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Noah Reid © Eric Hobbs
Features, Interviews, MusicJune 30, 2022<September 29, 2022

‘Adjustments’: Noah Reid Opens Up About His Intimate, Epic, & Stirring Third Album

by Mitch Mosk
Éclo © Akvilė Bukauskaite
Debut, Music, PremieresJune 30, 2022<June 30, 2022

“Pine, Glimmer, Butterscotch”: Éclo (Hibou’s Peter Michel) Hatches with Wondrous Indie Folk on Self-Titled Debut

by Mitch Mosk
Jada Michael © 2022
Columns, Essays, Music, Pride MonthJune 30, 2022<June 30, 2022

“Ready to GO”: A Pride Month Essay by Jada Michael

by Guest Writer
Agender © Lindsey Byrnes
Columns, Essays, Music, Pride MonthJune 30, 2022<June 30, 2022

“QUEER CORE”: A Pride Month Essay by Agender’s Romy Hoffman

by Guest Writer
globe - carwash
Columns, Music, Today's SongJune 30, 2022<June 30, 2022

Today’s Song: DIY Darling carwash Breathes Summer Nostalgia into “globe”

by Jamie Kahn
Tunes & Tumblers x Max Frost 2022
Music, Podcast, Tunes & TumblersJune 29, 2022<April 30, 2023

Podcast: Tunes & Tumblers Features Max Frost and a Flying Machine

by Atwood Magazine Staff
Atwood Magazine's Editors Picks 69
Columns, Editor's Picks, Features, MusicJune 29, 2022<September 29, 2022

Editor’s Picks 69: James Bay, Ashe, Djo, Lissy Taylor, Braxton Cook, & MYTBE!

by Mitch Mosk
The Rare Occasions © Alex Justice
Music, PremieresJune 29, 2022<August 29, 2024

Premiere: The Rare Occasions Surf Stormy Waves on Spirited New Single “Seasick”

by Mitch Mosk
McCall © Haley Minyoung Kreofsky
Columns, Essays, Music, Pride MonthJune 29, 2022<January 20, 2023

“Corporate Pride: Selling Our Identity Back to Us”: A Pride Month Essay by McCall

by Guest Writer
Long Neck © 2022
Columns, Music, Today's SongJune 29, 2022<June 28, 2022

Today’s Song: Long Neck Revisits the Tensions of Being an ‘Essential Worker’ on “558”

by Kevin Krein
KEZRA © Corey Adams
Music, Music Videos, PremieresJune 28, 2022<June 28, 2022

Premiere: Dwelling in the Dark, Distorted Depths of KEZRA’s “Back Home”

by Mitch Mosk
Geese © Daniel Topete
Features, Interviews, MusicJune 28, 2022<June 28, 2022

Opportunity’s Knocking: A Conversation with New York City’s Geese

by Ben Niesen
LonelyTwin © Märta Thisner
Columns, Essays, Music, Pride MonthJune 28, 2022<May 27, 2024

“What Coming Out Made Me Realize”: A Pride Month Essay by LonelyTwin’s Madelene Eliasson

by Guest Writer
Julia Jacklin © Nick Mckk
Columns, Music, Today's SongJune 28, 2022<June 28, 2022

Today’s Song: Julia Jacklin Adds a Splash of Color into Our Lives with “I Was Neon”

by Sophie Severs
Honeyglaze © Holly Whitaker
Debut, Features, Interviews, Music, Track-by-TrackJune 27, 2022<June 27, 2022

“A Spiraling Breakfast”: Inside Honeyglaze’s Raw, Honest, & Vulnerable Self-Titled Debut Album

by Mitch Mosk
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Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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