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Walker Landgraf © 2022
Music, PremieresSeptember 15, 2022<September 15, 2022

“Comfort, Community, and Making a Home”: Walker Premieres Soulful & Soothing New Single, “I’ll Be Right Here”

by Mitch Mosk
Stalking Gia © 2022
Columns, Music, Today's SongSeptember 15, 2022<September 14, 2022

Today’s Song: Stalking Gia Examines a Bliss Laced in Sorrow with “saddest happy girl”

by Chloe Robinson
Nitti Gritty © Koury Angelo
MusicSeptember 14, 2022<September 13, 2022

Interview: Nitti Gritti Will “Drive You Crazy” with Summer Lovin’ & Nostalgia on New Collab with Dylan Matthew

by Josh Weiner
Jenny Kern © Mara Rothman
Columns, Music, Today's SongSeptember 14, 2022<September 13, 2022

Today’s Song: Explore the Strength in Vulnerability with Jenny Kern’s “I Should Lose You”

by Joe Beer
Mellor © Alex Wickenden
Artist to Watch, Music, PremieresSeptember 13, 2022<September 14, 2022

Artist to Watch: UK Indie Rockers Mellor Roar on Stunning, Sardonic “Battle Hardened” Off Forthcoming Debut

by Mitch Mosk
Laufey © Gemma Warren 9.1
Debut, Music, Our Take, ReviewsSeptember 13, 2022<September 12, 2022

Our Take: Tender, Intimate, & Warm, Laufey Wears Her Heart on Her Sleeve in ‘Everything I Know About Love’

by Isabella Le
Bonny Light Horseman (Anaïs Mitchell, Eric D. Johnson, and Josh Kaufman) © D. James Goodwin
Columns, Music, Today's SongSeptember 13, 2022<September 12, 2022

Today’s Song: Healing in Retrospect with Bonny Light Horseman’s “Summer Dream”

by Collin Leonard
Calum Scott © Tom Cockram
Features, Interviews, MusicSeptember 12, 2022<September 29, 2022

“Honest, Brave & Liberating”: Building ‘Bridges’ with Calum Scott

by Mitch Mosk
Mad Cool Festival © Jaime Erice Torán
Festival, Music, ReviewsSeptember 12, 2022<September 16, 2022

Inside Mad Cool Festival 2022: Alt Rock, Tapas, and a New Beginning?

by Michael Greco
Vivi Rincon © Lucy Ketchum
Columns, Music, Today's SongSeptember 12, 2022<September 12, 2022

Today’s Song: Love & Lust in Vivi Rincon’s “can’t breathe”

by Kelly McCafferty Dorogy
Atwood Magazine's Editor's Picks 72
Columns, Editor's Picks, Features, MusicSeptember 9, 2022<September 29, 2022

Editor’s Picks 72: easy life & BENEE, PRONOUN, Darling Farm, Bleach Lab, Abby Holliday, & Jake Wesley Rogers!

by Mitch Mosk
Loviet © Leo Montero
Artist to Watch, Columns, Music, Today's SongSeptember 9, 2022<September 9, 2022

Artist to Watch: Toronto’s Loviet Returns with Bold, Breathtaking “Broken Lips”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | September 9, 2022
Columns, Features, Music, Weekly RoundupSeptember 9, 2022<September 29, 2022

Atwood Magazine’s Weekly Roundup: September 9, 2022

by Atwood Magazine Staff
mine © Jenny Schuster
Interviews, MusicSeptember 8, 2022<September 8, 2022

Interview: Indie Pop Artist mine Flourishes in Her Vibrant & Vulnerable Debut EP, ‘Bloom!’

by Chloe Robinson
Maya Elise & The Good Dream
Music, PremieresSeptember 8, 2022<September 8, 2022

Premiere: Maya Elise & The Good Dream Soar on “Mailman,” a Rich, Radiant Love Song of Connection & Trust

by Mitch Mosk
Posts pagination
1 … 244 245 246 247 248 … 741

Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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© Atwood Magazine 2024 For the Love of Music
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