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Kris Angelis © Lee Holbrook
Interviews, MusicMarch 30, 2022<March 30, 2022

Interview: Kris Angelis Finds Solace From the Night in “Run”

by Chloe Robinson
Bestfriend © Mackenzie Walker
Music, PremieresMarch 29, 2022<March 30, 2022

Premiere: Bestfriend’s Beautifully Warm & Wistful Summer Song, “Someplace Else”

by Mitch Mosk
Jack Van Cleaf © Jacob Ruth
Debut, Features, Music, Premieres, Track-by-TrackMarch 29, 2022<March 30, 2022

“Colorful, Nostalgic, & Spacious”: Jack Van Cleaf Premieres His Radiantly Raw Debut Album, ‘Fruit from the Trees’

by Mitch Mosk
Methyl Ethel © Xan Thorrhhoea
Features, Interviews, Music, ReviewsMarch 29, 2022<March 31, 2022

Methyl Ethel’s Challenging, Neo-Romantic Question, ‘Are You Haunted?’

by Ben Niesen
Louien © Julia Marie Naglestad
Columns, Music, Women's History MonthMarch 29, 2022<March 29, 2022

Even Women in the Most Progressive Countries Are Fighting for Equality: Norway’s Live Miranda Solberg Reflects on Women’s History Month

by Guest Writer
Margot Jezerc © Zian Meng
Columns, Music, Women's History MonthMarch 29, 2022<March 29, 2022

“Radical Acceptance”: Buffalo Rose’s Margot Jezerc on Youth & Womanhood

by Guest Writer
lostboy © 2022
Columns, Music, Today's SongMarch 28, 2022<March 28, 2022

Today’s Song: Sheffield’s lostboy Ditch the “Weight” in Soaring & Cinematic Anthem

by Mitch Mosk
Gabriel Kahane © Jason Quigley
Features, Interviews, MusicMarch 28, 2022<March 2, 2025

Between Ecstasy and Grief: Gabriel Kahane Discusses ‘Magnificent Bird,’ Gift Economies, & Generosity

by Mariel Fechik
Secret Emchy Society © Margo Duane
Columns, Music, Women's History MonthMarch 25, 2022<March 25, 2022

“Put Her Name in Your Mouth”: Cindy Emch on the Importance of Recognizing & Honoring Women in Music & Beyond

by Guest Writer
'Lessons From Earth Part 1' - Sonia Stein
Features, Music, Reviews, Track-by-TrackMarch 25, 2022<March 31, 2022

Track-By-Track: Sonia Stein Dives into Her “Spiritual, Grooving, & Blooming” ‘Lessons From Earth, Pt. 1’

by Mitch Mosk
elkyn © Stewart Baxter
Debut, Features, Music, Reviews, Track-by-TrackMarch 25, 2022<April 3, 2022

“Hopeful, Sad, & Reminiscent”: Inside the Warm Wonder of elkyn’s Debut Album ‘holy spirit social club’

by Mitch Mosk
Carter Vail © 2022
Columns, Music, Today's SongMarch 25, 2022<March 25, 2022

Today’s Song: Carter Vail Soars on Sun-Soaked & Sweetly Seductive “Nancy Again”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | March 25, 2022
Columns, Features, Music, Weekly RoundupMarch 25, 2022<March 25, 2022

Atwood Magazine’s Weekly Roundup: March 25, 2022

by Atwood Magazine Staff
COIN © XYZ
Features, Interviews, MusicMarch 25, 2022<April 3, 2022

“Emotional Surgery”: COIN Breakdown the Human Experience in Their New Album, ‘Uncanny Valley’

by Lilly Eason
Arctic Lake © Scarlett Casciello
Features, Music, Reviews, Track-by-TrackMarch 24, 2022<May 9, 2022

Longing for Connection: Arctic Lake Dive into Their Stunningly Intimate ‘side by side we lie awake’ EP

by Mitch Mosk
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Brand New

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’

:: discover something new ::

Recent Posts

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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