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ELIS NOA © Dominik Friess
Features, Interviews, Music, Track-by-TrackJuly 8, 2022<July 8, 2022

‘I Was Just About to Leave’: The Unfiltered Intimacy & Vibey Electro-Soul of ELIS NOA’s Sophomore Album

by Mitch Mosk
Stay Proud of Me - NoSo
Debut, Features, Interviews, Music, Track-by-TrackJuly 8, 2022<April 24, 2023

‘Stay Proud of Me’: NoSo’s Wondrous, Wistful & Reflective Coming-of-Age Debut Album

by Mitch Mosk
Atwood Magazine's Weekly Roundup | July 8, 2022
Columns, Features, Music, Weekly RoundupJuly 8, 2022<July 8, 2022

Atwood Magazine’s Weekly Roundup: July 8, 2022

by Atwood Magazine Staff
Matilda Mann © Dominique Froud
Columns, Music, Today's SongJuly 8, 2022<July 8, 2022

Today’s Song: Matilda Mann Gives Us a Glimpse of “Hell” with Her Newest Single

by Sophie Severs
James Bay © 2022
Features, Interviews, MusicJuly 8, 2022<March 11, 2023

Lessons of Love: James Bay Shares Why ‘Leap’ Is His Most Vulnerable Album Yet

by Mitch Mosk
KTJ & CARLY © 2022
Features, Interviews, MusicJuly 7, 2022<July 6, 2023

Interview: KTJ & Carly Unveil Their Dazzling EP ‘Ego Death,’ a Reflection on Ego & Its Role in Our Lives

by Chloe Robinson
Abbie Ozard © Charlotte Rudd
Features, Interviews, Music, Reviews, Track-by-TrackJuly 7, 2022<July 7, 2022

Artist-to-Watch: Abbie Ozard Dives into Her ‘Water Based Lullabies’ EP, a Captivating & Charismatic Fever Dream

by Mitch Mosk
Ogi © Kanya Iwana
Debut, Features, Interviews, MusicJuly 7, 2022<July 7, 2022

Interview: Ogi Debuts Her Stunningly Soulful, Colorful & Expansive ‘Monologues’ EP

by Mitch Mosk
Doll Spirit Vessel © Doll Spirit Vessel
MusicJuly 7, 2022<July 7, 2022

Premiere: Doll Spirit Vessel’s Relaxing, Dreamy Sophomore Single “Something Small”

by Mitch Mosk
PRONOUN © 2021
Features, Interviews, Music, Track-by-TrackJuly 7, 2022<July 9, 2022

“The sound of depression trying to have a good time”: Pronoun’s Emotionally Charged ‘OMG I MADE IT’ EP

by Mitch Mosk
Atwood Magazine's Editor's Picks 70
MusicJuly 6, 2022<September 29, 2022

Editor’s Picks 70: Ash Grunwald, Sydney Sprague, Plastic Picnic, Louien, Motel Radio, & Georgie!

by Mitch Mosk
Eric Bolton © Gold House Studios
Columns, Essays, Music, Pride MonthJuly 6, 2022<July 6, 2022

“The Song or the Story?”: A Pride Month Essay by Eric Bolton

by Guest Writer
Little Fuss © Tori Spadaro
Music, Music Videos, PremieresJuly 6, 2022<July 6, 2022

Premiere: Little Fuss’ Dreamy & Energetic “20 Questions”

by Kelly McCafferty Dorogy
The Burma @ Ciara O'Toole
Music, Music Videos, PremieresJuly 6, 2022<July 6, 2022

Premiere: Irish Indie Rock Trio The Burma Uplift & Enchant with Spirited Anthem “Sleepers”

by Mitch Mosk
Vinyl Days - Logic 8
Music, Our Take, ReviewsJuly 6, 2022<July 2, 2022

Our Take: Logic Quickly Cuts His Retirement Short with the Poppin’ ‘Vinyl Days’

by Josh Weiner
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Brand New

  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)

:: discover something new ::

Recent Posts

  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
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