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Atwood Magazine's Weekly Roundup | June 3, 2022
Columns, Features, Music, Weekly RoundupJune 3, 2022<June 3, 2022

Atwood Magazine’s Weekly Roundup: June 3, 2022

by Atwood Magazine Staff
Marilyn Hucek © 2022
Columns, Music, Today's SongJune 2, 2022<June 2, 2022

Today’s Song: Marilyn Hucek Empowers Women with “Boy Drama”

by Kelly McCafferty Dorogy
Primus 5/25/2022
Concerts, Music, ReviewsJune 2, 2022<June 3, 2022

Live Review: Primus Bring Rush’s ‘A Farewell to Kings’ & Their Own Decades of Hits to Bethlehem

by Guest Writer
Personal Space © Tom Bell
Music, Premieres, ReviewsJune 2, 2022<June 2, 2022

EP Premiere: Personal Space’s Angular, Restless, & Radiant ‘Still Life’ EP

by Mitch Mosk
The Degrees © Chelone Wolf
Music, PremieresJune 2, 2022<June 2, 2022

Premiere: Bristol’s The Degrees Light a Burning Fire in Smoldering & Soulful “Nothing Else”

by Mitch Mosk
Atwood Magazine's Editor's Picks 65
Columns, Editor's Picks, Features, MusicJune 2, 2022<September 29, 2022

Editor’s Picks 65: Chateau Chateau, Sky Ferreira, Sorcha Richardson, Jungle, Ruby Gill, & Sarah Kinsley!

by Mitch Mosk
JayWood © Tonje Thilesen
Columns, Music, Today's SongJune 1, 2022<June 1, 2022

Today’s Song: JayWood’s Soaring & Seductive “Just Sayin” (ft. Ami Cheon) Is an Inspiring Equal Opportunity Anthem

by Mitch Mosk
Caleb Nichols "Jerome" music video still
Music, PremieresJune 1, 2022<June 1, 2022

Premiere: Mean Mr. Mustard Comes to Life As a Queer Icon in Caleb Nichols’ Campy Romp “Jerome”

by Mitch Mosk
"Rich Kids" music video still - Aiyana-Lee
Artist to Watch, Music, Music Videos, PremieresJune 1, 2022<June 1, 2022

Artist-to-Watch: Aiyana-Lee Lights a Fire with Inspiring & Spirited “Rich Kids” Music Video

by Mitch Mosk
Brandon Stansell © Karen Marie Co.
Columns, Music, Pride MonthJune 1, 2022<June 1, 2022

Essay: Brandon Stansell Reflects on His Own “Wild Ride” for Pride Month

by Guest Writer
Ainsley Farrell © Ian Farrell
Music, PremieresMay 31, 2022<May 31, 2022

Premiere: Empathy & Understanding in Ainsley Farrell’s Stunning Return, “The Way Back”

by Mitch Mosk
Waxflower © Mitch Lowe
Music, Music Videos, PremieresMay 31, 2022<May 31, 2022

Video Premiere: Aussie Pop Punks Waxflower’s Achingly Intense Star-Crossed Anthem, “Misaligned Love” ft. Sydney Sprague

by Mitch Mosk
George Gretton © 2022
Music, PremieresMay 31, 2022<May 31, 2022

Premiere: The Moody, Woozy Cabin Fever of George Gretton’s “Morning” ft. theMIND

by Mitch Mosk
nohidea x nujabes
Asian American and Pacific Islander Heritage Month, Columns, MusicMay 31, 2022<May 31, 2022

“How Japanese Artist Nujabes Spawned an Entire Generation of Musicians”: An Essay by nohidea

by Guest Writer
Matt Dorrien © Vincent Bancheri
Columns, Music, Today's SongMay 31, 2022<May 31, 2022

Today’s Song: Matt Dorrien Explores the Melancholy on His Quietly Lovely “That Gets Me Through”

by Beau Hayhoe
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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