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WONDALAND - TENI THE ENTERTAINER
Features, Interviews, MusicAugust 5, 2021<August 5, 2021

“Entertaining, Musical, & Inspirational”: TENI THE ENTERTAINER Shines on Radiant Debut ‘WONDALAND’

by Mitch Mosk
We Are The Willows (right) & Orchid Eaton (left) © Peter M
Music, PremieresAugust 5, 2021<August 5, 2021

Premiere: We Are The Willows & Orchid Eaton’s “Keep Your Head Up” Is a Mantra for Turbulent Times

by Mitch Mosk
Columns, Music, Today's SongAugust 5, 2021<August 5, 2021

Today’s Song: Addicted to Love in Natalie Shay’s “Medicine Boy”

by Joe Beer
Strawberry Launch © Will Montgomery
Debut, Features, Music, Premieres, Track-by-TrackAugust 4, 2021<August 4, 2021

EP Premiere: NYC’s Strawberry Launch Weave a Sweet Psychedelic Haze in Self-Titled Debut

by Mitch Mosk
Dutch Criminal Record © 2021
Music, Music Videos, PremieresAugust 4, 2021<August 4, 2021

Premiere: England’s Dutch Criminal Record Return with Intimate & (Bitter)Sweet “Return to Dust”

by Mitch Mosk
Music, ReviewsAugust 4, 2021<August 4, 2021

Review: Billie Eilish Is Back and ‘Happier Than Ever’

by Mariel Fechik
Kyd the Band © Garret Hayes
Features, Music, Reviews, Track-by-TrackAugust 4, 2021<August 4, 2021

“Conclusive, Settled, & Hopeful”: Kyd the Band Dives into His Hauntingly Beautiful ‘Season 4: Series Finale’

by Mitch Mosk
Tom West © Lauren Connelly
Features, Music, Reviews, Track-by-TrackAugust 4, 2021<August 4, 2021

“Slightly Psychedelic Folk Rock”: Tom West Shines on Radiant Third LP ‘I’m Livin’’

by Mitch Mosk
Columns, Music, Today's SongAugust 4, 2021<January 30, 2024

See Love Flower and Fade with Tyler, the Creator’s “WILSHIRE”

by Nasim Elyasi
Luke Hemmings © Scottie Cameron
Columns, Music, Today's SongAugust 3, 2021<August 3, 2021

5SOS Frontman Luke Hemmings Breaks Out at the “Starting Line” with Anthemic Solo Debut

by Mitch Mosk
Kenneth Whalum © A Brilliant Dummy
Features, Music, Reviews, Track-by-TrackAugust 3, 2021<August 3, 2021

“Heavy, Meaningful, & Haunting”: Kenneth Whalum’s Smoldering, Stirring Sophomore LP ‘Broken Land 2’

by Mitch Mosk
Coral Moons © Tatiana Ariola
Debut, Features, Interviews, Music, Premieres, Track-by-TrackAugust 3, 2021<August 3, 2021

“Exploratory, Reflective, & Textured”: Boston’s Coral Moons Shimmer & Shine on Radiant Debut ‘Fieldcrest’

by Mitch Mosk
Cold Weather Company © Carlos Perez
Music, PremieresAugust 2, 2021<August 2, 2021

Premiere: Cold Weather Company’s “Movement” Is an Uplifting Guide to Living in (and Embracing) the Moment

by Mitch Mosk
Atwood Magazine's Weekly Roundup | July 30, 2021
Columns, Features, Music, Weekly RoundupJuly 30, 2021<October 5, 2021

Atwood Magazine’s Weekly Roundup: July 30, 2021

by Atwood Magazine Staff
Matilda Mann © Nicole Ngaise
Columns, Music, Today's SongJuly 30, 2021<July 30, 2021

Today’s Song: West London’s Matilda Mann Comes to Life in Intimate & Wondrous “Bloom”

by Mitch Mosk
Posts pagination
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Brand New

  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out”
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!

:: discover something new ::

Recent Posts

  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
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