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Tunes & Tumblers x Loviet 2023
Music, Podcast, Tunes & TumblersFebruary 21, 2023<April 30, 2023

Podcast: Tunes & Tumblers Features Loviet and a Messy Layers

by Atwood Magazine Staff
Alexz Johnson © Matthew McWilliams
Features, Interviews, MusicFebruary 21, 2023<February 21, 2023

Interview: Alexz Johnson Offers a Heartfelt Hug in “Hurt Me,” an Achingly Beautiful Song of Unconditional Love

by Mitch Mosk
Photo Ops © courtesy of the artist
Columns, Music, Today's SongFebruary 21, 2023<February 21, 2023

Today’s Song: Photo Ops Mourns a Friendship in “You Must Not Need a Friend At All,” a Wistful Indie Folk Reckoning

by Mitch Mosk
Oddisee © Jasmine Van Buytene 8.3
Music, Our Take, ReviewsFebruary 20, 2023<February 20, 2023

Our Take: Oddisee Does the DC Rap Scene Proud on ‘To What End’

by Josh Weiner
Clara Mann © courtesy of the artist
Columns, Music, Today's SongFebruary 20, 2023<February 17, 2023

Today’s Song: Clara Mann’s Intimate “Confessions” Masterfully Finds the Silver Lining During Loss

by Sophie Severs
Atwood Magazine's Weekly Roundup | February 17, 2023
Columns, Features, Music, Weekly RoundupFebruary 17, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: February 17, 2023

by Atwood Magazine Staff
DWLLRS © Cole Ferguson
Features, Interviews, MusicFebruary 17, 2023<February 17, 2023

Feature: DWLLRS and the Art of Overthinking

by Anthony Kozlowski
Ber © Lauren Kim
Features, Interviews, MusicFebruary 17, 2023<February 17, 2023

Interview: Ber Talks Life, Love, & Creation Leading Up to Sophomore EP ‘Halfway’

by Rachel Leong
Atwood Magazine Editor's Picks 88
Columns, Editor's Picks, Features, MusicFebruary 17, 2023<March 11, 2023

Editor’s Picks 88: Boyish, JERUB, Alex Lahey, Paige Su, Anna Shoemaker, & Savannah Conley!

by Mitch Mosk
Montauk Hotel © Simon Walsh
Columns, Music, Today's SongFebruary 17, 2023<February 16, 2023

Today’s Song: Montauk Hotel Urge You to Jump in with Shimmering ‘80s Ode “Dive (Come Afloat)”

by Beau Hayhoe
The Cure © Jan-Erik Eriksen 2022
Columns, Features, MusicFebruary 16, 2023<February 16, 2023

Living The Cure, Pt. 2

by David Buyze
Slow Fiction © Sid Simons
Debut, Features, Interviews, Music, Track-by-TrackFebruary 16, 2023<February 16, 2023

Feature: Slow Fiction’s Dreamy & Raw Debut EP Will Have You Dancing While Crying

by Mitch Mosk
TJ Stafford "Nipple Whisk" © Rowan Daly
Features, Interviews, MusicFebruary 16, 2023<February 16, 2023

Interview: TJ Stafford Opens Up About Third Album ‘Nipple Whisk’ & Navigating Life’s Mess

by Chloe Robinson
Future Someone © Laur Loncar
Music, PremieresFebruary 16, 2023<February 16, 2023

Premiere: NYC’s Future Someone Contends with Closure in His Beautiful & Bittersweet “I Hope You Find Whatever You Are Looking For”

by Mitch Mosk
YVY MARAEY "Water" music video screenshot
Music, PremieresFebruary 16, 2023<February 16, 2023

Premiere: YVY MARAEY’s Roots Run Deep in Soul-Stirring Single “Water” ft. Raiza Biza

by Mitch Mosk
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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