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The National Parks © Noah Tidmore
Features, Interviews, Music, Track-by-TrackMarch 7, 2023<April 30, 2023

A Soundtrack to Adventure: The National Parks’ ‘8th Wonder’ Is a Cinematic Road Trip Through Life, Love, & Nature

by Mitch Mosk
Tove Lo "Borderline" © 2023
Columns, Music, Today's SongMarch 7, 2023<April 30, 2023

Today’s Song: Tove Lo Sings About an Extreme Love in New Single “Borderline”

by Dimitra Gurduiala
Dr. Ushūu © 2023
Interviews, MusicMarch 6, 2023<April 30, 2023

Interview: Dr. Ushūu’s EDM Universe Knows No Bounds

by Josh Weiner
Lauren Lakis "Take My Hand" © 2023
Columns, Music, Today's SongMarch 6, 2023<April 30, 2023

Today’s Song: Lauren Lakis Reaches Out Through the Darkness with Lush Single, “Take My Hand”

by Beau Hayhoe
Lotus Glow - Adi Oasis
Debut, Features, Interviews, Music, Track-by-TrackMarch 3, 2023<August 16, 2024

“Being fearless pays off”: Adi Oasis Blooms on Empowering, Soul-Soaked & Seductive Debut Album ‘Lotus Glow’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | March 3, 2023
Columns, Features, Music, Weekly RoundupMarch 3, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: March 3, 2023

by Atwood Magazine Staff
Ruel '4th Wall' © Michelle Grace Hunder
Debut, Features, Interviews, Music, Track-by-TrackMarch 3, 2023<April 30, 2023

Interview: Ruel Breaks the ‘4TH WALL’ with His Cinematic Debut Album

by Mitch Mosk
Ging © Aska Matsumiya
Columns, Music, Today's SongMarch 2, 2023<April 30, 2023

Ging Aches, Cries, & Dwells in the Depths of “Grief,” a Painful Song of Love, Loss, and Letting Go

by Mitch Mosk
Derealised - Jadu Heart
Features, Interviews, Music, Track-by-TrackMarch 2, 2023<April 30, 2023

Chaos, Fuzz, & Magic: Jadu Heart’s Third LP ‘Derealised’ Is a Cathartic Dream Pop Journey From “Hopelessness to Hopefulness”

by Mitch Mosk
The Cure © Jan-Erik Eriksen 2022
Columns, Features, MusicMarch 2, 2023<April 30, 2023

Living The Cure, Pt. 4

by David Buyze
This Is Why - Paramore album art
Features, Music, Reviews, RoundtableMarch 2, 2023<June 29, 2024

Roundtable Discussion: A Review of Paramore’s ‘This Is Why’

by Atwood Magazine Staff
Abington Grove - Billy Lockett
Debut, Features, Interviews, MusicMarch 2, 2023<April 30, 2023

Interview: Billy Lockett’s Debut Album ‘Abington Grove’ Is a Liberating Release Letting Go of Past Mistakes & Worry

by Chloe Robinson
Atwood Magazine's Editor's Picks 90
Columns, Editor's Picks, Features, MusicMarch 1, 2023<March 11, 2023

Editor’s Picks 90: Pacific Avenue, Timothy Edward Carpenter, Maggie Miles, BROODS, Hallie, & Ezra Williams!

by Mitch Mosk
KIANJA © 2023
Artist to Watch, Music, PremieresMarch 1, 2023<April 30, 2023

Artist to Watch: London’s KIANJA Spills Her Heart & Soul in “Ever Since You Went Away,” an Instant Classic

by Mitch Mosk
Brotherkenzie © Brit O’Brien
Columns, Music, Today's SongMarch 1, 2023<April 30, 2023

Today’s Song: Brotherkenzie’s Hopeful “SPRING PEELS” Is an Ode to the Relief That Comes from Breaking Off Toxic Relationships

by Claire Meyer
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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