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Churches - LP
Features, Interviews, MusicDecember 10, 2021<February 26, 2022

On Love, Songwriting, Spirituality & ‘Churches’: An Interview with LP

by Mitch Mosk
Atwood Magazine's Weekly Roundup | December 9, 2021
Columns, Features, Music, Weekly RoundupDecember 10, 2021<December 17, 2021

Atwood Magazine’s Weekly Roundup: December 10, 2021

by Atwood Magazine Staff
Harrison Whitford © Zack Whitford
Features, Music, Reviews, Track-by-TrackDecember 9, 2021<August 3, 2022

‘Afraid of Nothing’: Inside Harrison Whitford’s Achingly Intimate & Radiantly Raw Sophomore LP

by Mitch Mosk
Mumble Tide
Debut, Features, Music, Reviews, Track-by-TrackDecember 9, 2021<December 10, 2021

Finding Beauty in ‘Everything Ugly’: Inside Mumble Tide’s “Scrappy, Honest, & Frustrated” Mini-Album

by Mitch Mosk
Alex Lahey © Nick Mckk
Columns, Music, Today's SongDecember 9, 2021<December 9, 2021

Today’s Song: Alex Lahey’s Searing, Stunning “Spike the Punch” Hits Hard and Leaves a Mark

by Mitch Mosk
Rén with the Mane
Interviews, Music, Music Videos, PremieresDecember 9, 2021<December 9, 2021

Interview: Brooklyn’s Rén with the Mane on Her Alluring “Short Skirts” Video & Passionate New EP

by Mitch Mosk
Ok Cowgirl © Rita Iovine
Artist to Watch, Debut, Features, Music, Reviews, Track-by-TrackDecember 8, 2021<February 26, 2022

“Dream-Rock, Baby”: Brooklyn’s Ok Cowgirl Put Feelings First on Stunning Debut EP ‘Not My First Rodeo’

by Mitch Mosk
Raekwon © Erick Sasso
Books, Music, ReviewsDecember 8, 2021<December 8, 2021

Book Review: Raekwon Gives Us a Powerful Snapshot of ’90s Hip-Hop and NY Life in ‘Raekwon: From Staircase to Stage’

by Oliver Crook
Row Me Away - Leo Sawikin
Debut, Features, Music, Reviews, Track-by-TrackDecember 8, 2021<December 8, 2021

“Bittersweet, Pre-Dystopian, Longing”: Inside Leo Sawikin’s Dramatic Solo Debut, ‘Row Me Away’

by Mitch Mosk
LAIKIPIA © 2021
Features, Music, Reviews, Track-by-TrackDecember 8, 2021<December 8, 2021

A Place Like No Other: A Track-by-Track Review of LAIKIPIA’s ‘All Hail Hyperion’

by Joe Beer
Emily Blue © Kirsten Barnett
Artist to Watch, Columns, Music, Today's SongDecember 8, 2021<December 8, 2021

Artist to Watch: Emily Blue’s “The Afterlove” Is a Radiant Kiss of Intimate Brooding & Pop Magic

by Mitch Mosk
Features, Interviews, MusicDecember 7, 2021<October 18, 2023

Interview: Laura Dreyfuss Talks Vulnerability, Life Lessons & Development of Sound

by Chloe Robinson
Dom Dolla & Mansionair © Jesse Lirola
Columns, Music, Today's SongDecember 6, 2021<December 6, 2021

Today’s Song: Dom Dolla and Mansionair Showcase the Finest of Australian EDM on “Strangers.”

by Josh Weiner
talker © Sean Berger
Columns, Music, Today's SongDecember 3, 2021<December 1, 2021

Today’s Song: talker Haunt with Sunshine on “Summerlin”

by James Crowley
La Luz © Pooneh Ghana
Features, Interviews, MusicDecember 3, 2021<December 9, 2022

“Super True Surf-Guitar-Doo-Wop Sound”: A Conversation with La Luz’s Shana Cleveland

by Ben Niesen
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Brand New

  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream

:: discover something new ::

Recent Posts

  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
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