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The Mysterines © Steve Gullick
Debut, Features, Interviews, Music, Track-by-TrackNovember 30, 2022<December 19, 2022

Reeling You In: Liverpool’s The Mysterines Erupt with Raw Passion on Feverish & Unapologetic Debut Album

by Mitch Mosk
Tom Odell © Rory Langdon-Down
Columns, Music, Today's SongNovember 30, 2022<November 29, 2022

Today’s Song: Tom Odell’s “Just Another Thing We Don’t Talk About” Captures the Eerie Feeling of Silence in a Relationship

by Lauren Turner
The Real Zebos © 2022
Features, Interviews, Music, Track-by-TrackNovember 29, 2022<December 1, 2022

Feature: The Real Zebos Have ‘no style’, and They Wear It Well on Fun n’ Feverish Sophomore LP

by Mitch Mosk
Kevin Ross © 2022
Columns, Music, Today's SongNovember 29, 2022<November 29, 2022

Today’s Song: Kevin Ross’ Seductive “Sweet Release” Strips Back Layers to Unveil Passionate Vulnerability

by Chloe Robinson
Atwood Magazine Editor's Picks 80
Columns, Editor's Picks, Features, MusicNovember 23, 2022<March 11, 2023

Editor’s Picks 80: Rachel Chinouriri, Green Rays, Mary Middlefield, Joesef, The Okay Lakes, & Razorlight!

by Mitch Mosk
Wolf Alice Performing at The Wiltern in Los Angeles © Nic Nichols
Concerts, Music, ReviewsNovember 23, 2022<November 23, 2022

Live Review: Wolf Alice Close Their North American ’22 Tour in Los Angeles

by Nic Nichols
Jackson Mico Milas © Max Fairclough
Debut, Features, Interviews, Music, Track-by-TrackNovember 22, 2022<November 22, 2022

“Room with a View”: Jackson Mico Milas Debuts His Cinematic, Stirring & Smoldering Album, ‘Blu Terra’

by Mitch Mosk
Smut © Jaycee Rockhold
Columns, Music, Today's SongNovember 22, 2022<November 22, 2022

Today’s Song: Smut Blend Past & Present on Hazy, ‘90s-Tinged Rocker “Supersolar”

by Beau Hayhoe
Gold Panda © Laura Lewis
Music, ReviewsNovember 21, 2022<November 21, 2022

Review: Gold Panda’s ‘The Work’ Is a Glistening, Nervy Place Where Joy & Sadness Collide

by Kevin Krein
The Mars Volta © Fat Bob
Music, ReviewsNovember 21, 2022<November 21, 2022

Review: Revitalised with a Fresh Start, The Mars Volta Clean the Slate with First Album in a Decade

by Adam Davidson
Crumbs - Rebecca Black
Columns, Music, Today's SongNovember 21, 2022<November 21, 2022

Today’s Song: Rebecca Black Fiercely Enters the Future with “Crumbs”

by Frankie Rose
Connie Constance © Phoebe Fox
Features, Interviews, Music, Track-by-TrackNovember 18, 2022<March 11, 2023

“The power in you, it won’t go unnoticed”: Connie Constance Dives Inside Her Empowering, Cathartic & Catchy Sophomore LP, ‘Miss Power’

by Mitch Mosk
NEFFY © 2022
Features, Interviews, MusicNovember 18, 2022<November 18, 2022

Interview: With Head Held High, Neffy Confidently Loses Her Nerve

by Sophie Severs
Atwood Magazine's Weekly Roundup | November 18, 2022
Columns, Features, Music, Weekly RoundupNovember 18, 2022<November 18, 2022

Atwood Magazine’s Weekly Roundup: November 18, 2022

by Atwood Magazine Staff
Francesca Blanchard © 2022
Columns, Music, Music Videos, Today's SongNovember 18, 2022<November 18, 2022

Today’s Song: Francesca Blanchard’s “Je sais plus quoi te dire” Is a Caricatural, Playful Take on Rejection

by Frankie Rose
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Brand New

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’

:: discover something new ::

Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
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