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Blonde Holly © Jacob Cummings
Debut, Music, ReviewsJuly 13, 2021<July 13, 2021

Flagstaff’s Blonde Holly Debuts with Soothing, Dreamy Single “Making Moves”

by Mitch Mosk
Hedda Mae © Alvin Santos
Columns, Music, Today's SongJuly 13, 2021<July 13, 2021

Today’s Song: Hedda Mae’s Irresistibly Seductive “Mr. Big Mouth” Tributes Britney & ’00s Pop

by Mitch Mosk
OKORO "Nsibidi" song picture
Debut, Features, Music, ReviewsJuly 13, 2021<July 13, 2021

“Fearless & Honest”: OKORO Radiates Passion and Purpose in ‘To Be Poetic’ EP

by Mitch Mosk
EVVAN © Chris Basford
Editorials, Music, PremieresJuly 13, 2021<June 20, 2024

“Taking the Mask Off”: EVVAN Shares Essay Coming Out as Non-Binary & New Song “Falling into You”

by Guest Writer
Bilk © 2021
Columns, Music, Today's SongJuly 12, 2021<July 12, 2021

Today’s Song: Essex Pop Punks Bilk Ride High in “Bad News”

by Mitch Mosk
Soda Blonde © Ste Murray 10
Debut, Features, Interviews, MusicJuly 9, 2021<February 7, 2022

A Beautiful Catharsis: Soda Blonde Shine a Light in the Dark on Outstanding Debut ‘Small Talk’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | July 9, 2021
Columns, Features, Music, Weekly RoundupJuly 9, 2021<July 9, 2021

Atwood Magazine’s Weekly Roundup: July 9, 2021

by Atwood Magazine Staff
Inhaler © Dan Kenny
Features, Interviews, MusicJuly 9, 2021<August 19, 2021

Interview: Dublin Band Inhaler Speak on How, for Better or Worse, ‘It Won’t Always Be Like This’

by Lilly Eason
Love, DEAN © 2021
Debut, Music, PremieresJuly 8, 2021<July 8, 2021

Premiere: Love, DEAN’s Radiant Soul Pop Shines in Gilded Debut Single “Fool”

by Mitch Mosk
Surf Mesa © Danielle Degrasse-Alston
Features, Interviews, MusicJuly 8, 2021<July 8, 2021

Interview with Surf Mesa: Sounds for Good Feels

by Kelly Liu
Joshua Henry © Rengim Mutevellioglu
Debut, Features, Music, Reviews, Track-by-TrackJuly 8, 2021<July 8, 2021

“Fun, Authentic, & Uplifting”: Joshua Henry Flies High in Soul-Stirring Debut ‘Guarantee’ EP

by Mitch Mosk
BEL © Cooper Leith
Artist to Watch, Debut, Features, Music, Reviews, Track-by-TrackJuly 8, 2021<December 14, 2021

“Growth, Healing, & Strength”: BEL Soars High & True in Debut EP ‘Muscle Memory’

by Mitch Mosk
The Collection © Cory Wood
Columns, Music, Today's SongJuly 8, 2021<July 8, 2021

Review: Get “Loud” with The Collection’s Charged Song of Action & Protest

by Mitch Mosk
Lukewarmdaily96
Debut, Music, PremieresJuly 8, 2021<July 8, 2021

Premiere: Cork’s Lukewarmdaily96 Debuts with Empathy & Vulnerability in “Peaching”

by Mitch Mosk
Alex Lleo © 2021 10
Artist to Watch, Features, Music, Our Take, Reviews, Track-by-TrackJuly 7, 2021<July 7, 2021

“Cruisy, Mellow, & Warm”: Alex Lleo Shines in Groovy & Golden ‘Morning Heights’ EP

by Mitch Mosk
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Brand New

  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out”
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!
  • Atwood Magazine’s Top Artist Discoveries of 2025

:: discover something new ::

Recent Posts

  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ December 13, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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