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Tunes & Tumblers x Sam Fischer 2022
Music, Podcast, Tunes & TumblersJune 14, 2022<April 30, 2023

Podcast: Tunes & Tumblers Features Sam Fischer and a Broken Bow

by Atwood Magazine Staff
JOBIE © 2022
Columns, Music, Today's SongJune 14, 2022<June 16, 2022

Today’s Song: JOBIE’s “All for One,” a Somber Lesson on Loving & Love Lost

by Sophie Severs
Leith © 2022
Features, Interviews, Music, Track-by-TrackJune 14, 2022<August 13, 2022

Track-by-Track: Inside Leith’s Stunning, Cinematic & Unfiltered Debut EP, ‘Birthdays in July’

by Mitch Mosk
Mr Little Jeans 'Better Days' © Nina Jordan
Features, Interviews, Music, Track-by-TrackJune 14, 2022<June 14, 2022

Track-by-Track: Mr Little Jeans Dives into Her Intimate & Ethereal Sophomore LP, ‘Better Days’

by Mitch Mosk
Best Breakfast's Ben Majest © Mike Kellogg
Music, Music Videos, PremieresJune 14, 2022<June 15, 2022

Premiere: Wading Through the Deep End of Best Breakfast’s Wistful & Dreamy “Wave”

by Mitch Mosk
Wet Leg © Hollie Fernando
Essays, Features, Music, ReviewsJune 14, 2022<February 6, 2025

Subverting Expectations: Wet Leg, TikTok, and the Refreshing Originality of a Band Just Having a Bit of Fun

by Lilly Eason
Ben Zaidi © Madeline Holland
Debut, Features, Interviews, Music, Track-by-TrackJune 13, 2022<June 20, 2022

“Quarter Life Crisis”: Inside the Raw Reckoning of Ben Zaidi’s Beautiful Debut Album ‘Acre of Salt.’

by Mitch Mosk
George Perris © Errikos Andreou
Columns, Music, Pride MonthJune 13, 2022<June 13, 2022

Pride Month Essay: George Perris Embraces His Truth with No Armor

by Guest Writer
Richie Quake & Anna Shoemaker "Crawl" © Jesse De Florio
Columns, Music, Today's SongJune 13, 2022<June 13, 2022

Today’s Song: Chasing Highs & Riding Lows with Richie Quake’s Feverish “Crawl” ft. Anna Shoemaker

by Mitch Mosk
Every Single Thing - Will Joseph Cook
Music, ReviewsJune 13, 2022<June 13, 2022

Will Joseph Cook Shines in Most Playful & Spunky Album to Date, ‘Every Single Thing’

by Rachel Leong
Honestly - Jillian Jacqueline 8.2
Debut, Music, Our Take, ReviewsJune 13, 2022<June 13, 2022

Our Take: Jillian Jacqueline Gives Us Our Sad Girl Summer with Debut ‘Honestly’

by Emily Frances Algar
Judah & the Lion © David OD
Features, Interviews, Music, Track-by-TrackJune 10, 2022<July 10, 2022

Reveling in ‘Revival’: Judah & The Lion Dive into the Hope, Light, & Unbridled Optimism of Electric 4th Album

by Mitch Mosk
Atwood Magazine's Editor's Picks 66
Columns, Editor's Picks, Features, MusicJune 10, 2022<September 29, 2022

Editor’s Picks 66: TOLEDO, Yeah Yeah Yeahs, Why Bonnie, Phoenix, Marta Knight, & Matteo!

by Mitch Mosk
Keelan Mak © Jess Brohier
Columns, Music, Pride MonthJune 10, 2022<June 13, 2022

Pride Month Essay: Keelan Mak on Finding Community & Connecting with Culture

by Guest Writer
Atwood Magazine's Weekly Roundup | June 10, 2022
Columns, Features, Music, Weekly RoundupJune 10, 2022<June 10, 2022

Atwood Magazine’s Weekly Roundup: June 10, 2022

by Atwood Magazine Staff
Posts pagination
1 … 244 245 246 247 248 … 727

Brand New

  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”

:: discover something new ::

Recent Posts

  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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