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wilter © 2022
Features, Interviews, Music, Track-by-TrackJune 23, 2022<July 2, 2022

“Melancholic, Eerie, & Soothing”: Inside wilter’s Debut ‘all this leaving’, a Record of Haunting Depression & Mellow Wonder

by Mitch Mosk
Meyru © Kevin Condon
Features, Interviews, Music, Track-by-TrackJune 23, 2022<August 13, 2022

“Scattered, Smothered, & Covered”: ‘Slow Up’ with Meyru’s Relentless and Charming Sophomore Album

by Mitch Mosk
Flowers of palo © 2022
Columns, Music, Today's SongJune 23, 2022<June 23, 2022

Today’s Song: Flowers of palo Are Blossoming into the Next Indie Powerhouse with “Soho Abode”

by Madeleine Eggen
Rebel Revolution - Sizzy Rocket
Columns, Essays, Music, Pride MonthJune 23, 2022<June 22, 2022

“Let’s Get Wild”: A Pride Month Essay by Sizzy Rocket

by Guest Writer
Tornsey © 2022
Columns, Essays, Music, Pride MonthJune 22, 2022<June 22, 2022

Pride Month Essay: Alternative Pop Artist Tornsey Embraces Change & Honesty for Pride ’22

by Guest Writer
Atwood Magazine's Editor's Picks 68
Columns, Editor's Picks, Features, MusicJune 22, 2022<September 29, 2022

Editor’s Picks 68: Young the Giant, Daulton Hopkins, Cecilia Castleman, Juliana Madrid, FELIVAND, & altopalo!

by Mitch Mosk
Fantastic Cat © Shervin Lainez
Music, Music Videos, PremieresJune 22, 2022<August 12, 2022

Premiere: Fantastic Cat Commandeer the Staten Island Ferry for New Single “The Gig,” a Song of Passion, Dreams, & Unrelenting Ambition

by Mitch Mosk
mxmtoon 'rising' © Lissyelle Laricchia
Features, Interviews, MusicJune 22, 2022<June 27, 2022

“I wanted ‘rising’ to feel like a project about loving yourself”: mxmtoon Shines Bright on Her “Fun Existential Crisis” of a Sophomore Album

by Mitch Mosk
Jaguar Jonze © she is aphrodite
Debut, Features, Interviews, Music, Track-by-TrackJune 22, 2022<June 22, 2022

“Powerful, Vulnerable, & Ferocious”: The Trauma & Triumph of Jaguar Jonze’s Debut Album, ‘BUNNY MODE’

by Mitch Mosk
Paul Thomas Saunders © Ali Painter
Columns, Music, Today's SongJune 22, 2022<June 22, 2022

Today’s Song: Paul Thomas Saunders Is Soaring High in New Single, “Heartlands” After 8-Year Hiatus

by Rachel Leong
Tamino "Fascination" © Herman Selleslags
Music, Music Videos, PremieresJune 22, 2022<June 21, 2022

Premiere: The Quiet Nuance of Tamino’s “Fascination” Music Video

by Lilly Eason
Tunes & Tumblers x Hoodie Allen 2022
Columns, Music, Podcast, Tunes & TumblersJune 21, 2022<April 30, 2023

Podcast: Tunes & Tumblers Features Hoodie Allen and a Heartbreak Hoodie

by Atwood Magazine Staff
Wy © Lamia Karic
Features, Interviews, Music, Track-by-TrackJune 21, 2022<June 21, 2022

Interview: Wy Deliver ‘Something Amazing,’ a Beautifully Raw EP of Darkness, Light, & Life

by Mitch Mosk
Imogen Clark © Jess Gleeson
Music, PremieresJune 21, 2022<June 21, 2022

“You know I love in absolutes”: Imogen Clark Soars on “Nonchalant,” a Spirited Indie Rock Release

by Mitch Mosk
Peter Rowan © Frank Serio
Music, Music Videos, PremieresJune 21, 2022<June 20, 2022

Born in Dreams: Bluegrass Legend Peter Rowan Premieres His Music Video for “The Song That Made Hank Williams Dance”

by Guest Writer
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Brand New

  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes

:: discover something new ::

Recent Posts

  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
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