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Tertia May
Columns, Music, Today's SongSeptember 15, 2021<September 15, 2021

Today’s Song: London’s Tertia May Lights “The Fire” with Smoldering Hot & Soulful Passion

by Mitch Mosk
Naomi Kimpenu © 2021
Debut, Features, Music, Reviews, Track-by-TrackSeptember 14, 2021<April 1, 2024

“Dark, Emotive, & Timeless”: Naomi Kimpenu’s ‘Prelude’ EP Is a Striking, Stirring Entrance

by Mitch Mosk
Charlie Hickey x MUNA © Jannick Frampton
Columns, Music, Today's SongSeptember 14, 2021<September 14, 2021

Today’s Song: Charlie Hickey and MUNA Join Forces with “Seeing Things”

by Nasim Elyasi
Lilly Hiatt © Daniel Reyes
Concerts, Music, ReviewsSeptember 14, 2021<September 14, 2021

Live Review: Lilly Hiatt Reaps What She Rocks at Harvest Music Festival 2021

by Oliver Crook
Features, Interviews, MusicSeptember 14, 2021<September 14, 2021

Interview: Glassio Discusses Pensive Sound, Thoughts on Perfection, and the Talents He Respects

by Chloe Robinson
Rett Madison © 2021
Columns, Music, Today's SongSeptember 13, 2021<September 13, 2021

Today’s Song: Rett Madison’s Stunning “Emily” Is a Gut-Punch of Eruptive, Soulful Passion

by Mitch Mosk
SHAED © Jared Zagha
Debut, Interviews, MusicSeptember 13, 2021<September 13, 2021

Interview: A Conversation with SHAED, a Pop Trio Full of Capital Pride

by Josh Weiner
Geographer © Monica Reyes
Music, Music Videos, PremieresSeptember 13, 2021<November 16, 2021

Premiere: Geographer’s Exhilarating, Cinematic “Alibi” and the Wonder of Love

by Mitch Mosk
Features, Interviews, MusicSeptember 13, 2021<September 15, 2021

“The Ridiculousness of Feelings”: A Conversation with Sloppy Jane

by Nasim Elyasi
ella jane © 2021
Features, Music, Reviews, Track-by-TrackSeptember 10, 2021<September 10, 2021

“Nostalgic, Visceral, & Electric”: Inside ella jane’s Stunning Debut EP ‘THIS IS NOT WHAT IT LOOKS LIKE!’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | September 10, 2021
Columns, Features, Music, Weekly RoundupSeptember 10, 2021<September 10, 2021

Atwood Magazine’s Weekly Roundup: September 10, 2021

by Atwood Magazine Staff
Be - Common
Columns, Music, The Collab ColumnSeptember 10, 2021<September 10, 2021

The Collab Column: Common and Kanye West’s ‘Be’

by Leo Culp
Foy Vance © Babysweet
Features, Interviews, MusicSeptember 10, 2021<October 5, 2021

Interview: Foy Vance Breaks Out of the Quiet with New Album ‘Signs of Life’ and Little, Soft Revolutions

by Erica Danielle Garcia
We Were Promised Jetpacks © Euan Robertson 8.3
Music, Our Take, ReviewsSeptember 10, 2021<November 16, 2021

Our Take: We Were Promised Jetpacks Lift Off Once Again on Evolved 5th Album ‘Enjoy the View’

by Beau Hayhoe
Navy © Pretty Boy Worldwide
Columns, Music, Today's SongSeptember 10, 2021<September 10, 2021

Today’s Song: Navy Defies Genre to Touch Our Souls on “Diamonds”

by Oliver Crook
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Brand New

  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes

:: discover something new ::

Recent Posts

  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
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© Atwood Magazine 2024 For the Love of Music
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