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Me Like Bees © 2022
Columns, Music, Today's SongAugust 19, 2022<August 18, 2022

Today’s Song: Me Like Bees Turn Up the Volume with Energetic Indie Rocker “Radio”

by Beau Hayhoe
Maisie Peters © Sonny McCartney
Columns, Music, Today's SongAugust 18, 2022<September 29, 2022

Conflict Breeds Confidence with Maisie Peters’ “Good Enough” & “Blonde”

by Kelly McCafferty Dorogy
Pertinence © Isaiah Mirigian
Features, Interviews, MusicAugust 18, 2022<August 17, 2022

The Newest “Waterboy”: An Introduction to Rising Arizona Rapper Pertinence

by Lauren Hicks
Steven Malcolm © 2022
Columns, Music, Today's SongAugust 17, 2022<August 19, 2022

Today’s Song: How to Achieve a Scintillating “Summertime” with Steven Malcolm & Two Inspiring Guests

by Josh Weiner
Jukebox the Ghost © Shervin Lainez
Features, Interviews, MusicAugust 17, 2022<September 29, 2022

“We’re a Little Bit Ridiculous”: Jukebox the Ghost’s Ben Thornewill Talks Band’s Early Years, His Love for Chaos, & New Album ‘Cheers’

by Madeleine Eggen
Sean Marshall © 2022
Music, PremieresAugust 16, 2022<August 16, 2022

Premiere: The Charm, Charge, & Churn of Sean Marshall’s “Glucose”

by Mitch Mosk
Plastic Picnic © Bronson Snelling
Debut, Features, Interviews, Music, Track-by-TrackAugust 16, 2022<August 16, 2022

“Sunsets, Pain, Relinquish”: Brooklyn’s Plastic Picnic Uplift & Inspire on Debut LP ‘As Long As You Need’

by Mitch Mosk
Imaad Wasif © Sharon Lockhart, Alex Slade
Features, Interviews, Music, Track-by-TrackAugust 15, 2022<August 15, 2022

“I want to create magic”: Imaad Wasif Unveils His Intimate, Soothing & Regenerative Album, ‘So Long Mr. Fear’

by Mitch Mosk
Nick Leng © 2022
Features, Interviews, MusicAugust 15, 2022<August 15, 2022

Interview: Falling in Love with Nick Leng

by Nasim Elyasi
In My Car - Rat Tally
Debut, Features, Interviews, Music, Track-by-TrackAugust 15, 2022<September 29, 2022

“Anxiety, Nostalgia, & Failure”: Rat Tally Digs Through Trauma & Soars on Debut Album, ‘In My Car’

by Mitch Mosk
'Renaissance' Beyoncé © Carlijn Jacobs 9.3
Music, Our Take, ReviewsAugust 15, 2022<August 15, 2022

Our Take: The Queen Bee Beyoncé Stings Again on the Dazzling ‘Renaissance’

by Josh Weiner
Fantastic Cat © Shervin Lainez
Artist to Watch, Debut, Features, Interviews, Music, Track-by-TrackAugust 12, 2022<January 30, 2025

Folk Rock Supergroup Fantastic Cat Soar on Fun, Loose, & Honest Debut Album, ‘The Very Best of Fantastic Cat’

by Mitch Mosk
Cheekface © Miriam Brummel
Music, ReviewsAugust 12, 2022<August 12, 2022

Review: Cheekface Light It All Up with Irony & Fury On ‘Too Much To Ask’

by James Crowley
Kevin Holliday © Kisanet Bezabih
Interviews, MusicAugust 12, 2022<August 12, 2022

Interview: Brooklyn’s Kevin Holliday Pulls Musical Genres in & Pushes Romantic Feelings Out on New Single, “Out of Me”

by Josh Weiner
McCall © Ren Shelborne
Artist to Watch, Debut, Features, Interviews, Music, Track-by-TrackAugust 10, 2022<August 10, 2022

Lush, Gritty, & Confessional: McCall Captivates on Charged & Churning Debut Album, ‘…to be a dream…’

by Mitch Mosk
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Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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