2023

Feature: LIFE’s Intimate, Expansive, & Brooding ‘North East Coastal Town’ Is a Post-Punk Love Letter Home

by Mitch Mosk
The Snuts © Edward Cooke
Features, Interviews, MusicJanuary 6, 2023<January 6, 2023

Interview: The Snuts Guitarist Joe McGillveray Muses on His Musical Past, Present, & Future

by Andrew Daly
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Brand New

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’

:: discover something new ::

Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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