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Brynn Cartelli © Elinor Kry
Columns, Music, Today's SongMay 27, 2022<May 27, 2022

Today’s Song: Brynn Cartelli Shines with Dreamy Pop Anthem “Gemini”

by Kelly McCafferty Dorogy
Atwood Magazine's Weekly Roundup | May 27, 2022
Columns, Features, Music, Weekly RoundupMay 27, 2022<May 27, 2022

Atwood Magazine’s Weekly Roundup: May 27, 2022

by Atwood Magazine Staff
Sophomore Slump - Daisy Grenade
Features, Interviews, Music, Track-by-TrackMay 26, 2022<June 5, 2022

(Don’t Call It a) ‘Sophomore Slump’: Brooklyn’s Daisy Grenade Shine on Glittery, Raw, & Cheeky Debut EP

by Mitch Mosk
Michelle Willis © Dave Goddard
Features, Interviews, Music, Track-by-TrackMay 26, 2022<May 26, 2022

Just One Voice: Inside Michelle Willis’ Cathartic, Groovy, & Triumphant Sophomore Album

by Mitch Mosk
Mr. Morale & the Big Steppers - Kendrick Lamar © Renell Medrano 8.7
Music, Our Take, ReviewsMay 26, 2022<May 26, 2022

Our Take: Kendrick Lamar Emerges Gloriously from Hiatus on ‘Mr. Morale & the Big Steppers’

by Josh Weiner
NoSo © Bella Rose Porter
Asian American and Pacific Islander Heritage Month, Columns, MusicMay 26, 2022<May 27, 2022

My Midwest Childhood As a Trans Korean-American: An Essay by NoSo

by Guest Writer
The Wonder Years © Kelly Mason
Columns, Music, Today's SongMay 26, 2022<May 27, 2022

Today’s Song: The Wonder Years Look Back on Sweet Beach Days with “Summer Clothes”

by James Crowley
Atwood Magazine's Editor's Picks 64
Columns, Editor's Picks, Features, MusicMay 25, 2022<September 29, 2022

Editor’s Picks 64: Mega, bLAck pARty, Florist, G Flip, Johnny Hunter, & Bobbing x Maddie Jay!

by Mitch Mosk
Bathe Alone © Nic Huey
Music, Music Videos, PremieresMay 25, 2022<May 25, 2022

Premiere: Bathe Alone’s Urgent & Inspiring “Animals & Trees” Is an Impassioned Dream Pop Upheaval

by Mitch Mosk
NoSo © Bella Rose Porter
Columns, Music, Today's SongMay 25, 2022<May 25, 2022

Today’s Song: NoSo’s Intimate Rebirth “Parasites” Is a Beautiful, Spiritual Celebration

by Mitch Mosk
Eliza & The Delusionals © Luke Henery
Debut, Features, Interviews, Music, Track-by-TrackMay 24, 2022<September 29, 2022

“Perspective & Nostalgia”: Eliza & The Delusionals Shine on Their Triumphant Coming-of-Age Debut, ‘Now and Then’

by Mitch Mosk
MYRNE © Jared Rezel
Features, Music, Reviews, Track-by-TrackMay 24, 2022<May 26, 2022

Finding Stillness in Turmoil: The Adventure & Emotion of MYRNE’s Soothing ‘Circles’ EP

by Mitch Mosk
The Darcys © Maya Fuhr
Columns, Music, Today's SongMay 24, 2022<May 24, 2022

Today’s Song: The Darcys’ “Washed Away” Is an Anthemic Reckoning with the Music Industry’s Constant Pressures

by Mitch Mosk
L'Imperatrice at Coachela 2022 © Mickey Pierre-Louis, Goldenvoice 2022
Interviews, Music, ReviewsMay 23, 2022<May 23, 2022

L’Impératrice: Shifting Pop Disco from Genre to Art Form

by Michael Greco
Andrew Combs © Alysse Gafkjen
Music, PremieresMay 23, 2022<May 23, 2022

Premiere: Singer/Songwriter Andrew Combs Finds Grace with “(God)less”

by Kelly McCafferty Dorogy
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Brand New

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’

:: discover something new ::

Recent Posts

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
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