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SHAED © Jared Zagha
Debut, Interviews, MusicSeptember 13, 2021<September 13, 2021

Interview: A Conversation with SHAED, a Pop Trio Full of Capital Pride

by Josh Weiner
Geographer © Monica Reyes
Music, Music Videos, PremieresSeptember 13, 2021<November 16, 2021

Premiere: Geographer’s Exhilarating, Cinematic “Alibi” and the Wonder of Love

by Mitch Mosk
Features, Interviews, MusicSeptember 13, 2021<September 15, 2021

“The Ridiculousness of Feelings”: A Conversation with Sloppy Jane

by Nasim Elyasi
ella jane © 2021
Features, Music, Reviews, Track-by-TrackSeptember 10, 2021<September 10, 2021

“Nostalgic, Visceral, & Electric”: Inside ella jane’s Stunning Debut EP ‘THIS IS NOT WHAT IT LOOKS LIKE!’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | September 10, 2021
Columns, Features, Music, Weekly RoundupSeptember 10, 2021<September 10, 2021

Atwood Magazine’s Weekly Roundup: September 10, 2021

by Atwood Magazine Staff
Be - Common
Columns, Music, The Collab ColumnSeptember 10, 2021<September 10, 2021

The Collab Column: Common and Kanye West’s ‘Be’

by Leo Culp
Foy Vance © Babysweet
Features, Interviews, MusicSeptember 10, 2021<October 5, 2021

Interview: Foy Vance Breaks Out of the Quiet with New Album ‘Signs of Life’ and Little, Soft Revolutions

by Erica Danielle Garcia
We Were Promised Jetpacks © Euan Robertson 8.3
Music, Our Take, ReviewsSeptember 10, 2021<November 16, 2021

Our Take: We Were Promised Jetpacks Lift Off Once Again on Evolved 5th Album ‘Enjoy the View’

by Beau Hayhoe
Navy © Pretty Boy Worldwide
Columns, Music, Today's SongSeptember 10, 2021<September 10, 2021

Today’s Song: Navy Defies Genre to Touch Our Souls on “Diamonds”

by Oliver Crook
To Bloom - Erez Zobary © Teaunna Gray
Features, Music, Reviews, Track-by-TrackSeptember 9, 2021<September 10, 2021

Feature: Toronto’s Erez Zobary Dives into Her Beautifully Intimate & Radiant ‘To Bloom’

by Mitch Mosk
Mercury Retrograde - Sonia Stein
Music, PremieresSeptember 9, 2021<September 9, 2021

Premiere: Sonia Stein’s Intimate, Sweet & Smoldering Groove “Mercury Retrograde”

by Mitch Mosk
Lorde 'Solar Power'
Features, Music, ReviewsSeptember 9, 2021<September 9, 2021

The Beauty of Lorde’s World in a Late Summer: A Review of ‘Solar Power’

by Guest Writer
Ryan James Brewer
Editorials, MusicSeptember 9, 2021<September 7, 2021

Essay: Thoughts on The End of a Life with Ryan James Brewer

by Guest Writer
Kanye West at Donda listening party © 2021 7.5
Music, Our Take, ReviewsSeptember 8, 2021<September 8, 2021

Our Take: With ‘Donda,’ Kanye West Delivers a High Point in His Elder-Hip-Hop-Statesman Career Phase

by Josh Weiner
Mo Lowda & The Humble © Lauren Fithian
Music, PremieresSeptember 8, 2021<August 23, 2022

Premiere: Mo Lowda & The Humble’s “Snowbird” Is a Sweetly Soaring Triumph

by Mitch Mosk
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Brand New

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’

:: discover something new ::

Recent Posts

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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