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Casey Dubie © 2022
Features, Interviews, Music, Track-by-TrackApril 27, 2022<April 27, 2022

Feature: Casey Dubie Shines Bright on Sophomore LP ‘Half-Hearted’, an Honest & Reflective Stream of Consciousness

by Mitch Mosk
Sweet Company - Vicky Farewell
Debut, Features, Interviews, Music, Track-by-TrackApril 27, 2022<April 27, 2022

“Sincere, Refreshing, & Effortless”: Vicky Farewell’s Debut Album Is Sun-Soaked ‘Sweet Company’

by Mitch Mosk
Dent May on film © Sophie Prettyman-Beauchamp
Festival, Music, PhotographyApril 26, 2022<April 26, 2022

Gallery: Bands on Film at Treefort 10

by Sophie Prettyman-Beauchamp
Sophia Bel © Will Arcand
Debut, Features, Interviews, Music, Track-by-TrackApril 26, 2022<September 29, 2022

Feature: Sophia Bel Opens Up on Her Stunningly Vulnerable, Transparent & Playful Debut ‘Anxious Avoidant’

by Mitch Mosk
Deer Scout © Felix Walworth
Debut, Features, Interviews, Music, Track-by-TrackApril 26, 2022<May 15, 2022

“Small, Close, & Sentimental”: Inside Deer Scout’s Comforting Debut Album ‘Woodpecker’

by Mitch Mosk
Rosalia © Greg Swales
Music, ReviewsApril 25, 2022<April 25, 2022

Rosalía at the Margins: A Review of ‘Motomami’

by David Buyze
Matchess © Marzena Abrahamik
Music, ReviewsApril 25, 2022<April 25, 2022

Album Review: Matchess’ ‘Sonescent’ Is an Amalgam of Sounds, Space, & Reflection

by Nick Matthopoulos
Atwood Magazine Editor's Picks 60
Columns, Editor's Picks, Features, MusicApril 22, 2022<September 29, 2022

Editor’s Picks 60: Lo, Jo Schornikow, Lisa Remar, Moreton, Katy J Pearson, & néomí

by Mitch Mosk
Atwood Magazine's Weekly Roundup | April 22, 2022
Columns, Features, Music, Weekly RoundupApril 22, 2022<April 22, 2022

Atwood Magazine’s Weekly Roundup: April 22, 2022

by Atwood Magazine Staff
Osees © Sophie Prettyman-Beauchamp
Festival, MusicApril 22, 2022<April 22, 2022

Gallery: Highlights of Treefort 10

by Atwood Magazine Staff
Features, Interviews, MusicApril 21, 2022<May 12, 2023

Interview: Lizzy McAlpine Cuts Deep with Stunning Sophomore LP ‘five seconds flat’

by Nasim Elyasi
Sandman Sleeps © Parisa Farbakhsh
Debut, Features, Interviews, Music, Track-by-TrackApril 21, 2022<April 21, 2022

Track-by-Track: Inside Sandman Sleeps’ Stirring, Honest, & Climatic Debut Album, ‘Crisis Actor’

by Mitch Mosk
SongBook - The Lazy Eyes
Debut, Features, Interviews, Music, Track-by-TrackApril 21, 2022<April 21, 2022

“Explosive, Colourful, & Nostalgic”: The Lazy Eyes Deliver a Kaleidoscopic Psych Rock Revue in Debut ‘SongBook’

by Mitch Mosk
Jon Waltz © Marcus Menefee
Music, ReviewsApril 21, 2022<April 21, 2022

EP Review: On ‘My Golden Horse,’ Jon Waltz Represents the Memphis R&B and Hip-Hop Scene with Equal Finesse

by Josh Weiner
Deanna Petcoff © Nadia Doss
Debut, Features, Interviews, Music, Track-by-TrackApril 21, 2022<April 20, 2022

“Passionate, Cathartic, & Loving”: Deanna Petcoff Soars on Stunning Debut ‘To Hell With You, I Love You’

by Mitch Mosk
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Brand New

  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley!

:: discover something new ::

Recent Posts

  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
  • Fresh Northern Rockers Florentenes Are Impassioned and Authentic on “Undiscovered Colours” June 18, 2026
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